Category: comic books

Marvel’s “What If?” was way ahead of its time

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What If? #10 asked the question “What if Jane Foster found the hammer of Thor?” and that question was answered in 2014 when she picked up the hammer and became the God of Thunder.

Marvel’s “What If?” is a new animated series on Disney+ but it actually began more than 40 years ago in the comics. I have been reading What If? since its inception in 1977 and, to be honest, the writers were way ahead of their time. In fact, they foretold the future of Marvel Comics in more ways than one.

What If? is a comic book anthology series published by Marvel Comics whose stories explore how the Marvel Universe might have unfolded if key moments in its history had not occurred as they did in mainstream continuity. Since What If? debuted in 1977, the comics have been published in 13 series as well as occasional stand-alone issues. As in the Disney+ animated series, the stories of the inaugural series (1977–1984) feature the alien Uatu, the Watcher as a narrator. From his base on the Moon, Uatu observes both Earth and alternate realities.

These early alternate realities, for the most part, actually came true in the Marvel Universe. In What If? #1, they wondered what would have happened if Spider-Man joined the Fantastic Four (an offer made in Amazing Spider-Man #1 in 1963). Years later, Spider-Man (and Wolverine) joined a new Fantastic Four team in Fantastic Four #347, while Spider-Man also joined the roster as part of the Future Foundation in The Amazing-Spider-Man #657. Prophecy becomes reality . . .

In What If? #10, the question was asked about Jane Foster picking up the hammer of Thor, something she did 30 years later and will be portrayed in the upcoming Marvel movie “Thor: Love and Thunder” as well. The early What If? comics were way ahead of their time. What If? #2 wondered if the Hulk still had Bruce Banner’s brain, something we’ve seen both in the comics and in the movies. You can find the complete list of original What If? comics on Wikipedia, and most of them have come to pass in today’s comics or movies.

Captain Carter from What If? Disney+ animated series and cosplay at MetroCon 2021 (cosplayer unknown).

Now, we have a new What If? on Disney+, and I am a fan. Having Jeffery Wright voice the Watcher was a brilliant choice as his stoic voice lends to the character. And, we’re only three episodes in and the changes have been remarkable. We’ve already seen evidence of that as cosplayers are donning the suit and shield of Captain Carter. That’s always a sign of a successful introduction of a character, whether it be anime, comics, television, or movie. I’m waiting patiently for T’Challa (Black Panther) as Star Lord in cosplay, but I know its coming soon. That was a great final scene and tribute to Chadwick Boseman. Every episode seems to have a great sense of both the Marvel Universe and the Marvel Cinematic Universe. They honor the legacy of these comics while bringing new life to the MCU.

That’s the great thing about the concept of the multiverse. It brings us a variety of characters that we know and love but in the many different forms and representations. If you thought “Spider-Man: Into the Spider-Verse” was brilliant, this series keeps getting better and better. I really think Marvel has taken a bold step forward with their Disney+ series, Loki and Wandavision both, and “What If?” is another new chapter.

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Mark Piggott is an independent author of the Forever Avalon fantasy book series and other fantasy novels and short stories. Forever Avalon is available for purchase as a paperback/ebook at Amazon and as an audiobook from Audible and iTunes. The Dark Tides: Book 2 of the Forever Avalon Series is available for purchase as a paperback/ebook from iUniverse Publishing and at Amazon, and other booksellers. The Outlander War, Book Three of the Forever Avalon series is available for purchase as a paperback/ebook from Austin Macauley Publishing, and at Amazon and other booksellers. His latest fantasy novel, The Last Magus: A Clockwork Heart is available through Lulu and other booksellers. Get ready for The Prometheus Engine: Book 4 of the Forever Avalon Series, coming soon, and the steampunk historical fiction, Corsair and the Sky Pirates.

Marvel reimagines the lineage of the Mandarin in the new “Shang-Chi: The Legend of the Ten Rings” movie

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After a dismal failure at introducing the Mandarin in Iron Man III, Marvel is trying to get it right with their new movie, Shang-Chi: The Legend of the Ten Rings coming to theaters, Sept. 3. As a comic book purist, especially when it comes to movies, this version of the Iron Man supervillain is a better representation of the character instead of the campy Sir Ben Kingsley attempt. But, you need to know the history of this character, as well as Shang-Chi himself, to understand the changes being reimagined for the movies.

