Category: Fantasy in Media

In medieval fantasy, it’s all about the weapon

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Excalibur_IVYou know the old saying that “the car makes the man” don’t you? Well, in medieval fantasy, I like to think that “the weapon makes the man” or woman in some cases. There have been many legendary weapons that have made their way through the fantasy genre. You know their names:  Stormbringer, Mourneblade, Sting, Mjölner, Frostmourne, and of course, Excalibur. These weapons are as well know as the warriors that wield them.

I too have dabbled in creating mythical weapons. In the Forever Avalon series, Lord Bryan MoonDrake, the Gil-Gamesh of Avalon, wields the Twin Swords of the Dragon Moon, Twilight and Dusk, forged from the shattered remains of Excalibur. There’s also Steinknuse, the hammer/axe of Dwarf Master Dinius of the Gilded Halls. In the upcoming third book of the series, The Outlander War, I will introduce the Edenstar, sword of the first high king of the Elves.

However, today I want to touch on a few particular weapons. These are not as well-known as some of the previously mentioned blades, but they are unique in the realm of fantasy. So, let’s call these my Top 5 Obscure Medieval Fantasy Weapons from movies/television. These are weapons created solely for the cinema and/or TV.

Hawk#5—The Elven Mindsword from Hawk the Slayer (1980)—When it comes to obscure weapons, you don’t have far to look than this British 1980 sword and sorcery romp starring Jack Palance and John Terry as two brothers fighting for the throne after Voltan (Palance) kills their father, With his dying breath, the King gives Hawk (Terry) the last Elven Mindstone and imbued the power in a sword, giving Hawk the power to control the weapon telepathically. That’s about the crux of it. The only saving grace of this movie, besides Palance’s over the top performance, is Patricia Quinn of Rocky Horror fame as the sorceress. It’s not a lot for #5 but it’s the best I can do.

Beastmaster_caber#4—Caber from Beastmaster (1982)—This is one of those great “guilty pleasure” movies because it has everything in it:  A brooding warrior, a damsel in distress, an evil sorcerer and an army of raiders. Marc Singer is Dar, a prince who was taken at birth and branded by a witch, giving him the ability to communicate with animals. When his adopted family is killed, he goes off seeking revenge. He takes with him his father’s sword and caber, a hinged throwing blade. While Dar doesn’t use this a lot in this movie, when he does it’s a pretty cool weapon, similar to the glaive Blade uses (not to be confused with the other glaive coming up shortly).

three_blades#3—Tri-Blade Sword from The Sword and the Sorcerer (1980)—This has to be one of the bulkiest, most unwieldy weapon of my list, but it’s also one of the coolest. What knight wouldn’t want a broadsword with three blades where two of the blades shoot out. That’s what attracted me to this movie, that sword. It is totally impractical, but yet so desirable a weapon. The movie follows the standard plot of most 80’s “sword and sorcery” films of that era where a boy seeks revenge against the evil tyrant who killed his family and stole the throne. The boy named Talon (Lee Horsley) becomes a mercenary and helps a princess stop the same tyrant (played by veteran “evil doer” character actor Richard Lynch). Again, not a great movie except for a memorable weapon that every D&D player tried to create.

krull_1050_591_81_s_c1#2—Glaive from Krull (1983)—Again, a classic 80’s sword and sorcery movie, but this one is mixed with a little science fiction as a star-hopping megalomaniac called the Beast brings his army of Slayers to the planet Krull to destroy and dominate the planet. After and alliance and a wedding between Colwyn (Ken Marshall) and Lyssa (Lysette Anthony) ends with her being captured by the Beast, Colwyn searches for allies and a mythical weapon called the Glaive. The Glaive is a starfish with retractable blades that flies through the air, controlled by Colwyn. Unfortunately, you don’t see it used until the end of the movie, and then it’s only used briefly to rescue the girl and kill the beast, only to be lodged in his chest and hurled into space with him, which to me was the producer’s way of trying to get a sequel. One of the great things about this movie was the early, on-screen performances by a very young Liam Neeson and Robbie Coltrane.

Before I get to my #1, just a few honorable mentions, including the spear from Dragonslayer, the Klingon Bat’leth from Star Trek, and the Atlantean Sword from Conan the Barbarian.

xena-social1#1—Chakram from Xena: Warrior Princess (1995-2001)—She got her start in Hercules: The Legendary Journeys but Xena, the Warrior Princess (played by the incredible Lucy Lawless) held her own for six seasons of great television. And by her side, besides Gabrielle (Renee O’Conner) was her trusty chakram. This circular metal blade was deadlier than Tron’s Identity Disc. Xena could incapacitate dozens of enemies at once and the chakram would return to her hand, just like Mjölner. I would never want to challenge her to a pool game because she knows how to redirect her chakram as good as Captain America throwing his shield. It seemed like such a simple weapon yet it really identified Xena’s character. In fantasy, she became as legendary as the weapon associated with her.

I know some of you may have some disagreements with my list or some additions, I’d love for you to comment below. I’d like to keep the discussion going on these amazing weapons forged in fires of fantasy.

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51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble and iUniverse.

Why do humans always hang out with Dwarves and Elves in fantasy novels?

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4449747-3801600654-triolEver since I got into fantasy, especially with those long weekends in college of 24 hour binge sessions of pizza, beer and Dungeons and Dragons, there seems to be a pattern with adventure groups. You will always find a human travelling with a Dwarf and an Elf (or some combination thereof). We’ve read it in Lord of the Rings and the Shannara Chronicles and seen it in movies and television. I don’t think you can write a fantasy/adventure story without that combination.

I know that many will say this is the trap writers fall into, creating something that has been seen and used over and over again. I can even remember that God awful D&D movie (with Jeremy Irons, Marlon Wayans and Richard O’Brien from Rocky Horror fame) with the same combination of human, Elf and Dwarf in their midst. It seems to be an endless chain of events in magical fantasy stories.

So the question is, as writers, why do we do it? For one thing, it boils down to diversity. That seems to be the strong sentiment in society today … The need for more diversity in our lives and our media. We’ve struggled with diversity for the past 200 years. It’s hard to bring different cultures and races together and, putting it into stories, is easier for most people to comprehend.

thor-gallery-1-2011-a-lA great example I see is the changing diversity in comic books today. In the past few years, we have seen classic Marvel Comics characters change from male to female, white to black, including Captain America, Thor, Captain Marvel, and Wolverine just to name a few. The same could be said for television and movies. I remember all the trolls complaining when Michael Clark Duncan was cast as Kingpin in the first Daredevil movie or when Idris Elba was cast as Heimdall in Thor. It never bothered me because I don’t look at the color of their skin but at the skill of the actor, and in both cases, they were very successful.

In fantasy, it’s not about the color of the skin but the race of the character. There has always been an intense dislike and  suspicion between humans, Elves and Dwarves. You see it in the characters of J.R.R. Tolkien and others. I too “ran the gambit” when I put together the friends of the Gil-Gamesh in my Forever Avalon series. I wasn’t trying to be similar like Aragorn, Legolas and Gimli from Lord of the Rings. It just seemed natural to me as if I was playing a game of D&D.

To give you an example, here is an excerpt from my latest novel in the Forever Avalon series, The Dark Tides, where the Gil-Gamesh, Bryan MoonDrake meets Dwarf Master Dinius Oddbottom and the Elf Eonis for the first time.

***

Every man and women wanted to shake the hand of the new Gil-Gamesh, or even just touch him on the arm. Th e talk around the tavern grew louder and louder. Even the bards were already making up songs about the new Gil-Gamesh and how he stood up to Constable Durm.

Bryan sat down as Lily brought him a fresh pint of ale. Th rough all the excitement, he noticed that Dinius never stopped eating and drinking. Bryan was amazed at his ignorance. “Well now, Gil-Gamesh …” Dinius ascertained, “… You sit down and drink with a Dwarf and don’t tell him
who you really are?”

“I apologize Master Dinius,” Bryan retorted, “My deception was necessary to maintain a low profile during my Grand Tour of Avalon, especially now since I’m travelling alone.”

“Alone?” Dinius asked. “I thought Sir Thomas was travelling with you?”

Now Bryan wondered who this Dinius Oddbottom was. How does he know Sir Thomas? “Sir Thomas is heading to Cornish on a personal matter,” Bryan interjected. “He’s meeting me at Strongürd Keep aft er I confer with the Wizard’s Council.”

Dinius nearly choked on his drink when he heard this. “You’re going to Strongürd alone? Are you mad? Th at’s takes you through Blackbriar Forest? Every cutthroat and brigand will be waiting for you in there?”

“Well, I’m going to have to deal with them sooner or later,” Bryan insisted. “It might as well be now. I’m not going to cower like a frightened child.”

Dinius smiled at the brash attitude this young man had. “Well, I am heading back to the Gilded Halls and it just so happens that Strongürd is on the way there. That is, if you don’t mind the company.”

Bryan thought about his proposal. He didn’t know this Dwarf, so it could be a trap for an easy kill to collect the bounty. Before he could answer, an Elf approached their table. He was handsome with long brown hair. His pointed ears stuck out through his hair. He wore a shining chain mail under a green and brown wrap and a long green cloak. A long sword hung at his belt and a bow and quiver were slung across his shoulders.

“Salüs dai Tulafáir Gil-Gamesh, I am Eonis,” he introduced himself, placing his hand over his heart and bowing—a sign of respect in Avalon. “I bring you greetings from the Elves of Alfheimer.”

Bryan stood and extended his hand to Eonis. Th e Elf took it as a sign of human friendship. “Thank you Eonis. I hope to be in Alfheimer sometime soon to pay my respects.”