“To know that you are superior— in mind, in body, in spirit. That is everything! To know that power is your birthright— to know what untold thousands exist on this world for no reason but to serve you– to channel their powers through your empire, be it of land or of business– channeling it upward to fuel you, to fuel your glory!“

—The Mandarin (Marvel Fandom Wiki)

The Mandarin was created in the 1960s as a supervillain for Iron Man at a time when the U.S. was under the “Red Scare” from Communist China, the Soviet Union, etc. Comic book villains reflected the hysteria at the time, so the villains were all tied to the idea of the communist take over of the world. This time period gave us The Mandarin, Red Ghost, Yellow Fang, the Titanium Man, Red Guardian, and yes, even Black Widow. These Asian characters had over-exaggerated features, yellow skin, sharp fingernails, and were portrayed as the epitome of evil. I would call it a holdover from World War II and the animosity toward the Japanese. The Mandarin was no exception.

In the comics, the man that would become the Mandarin was born from an English prostitute in an opium den located within the small village of Habuquan in Inner Mongolia, China, where he spent his entire childhood doing forced labor. Following his mother’s death due to overdose, the Mandarin killed her procurer, whom he figured was his father, and delved into a life of crime. When the communist revolution occurred, he went on the run. While running away, the Mandarin found a cave in the Valley of Spirits that housed the wreckage of an alien spaceship. Becoming transfixed by a set of ten small cylinders spinning in the ship’s engine, the Mandarin took the artifacts. Having found them similar in appearance to rings, the Mandarin started wearing them as such, slowly studying each of them and gaining access to their powers. When the Mandarin first worn them all at once, his mind was reached by the warrior spirits trapped within the rings. These spirits influenced the Mandarin so his ultimate goal in life would be to resurrect them.

Thus began the life of a supervillain that would span the decades. From the Shang-Chi trailers, we know this will partly remain true, i.e. criminal empire, alien rings (on his wrists instead of fingers), but that’s where the similarities end. His rings seem more power-based (force blast similar to Iron Man’s repulsors) than each ring having an individual power, like it is in the comics. This will be a fundamental shift but, for those audiences not familiar with the comics, it will be easier to understand.

“My father has often said to me: ‘A man may not be too careful in his choice of enemies, for once he has chosen… he has forfeited a friend.’ These are words my father has lived by, for he is Fu Manchu, and his life is his word.“

—Shang-Chi (Marvel Fandom Wiki)
Shang-Chi (Character) - Comic Vine

Then there’s the updated origin for Shang-Chi. Originally created during the Bruce Lee “Kung Fu” craze of the 1970s, this “Master of Kung Fu” has been upgraded from his abilities to his lineage. In the comics, Shang-Chi was born in the Honan province of China, and is the son of Fu Manchu, the Chinese mastermind who has repeatedly attempted world conquest and had a thirst for blood. His mother was a white American woman genetically selected by his father. Shang-Chi was raised and trained from infancy in the martial arts by his father and his tutors. Once he discovered about his father’s evil empire, he broke free and fought Fu Manchu at every turn. Now, it appears, that Fu Manchu is being replaced by the Mandarin in the MCU. That’s not really a big change, as they’re both leaders of criminal empires in China, and with Tony Stark’s Iron Man dead in the MCU, it’s a way of bringing the true Mandarin into the fold.

As fans, we understand that precise interpretations of the comics is impossible. Comic book characters themselves have evolved and changed over the years. You can’t take these characters from the 1960s and 70s, with their racist overtones as originally developed, to the big or little screen. For example, people are clamoring over the Disney+ series where Loki declares himself bisexual. If you read the comics, you knew this was a possibility. I mean, he has gone from man to kid to women on multiple occasions throughout his run. We knew it was coming, but those who never read the comics are screaming “heresy” and “political correctness” at this revelation. Chill out!

If you want something to scream about, the portrayal of the Mandarin in Iron Man III is something to get pissed off at. Again, I have nothing against Sir Ben Kingsley. I love him as an actor and it wasn’t his fault. However, that version of the Mandarin was a joke, an their little one shot was done just to appeased the fans who hated that movie. At least Shang-Chi and the Legend of the Ten Rings will bring it back to an origin closely resembling these characters. I hope Marvel has learned its lesson in totally revamping these characters for movies.