“I will inform Lord Baldrid of your intent,” Eonis concurred. “We will anticipate your arrival.” Eonis quickly turned his attention to the Gil-Gamesh’s companion, whom he recognized.

“Master Dinius,” he said, bowing again with respect. “What brings the Lord of the Gilded Halls to this corner of Avalon?”

Bryan turned to Dinius with a look of disdain at the Dwarf he’s been buying drinks and food for all night. “Lord of the Gilded Halls, huh?” he inquired. Bryan’s heard about the Gilded Halls, the home of the Dwarves of Avalon. It seemed Dinius Oddbottom wasn’t what he appeared to be. “I guess I wasn’t the only one ‘hiding in plain sight’, eh Master Dinius?” Bryan joked.

Dinius gulped his ale, aware that his own deception had been uncovered. “Yes, well, Sam makes the best ale this old Dwarf has ever tasted,” he tried to explain. “I come here from time to time to satisfy my thirst.”

Dinius got up from the table and walked over to Bryan. “Forgive my deception lad, but the Wizard Browbridge mentioned you may be coming this way and, knowing that I frequent the Weathered Wren, he asked me to keep an eye out for you … Indiscreetly that is.”

Now everything was starting to make sense to Bryan. “I suppose Archie sent you too?” he asked Eonis.

“Sir Charles, actually …” Eonis explained. “He asked me look in on you as well. Th is was a logical stopping point on your journey to Strongürd Keep so I came here and waited.”\

“And is there anything else I should be aware of?”

“Besides an embarrassed Dwarf and Elf, nothing at all,” Eonis bemused, attempting a joke, something Elves were not known for. “But truthfully, Gil-Gamesh, Blackbriar Forest is no place for any man to go alone, including you.”

“He’s right lad, just think of us as close companions on your journey,” Dinius added.

Bryan couldn’t believe it. Since his arrival on Avalon, people who never knew him had gone out of their way to protect and aid him. The devotion to the Gil-Gamesh was overwhelming to him.

“Alright, you can accompany me to Strongürd,” Bryan noted. “We’ll be leaving in the morning. Until then, good-night.” Bryan walked over to Sam to ask about his room. Sam motioned for Lily to escort Bryan upstairs to one of the rooms at the tavern. Eonis and Dinius kept a close eye on him until he disappeared behind the door.

“Well, that didn’t go as well as expected,” Dinius lamented. Eonis looked down at him, visibly upset.

“It may have helped if you didn’t scrounge food and drink off him all night,” he declared. Dinius huff ed and returned to his seat.

“A Dwarf’s got to eat, you know,” Dinius told Eonis, drinking down his ale then belching loudly as he finished his meal.

***

51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble and iUniverse.

Some may say I’m a dreamer, and they’re absolutely right

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Dreaming-Quotes-93Dreams are the lifeblood of a writer, for it is in the dream that we cultivate and grow our stories. John Lennon once said, “I believe in everything until it’s disproved. So I believe in fairies, the myths, dragons. It all exists, even if it’s in your mind. Who’s to say that dreams and nightmares aren’t as real as the here and now?”

That’s the truth about writing for in the dream, we get our inspiration, make changes to character and plot and navigate our way through the dreamscape. It was in my dreams that I found the story that is the Forever Avalon series.

I was a sailor, deployed far from home and missing his wife and newborn baby daughter. Off duty hours were spent indulging in my favorite pastime, Dungeons and Dragons. The combination of the two led to a recurring dream of being stranded on a magical island with my family. Over the years, the dream changed and expanded until I finally decided to write it all down.

Today, that dream has come full circle in the publication of the Forever Avalon series, including The Dark Tides and the third book in the series, currently under development, The Outlander War. These are the products of my dreams, my pure inspiration and fantasy.

People use to tell me to stop being a dreamer, to grow up; but Oscar Wilde declared, “Yes: I am a dreamer. For a dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.” That’s the magic of being a dreamer.

I often try to guide my dreams as I fall asleep, so I can continue to cultivate my story each and every night. Sometimes, I just let the dream take over and see where it leads me as I sleep. More often than not, the dream escapes me and I toss and turn as I try to sleep. On more than one occasion, the most brilliant idea comes to mind and I have to get up and write it down before I forget it completely.

These are the faults of our dreams. As writers, we can’t stop creating, even when we sleep. The dream is our reality, though not in the Inception kind of way. It’s funny how the human mind works. in that sense, our dreams are our (the writer’s) way of bringing our reality into everyone else’s.

Stephen King said, “And people who don’t dream, who don’t have any kind of imaginative life, they must… they must go nuts. I can’t imagine that.” Neither can I.

51nd6H6sATL._SY344_BO1,204,203,200_
SKU-000941753Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble and iUniverse.

The worlds inside the mind of a writer

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middleearthlargelargerstill

Middle Earth from “The Lord of the Rings”

Franz Kafka said in The Diaries of Franz Kafka, “This tremendous world I have inside of me. How to free myself, and this world, without tearing myself to pieces. And rather tear myself to a thousand pieces than be buried with this world within me.”

That explains what’s inside the mind of a writer. I know I’ve touched on world building before in my blog, but I had to take another whack at it. World building can either make or break a story. You have to make the world your characters live in believable. That means, as an author, you have to be an architect, city planner, landscape artist, geologist and mapmaker, all rolled into one.

I really started last week when I started watching Terry Brooks’ The Shannara Chronicles on MTV. It really made me appreciate this new world he created from the ashes of our world today. That’s a common thread you see in world building in literature–building a new one from the old. You see that in the Four Lands in Shannara, Panem in The Hunger Games just to name a few. These are not worlds built using by redrawing the lines of states and countries but places imagined after the worst possible disaster.

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Westeros from “Game of Thrones”

Then there are original worlds like Middle Earth from J.R.R. Tolkien or Westeros from George R.R. Martin. These are the works of masters in the art of world-building. Author Ace Antonio Hall said, “When you get some free time, write. When you get some lazy time, plan. When you get down time, world build. When your time comes, shine!”

This is true for those who take the challenge of creating a world from scratch. This was the problem I faced when I started writing the Forever Avalon series. Though Avalon was a place mired in legend and mythology, it was never something that was mapped out. I had to create Avalon as it would develop in my story and mine alone.

Author Patrick Rothfuss was interviewed by bloggers The Rabid Rainbow Ferret Society about world building. He said, “World building has two parts. One is the actual creation. The other is bringing the world into your story. Everything you create should not be in your story.” He called this secondary world creation.

I did a lot of this in my misspent youth playing hours upon hours of Dungeons and Dragons. As a Dungeonmaster, you create everything from the country to the towns and the dungeons, then fill it with everything under the sun from monsters to Elves, Dwarves, etc.

I took Avalon to be a lot like England was in medieval times, specifically because legend and local lore suggests Avalon was actually a part of Wales. So first, I divided up the lands, giving them out to the various Lords of Avalon to control, in the name of the King. I even used names from towns, provinces and local landmarks in England, assuming that people who were brought from England to Avalon needed that familiarity.

(FYI, here’s my self-serving pitch for those wanting to catch up on Avalon in my first two books, Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble and iUniverse.)

I actually had to draw out the map of the island so that, when I’m writing, I make sure I’m going in the right direction when I’m moving characters around the island. I can’t begin to tell you how difficult that’s going to become after my third book, The Outlander War, is finished. So, no spoilers here … not yet at least.

For the best advice on how to reveal your world to the reader, I have to give it again to Patrick Rothfuss, who said, “My advice is to withhold information from the reader. Because if you tease with a little information early on, they’ll get curious. And if I can get them to go “How does this work?” and lean in a little bit, then I’ve won.”

He’s absolutely right about that. In Forever Avalon, I teased my readers about the dragon island Emmyr, the home of Lord Bryan MoonDrake, the Gil-Gamesh of Avalon. I talked about the dragons, how he built a home there, but never let on about the true nature of the island until they arrived to see the floating island in the sky, shrouded by mist and encircled by flying dragons. The surprise was worth the wait.

So create your worlds, build them as you build your story, but keep the reader guessing. It’ll help draw them in and wanting more.

A look ahead to 2016 — A preview of “The Outlander War, Book 3 of the Forever Avalon series”

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year-in-review-1Well, here we are in 2016. I hope everyone had a Happy New Year and, although it’s the first Monday of the new year, let’s be positive. 2015 was not the best year. Between terrorism, political intrigue, riots in Ferguson and Baltimore, email scandals, mass shootings and unexpected deaths, it’s definitely not in my top 10. The positive things I can say about 2015 was Star Wars: The Force Awakens, the return of Bloom County on Facebook, Doctor Who season 9, great comic book TV shows and the positive reviews I received for my second novel, The Dark Tides. More bad than good, but still, just an okay year.

As I look ahead to 2016, I am happy to report that the third book in the Forever Avalon series, The Outlander War, is nearly finished. So I thought what better way to kick off 2016 than with a preview of the next chapter in my medieval fantasy/adventures series. Here is the prologue from The Outlander War!

* * *

The field was strewn with the dead; warriors felled by sword and axe, spear and shaft. Blood flowed across the ground, but there were no winners here … Only death triumphed this day. Camlann sat near the southern coast of England in Wales. This was the last stand by Mordred and forces loyal to his sorceress mother, Morgana le Fay, against the King Arthur and the Knights of the Round Table.

The Battle of Camlann was the final conflict between King Arthur and Mordred. The two combatants laid side-by-side on the ground, both men mortally wounded by the other.

As Sir Percival ran to his monarch’s aid, Mordred crawled away, not wanting to wait for the last of the Knights of the Round Table to finish him off.

Percival dropped his sword and lifted Arthur’s head on his lap. “My liege,” he cried. “I am here Your Majesty.”

“Percival … Listen to me,” King Arthur groaned. “Take Excalibur to the Lady of the Lake; it must not fall into the wrong hands!” He handed his sword to Percival, placing the hilt firmly in his hands. “You must do this for me.”

Percival nodded his head as tears began to roll down his face. “I will sire! I will” he assured his King. Arthur smiled, his mind at ease. He coughed violently, blood spewing from his lips.

“Find Mordred, Percival,” he choked out. “He must not be allowed to take the throne of Camelot. You must …” King Arthur coughed again as he gasped for each breath. Percival did his best to comfort the dying monarch.

“Do not fear, milord. As long as there is breath in my body, he will never sit on the throne. This I swear!”

King Arthur took one last breath before his body went rigid, his eyes stared into the stars above. His arms went limp as the King fell back and died. Percival cried as he closed the King’s eyes and set him gently down on the ground.

He looked over to Excalibur and knew he had a promise to keep. He reached for the sword but it was quickly scooped up by the hands of Merlin the Magician. The sorcerer and advisor to King Arthur took the sword without a word to Sir Percival, walking up toward the top of the hill.

“Merlin, what are you doing?” Percival screamed as he leaped to his feet. “I must return Excalibur to the Lady of the Lake. It was the King’s final command.”

Merlin said nothing. He quickened his pace to the reach the top of the hill. He walked past the bodies of the dead knights, laying where they fell in battle. Percival became irritated at the wizard. He ran up and grabbed him by the arm.

“Dammit Merlin, answer me!” he commanded. Merlin pointed his staff at Percival to ward him off. The twisted shaft of Wych Elm had three branches at the top, looking like a trident, with crystals of rose, smoky and white quartz embedded in those branches. The crystals glowed, as magical energy hovered between them, threatening the knight to stay away.

“We don’t have time Sir Percival,” Merlin exclaimed. “I must act quickly to save us all.”

Merlin turned away to continue climbing up the hill. Percival was confused by Merlin’s statement. “Time for what? Merlin, what do you mean?” he shouted as he chased after the wizard.

“The age of magic is coming to an end, and so is our world,” he explained. “With Arthur’s death, the magic that fills our realm is already starting to fade. I must act quickly if I am to stem the tide.”

“But how?” Percival asked. “How can you do that?”

“There is a spell, one of the first ever written,” Merlin began to explain. “If I focus that spell through Excalibur, it will bring all magic together in one place.”

“Where Merlin? Where are you sending it?”

Merlin stopped as he reached the summit. “To Avalon, my boy! To Avalon! There, I will summon all the magic, magical creatures and beings into one place, hidden from the rest of the world.”

The wizard rammed his staff into the ground in front of him. He took Excalibur and placed the hilt between the branches, allowing the sword to hang down from the staff. Merlin stood behind them and started chanting. It was an ancient language, unknown to this day and age. He repeated the spell until he got into a rhythm, chanting as magic began to erupt from the ground around him.

Percival stood back as watched the ritual unfold before him. The energy around Merlin grew brighter and brighter as the spell reached its zenith.

“No!” shouted a voice from behind. Percival drew his sword as he turned to see who was shouting at them.

Mordred, bloodied and wounded from his fight with King Arthur, charged up the hill. His blonde hair was dirty and matted, but his golden armor—a gift from his mother to protect him from harm—still shined brightly in the glow of the magic that surrounded Merlin.

“I will have Excalibur,” he shouted. “By birthright, I am now King!”

Percival stepped between Mordred and Merlin. “You will never be King, Mordred. My descendants and I will always stand between you and the throne.”

“You will not stop me Percival,” Mordred chastised as he drew his sword. “No matter where you go, I will take Excalibur in my hands, I will sit on Arthur’s throne … I will be King!”

Percival leaped at Mordred, bringing his sword down at him as Mordred raised his to counter his attack. As steel clashed together, the magic around Merlin exploded in brilliant flash of light. In an instant, they were all gone. Across England and around the world, anything and everything touched by magic just disappeared; faded into myth and legend, never to be seen again, or so they thought.

* * *

In case you want to catch up on the first two books, Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble and iUniverse.

Death and dying in literature is the hardest part of being an author

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Death-of-Literature-Skull-and-Book

“No one knows whether death, which people fear to be the greatest evil, may not be the greatest good.” – Plato

I know I broached this subject before, but it’s really knawing at me, especially now. I am almost done with my third novel of the Forever Avalon series–the end of the first trilogy–and death is hovering around me. I don’t know about other authors, but for me, death is the hardest part of writing. For the past 10 years, I have put my heart and soul into my writing. These characters, that I have so lovingly created, are like family to me and having to kill some of them to move the plot along can be quite difficult.

Some people find comfort in death Helen Keller said, “Death is no more than passing from one room into another. But there’s a difference for me, you know. Because in that other room I shall be able to see.”

Then there are those you want to see dead. Sure, it’s easy to kill the villains, because they’re the bad guys. They’re the ones you want to be foiled, thwarted, even destroyed by the end of the book. To them, death is just the means to an end in their quest for power, fame or dominion over others.

I think J.R.R. Tolkien summed it up best in The Fellowship of the Ring. He wrote, “Many that live deserve death. And some that die deserve life. Can you give it to them? Then do not be too eager to deal out death in judgement. For even the very wise cannot see all ends.”

Below is an excerpt from The Dark Tides which demonstrates how death moves the story along; but also, for me, it was one of the hardest pages I’ve ever written. I was in tears as I wrote this part of the story, which is why I want to share it with you now.

* * *

With a wave of her hand, Lady Heather gave the signal as two airships descend from the night sky toward Emmyr. It was the Reaper and the Flying Fancy. Ropes were lowered down for the remaining pirates and goblins to ascend. Captain Avery was lowered down from the Fancy
on a platform for Morgana and Lady Heather to ride up on.

Heather handed Bowen off to one of Avery’s men to hold. Cadhla desperately reached out for her son, who cried as he tried to reach for his mother, but to no avail.

“Heather please, don’t do this!” the Queen pleaded, “Take me instead, just leave my son; please leave him alone! It’s me you want, not him.”

Heather walked over to the Queen, strutting over the dominance of her enemy. “Now why would I want you? I mean, what good is a dead hostage,” she said as she plunged the Dagger of Koram into Cadhla’s chest. Th e Queen fell to her knees, unable to breathe and unable to speak. “The Queen is dead …” Heather shouted sarcastically as she pulled the dagger out.

“… Long live the King!” Heather mocked young Bowen, giving him a curtsey. Cadhla fell backwards to the ground. Hunter tried to help her but he could barely move. He was only able to lift her head gently onto his lap. He wept for Cadhla as his gaze shifted to Bowen as he is hauled
up to the waiting ships.

Avery walked up to the Gil-Gamesh, still being held by the goblins. He drew his sword Crossbones as he approached Bryan, placing the blade under his chin. He lifted the Gil-Gamesh’s head up so he can look into his eyes, cutting a deep gash from his chin to his cheek.

“It would be spiteful to take your eye like you did mine, but you might just need that to find the broach for Morgana,” he cursed the Gil-Gamesh. Without warning, threw his sword at Nevan, plunging the blade deep into his chest. Nevan slumped down onto a shocked Sarafina
and young Thomas.

“You took my right eye, now I took your right hand,” Avery said as he walked over to Nevan and retrieved his blade, leaving Sarafina in despair next to her dying husband. “That’ll do for now!” Avery sheathed his sword and joined Heather and Morgana on the platform.

“One month Gil-Gamesh, until the next new moon … Bring my broach to Idlehorn or your young King dies!” Morgana promised. The platform rose up to the Flying Fancy. As the platform moved, the Dark Tides effect on the people lessened and the people slowly began to recover.

Explosions were heard from the port as the people looked down to see Avery’s ships fire on the port and shipyard, destroying the ships and parts of the port itself. Th e fires burned on throughout the city, leaving everyone in shock.

But the only sound that could be heard was the cries of little Thomas Forest as he spoke his first words to his dying father.

“Daddy …SKU-000941753 Daddy please get up! Mommy, tell Daddy to get up! I’ll say anything you want me too Daddy, just please get up!” the little boy cried, repeating it over and over again. Nevan smiled. He finally heard his son call him Daddy. It’s the last thing he heard as his life faded away.

* * *

The Dark Tides is now available for purchase at Amazon, Barnes and Noble and iUniverse.

What Doctor Who teaches us about the magic of Christmas

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Christmas has many traditions that people observe in their own way, from when do we get to open presents to what foods we get to eat. My favorite Christmas tradition is watching the annual Doctor Who special on BBC America.

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“The Doctor, the Widow and the Wardrobe”

It may not seem like a normal tradition to some people, but it is very normal to geeks like me. Doctor Who has been around as long as I’ve been alive. These Christmas specials are special on so many different levels. They are wonderful stories in their own right, setting up the next season of Doctor Who, and they demonstrate the universal truth about the Christmas holiday. “The Doctor, the Widow and the Wardrobe” taught us the importance of family at the holidays. “Last Christmas” taught us to believe in Santa Claus, even with an alien crab stuck to our heads. “Voyage of the Damned” told us why Titanic is a bad name for a ship in any universe.

To fans like me, the Doctor Who Christmas specials are just as important as watching How the Grinch Stole Christmas or It’s a Wonderful Life every year. These are special episodes made to make us laugh, make us cry and tease us for what’s happening next season.

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“The Snowmen”

Sometimes, they even help us say goodbye to the old Doctor and hello to the new one. The past three Doctors have all regenerated during a Christmas special. The 10th Doctor, David Tennant, died in “The End of Time” and regenerated into the 11th Doctor, Matt Smith. Consequently, Matt Smith died in “The Time of the Doctor” and regenerated into the 12th Doctor, Peter Capaldi. I think BBC does this to make it easy on the fans as they watch these specials on Christmas with family and friends who share their enthusiasm for Doctor Who.

The other great aspect of the Doctor Who Christmas Specials is the wonderful actors that guest star in these episodes. Kylie Minogue played a waitress on the Titanic starliner in “Voyage of the Damned” Christmas episode. Michael Gambon and opera star Katherine Jenkins were in my favorite Doctor Who Christmas special, “A Christmas Carol.”

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“Last Christmas”

The origins of the Doctor Who Christmas specials date back to 1964. During a seven-part serial “The Daleks Master Plan” premiered one episode on Christmas Day called “The Feast of Steven” which included breaking the “fourth wall” in television, wishing viewers a Happy Christmas. The tradition really started in 2005 with “The Christmas Invasion” as the Doctor (David Tennant) and Rose Tyler (Billie Piper) helped stop an alien invasion on Christmas Day. From then on, people have enjoyed their Christmas pudding and spiked Eggnog with an extra helping of Doctor Who.

Some people will tune into 24 hours of A Christmas Story, go to church or maybe gather around the piano and sing Christmas carols on Christmas night, but not us diehard Whovians. We will sit and wait and tune into the BBC for our annual tradition of the Doctor, his sonic screwdriver and the TARDIS. It just wouldn’t be Christmas without the Doctor.

 

Is special effects making or breaking the fantasy genre?

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tumblr_nagzsvgqUx1t3g0gjo1_1280Is the fantasy genre being overdone and is that the fault of today’s special effects? I ask myself this question because of the rash of TV programs being thrust at us this year. You have a myriad of television fantasy choices from Once Upon a Time, Atlantis and Grimm to almost every other show on the CW Network. Add to that the shows that try for historical accuracy like Vikings, The Bastard Executioner, and The Last Kingdom.

Add to that the surge of superhero movies and television, fantasy is at its prime. CGI and motion capture has made it easier for production companies to do fantasy epics. When you look at the sprawling scenery in the upcoming Shannara Chronicles, you realize how far we’ve come in special effects. You couldn’t get images like that over 30 years ago.

But at the same time, computer software has made it easy to make a halfway decent movie. The Internet is loaded with low-budget movies and shorts by freelance, home-taught movie makers using their iPhone or Galaxy cellphones that put some of these multi-million blockbusters to shame.

In some cases, the story lacks for the sake of the effects. The one thing you never, ever forsake is the story. They need to be grounded on a well-written script to carry it from beginning to end.
The one positive thing I have to say about special effects is how it’s bringing stories you never thought you’d see to life on the big screen. Could they have done Lord of the Rings or The Hobbit movies 30 to 40 years ago! Doubtful.

In a recent interview, Academy award-winning producer and director Steven Spielberg said that “the superhero movie goes the way of the western.” As much as I hate to disagree with a personal inspiration of mine, I must.

For the first time, comic book fans can finally see an accurate portrayal of their favorite characters. No spandex or rubber costumes, bad blue screen effects, but actually stepping into these fantastic worlds.

Like I said earlier, don’t make a movie for the sake of the special effects. It needs that great story to back them up.

When I began writing Forever Avalon, I was inspired for the magical flying galleons in my story by the animated movie Peter Pan. This week, the movie Pan hits theaters and flying ships are an essential part of the story. The effects are spectacular and I can’t wait to see it.

This scares me a little bit, though, because I don’t want people thinking I copied the movie or think it’s overdone. This may be another detriment to the fantasy issue. We’re all experiencing “group think,” having the same ideas and using them in our stories. Because special effects today means “anything is possible” so we let it all hang out in our stories.

I know I’m “heating a dead horse” but I think I need to really press this point. We need great stories with great effects, not vice versa.

Forever Avalon is available for purchase at Amazon and Barnes and Noble.

I visited the Bermuda Triangle and all I got was this lousy t-shirt!

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article-2555006-1B574E5800000578-140_634x480Last week, the east coast of the United States was under a tropical storm warning as we awaited Hurricane Joaquin. Fortunately, it stayed way out to sea and barely affected us, but it did give me some inspiration. It gave me a great opportunity to talk about one of the “sci-if” elements of Forever Avalon and The Dark Tides … The Bermuda Triangle.

For those who need a little history lesson, the Bermuda Triangle is an area of the Atlantic Ocean between Miami, Florida, San Juan, Puerto Rico, and the island of Bermuda, more than 1,510,000 square miles of ocean. There are more than 1,000 recorded incidents in the last 500 years in that part of the Atlantic Ocean.

I’ve always been fascinated by the Bermuda Triangle. I remember a movie from the 1975 that I saw as a kid called Beyond the Bermuda Triangle. Of course, who could forget Leonard Nimoy’s TV series In Search Of, where he spent one episode on the mysterious disappearances in the Bermuda Triangle and possible reasons behind them. Next to the search for Noah’s Ark, Bigfoot and the Loch Ness Monster, the Bermuda Triangle is a mystery wrapped in an enigma.

Rifts_RPG_Ultimate_Edition_2005I even played a role-playing game, in my D&D days, called Rifts. The story was that Ley Lines, lines of magical every that crisis-cross the Earth, intersect in certain places (like the Bermuda Triangle) creating rifts or portals to other worlds in space and time. This post-apocalyptic game took us into the future. It combined sci-if and fantasy, for example, you had Elves that could hack into computer networks through jacks in their heads. Like I said, fun!

There are plenty of logical reasons why all these boats and planes disappeared in the Bermuda Triangle, from hurricanes to rogue waves, that can explain the phenomenon. I like to think that there is some truth behind the disappearances which is why I incorporated them into my novels.

Sure, aliens are the most prevalent theory behind the myth, but I like to stick to the magical. Using the Bermuda Triangle as a portal to Avalon gave the back story to my novel some credence. The people who survived the storms ended up in the shores of Avalon. There they either blended into the medieval society or died, it was that simple.

866683_f520One of my favorite tales from the Bermuda Triangle is the story of Flight 19. Flight 19 was the designation of five U.S. Navy TBM Avenger torpedo bombers that disappeared over the Bermuda Triangle on December 5, 1945 during a overwater navigation training flight from the Naval Air Station in Fort Lauderdale, Florida. All 14 airmen on the flight were lost. Investigators could not determine the cause of the loss of Flight 19 but said the airmen may have become disoriented and ditched in rough seas after running out of fuel.

I came up with a better answer … They arrived on Avalon. The flight leader, Lieutenant Charles Taylor, became an essential part of the Forever Avalon story. He was a mentor and friend to Bryan MoonDrake, the Gil-Gamesh, from the moment he arrived on Avalon. I originally meant for him to be just a small part of the back story, but in The Dark Tides, I was able develop his story as part of the character development of the Gil-Gamesh.

Whether you believe in the supernatural or not, the Bermuda Triangle will always be a place where sci-fi/fantasy authors can twist and turn their stories in any direction possible. Just be sure not to get lost in there. You never know where you’ll end up.

Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is now available for purchase at Amazon, Barnes and Noble and iUniverse.

Doctor Who, Steampunk and Time Travel are some of my favorite anachronisms

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[UNSET]“The straightest line may be the shortest distance between two points, but it is by no means the most interesting!” That’s a quote from the third Doctor from the long running British sci-if television series Doctor Who.

I will admit, if I haven’t already, that I am a diehard Whovian. I was introduced to Doctor Who in college in the 1980s. I saw this strange man wearing a scarf that had to be over 20 feet long, fighting robot tanks with a screwdriver and a blue box.

It was watching Doctor Who that made me realize that I felt like an anachronism, that I was born on the wrong time. Some people might relate this to reincarnation, but I don’t really know if I believe in that. I just know that I feel out-of-place in this modern-day and age.

Oh don’t get me wrong, I love the modern conveniences we have today. I prefer indoor plumbing, modern medicine and the Internet. It’s weird that when I look at movies from the 30s or 40s, or even period pieces from the late 1800s, I get nostalgic and I am awash with a sick feeling, almost like being homesick.

It’s ironic that, when you look at television and movies from the past, they all strived to look ahead to the future.Did you know that the original Lost in Space TV series I the 60s was set in the 1980s? Or that the Back to the Future movies were looking ahead to the 2000s? The world didn’t quite turn out that way for us, but we’re getting close. They did just get an actual hoverboard working recently.

I think that why I like Doctor Who so much, all the modern convinces inside a flying time machine that can take you to anywhere in time and space. At the same time, I’m also a big fan of steampunk. The outlandish Victorian style combined with modern technology is absolutely amazing to me. My wife and I would love to decorate our home in steampunk.

I think that’s what we need today. We need a little old fashion style and sensibility combined with modern technology and thinking. That’s what steampunk represents, bringing two worlds together to make a functional lifestyle.

I don’t want to get political here, believe me I don’t. Our world today is so combative when it comes to either the left or the right that you can’t have conversations on even the simplest of topics. I refuse to talk politics with my daughter in the same room because she is so passionate that she gets argumentative.

I remember the old saying, “Those who ignore history are doomed to repeat it.” I think we are headed down that path in the world today. We are so busy looking to the future that we forget the teachings of the past.

gallery_k9_p1_03So, let’s all climb into the TARDIS and take a stroll through time so that, as the Doctor would say, “You know, the very powerful and the very stupid have one thing in common. They don’t alter their views to fit the facts, they alter the facts to fit their views.” (By the way, that was said by my Doctor, Tom Baker, the 4th Doctor!)