We all know, from the 24 hour news cycle, that there are issues with China, from the coronavirus to free speech in Hong Kong to the mistreatment of the Uyghurs. That issue is with the Chinese government, not the people of China. They have a rich history which is a big part of the mythology that a fantasy reader, like myself, loves to dive into. Those are the stories that need to be told and Marvel is trying to bring it to life in the MCU.

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Mark Piggott is an independent author of the Forever Avalon fantasy book series and other fantasy novels and short stories. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides: Book 2 of the Forever Avalon Series is available for purchase as a paperback/ebook from iUniverse Publishing and at Amazon, and other booksellers. The Outlander War, Book Three of the Forever Avalon series is available for purchase as a paperback/ebook from Austin Macauley Publishing, and at Amazon and other booksellers. His latest fantasy novel, The Last Magus: A Clockwork Heart is available through Lulu and other booksellers. Get ready for The Prometheus Engine: Book 4 of the Forever Avalon Series, coming soon, and the steampunk historical fiction, Corsair and the Sky Pirates.

Golden Age comic book superheroes you either never knew about or are long forgotten

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Golden Age Superheroes from The Black Terror, The Shield, Bulletman and Bulletgirl, and Miss Masque!

There are names everyone associates when you hear the word superhero… Superman, Batman, Wonder Woman, Captain America, Iron Man and more. But I bet you never heard of Air Wave, Bulletman and Bulletgirl, The Black Terror or Miss Masque. These were the comic books your grandparents and great-grandparents may have read. These were the characters that led to the Avengers, Justice League, Fantastic Four, Teen Titans, and the X-Men.

It’s safe to say these characters were created in the era when the world was in turmoil… Al Capone and his criminal empire, G-Men, World War I and II, the stock market crash, and more. The politics and news of the world influenced the creation of these colorful characters to inspire young people for “truth, justice, and the American Way.”

A majority of these heroes were not aliens, mutants, or superhuman for that matter. Many of them just donned a mask to fight against evil, not underlying theme or vendetta, just that. For example, The Black Terror from Exciting Comics. His outlandish, stylized “pirate” persona was designed to strike fear into the villains he faced.

The Black Terror

The Black Terror‘s secret identity was pharmacist Bob Benton, who formulated a chemical he called “formic ethers”, which gave him various superpowers. He used these powers to fight crime with his sidekick, Tim Roland, together known as the “Terror Twins.” His love interest is secretary Jean Starr, who initially despises Benton and loves the Black Terror, later discovers that they’re the same person.

According to Jess Nevins’ Encyclopedia of Golden Age Superheroes, “The Black Terror has enemies ranging from Nazis to mad scientists like Thorg (he of the “million dollar death ray”), the femme fatale Lady Serpent (who has a hypnotic glance), and the Japanese scientist Hanura and his “electro-hypnotizer”, which is used to assassinate American generals and admirals.” With the popularity of superheroes fading in the late 40s, the Black Terror’s series ended with issue #27 (June 1949).

You can see many similarities in this one comic to many others of the day. A kid sidekick, a love interest, and villains that ranged from mad scientists, femme fatale, and of course, enemies from the Axis powers during World War II. You could look at any comic book from the Golden Age and find the same formula throughout.

Sure, they’re a little campy and, compared to today, quite misogynistic in their portrayal of women. Women were either sex objects, danger prone, or sidekicks. There were a few comics that had women as the main character, but even those had their controversies. Take, for example, the story of Miss Fury.

Miss Fury

The character’s real identity is wealthy socialite Marla Drake. She has no innate superpowers, but gains increased strength and speed when she dons a special skintight catsuit when fighting crime. The panther skin was bequeathed to her by her uncle, who said that it was used by an African witch doctor in voodoo ceremonies. (It’s like a combination of Catwoman and the Black Panther in one!) Although Miss Fury was popular, the revealing outfits worn by the female characters provoked some controversy at the time. When Marla Drake was drawn wearing a bikini in 1947, 37 newspapers dropped the strip in response. The Miss Fury strip ran until 1952.

Miss Fury combats several recurring villains, including mad scientist Diman Saraf and Nazi agents Baroness Erica Von Kampf and General Bruno. Drake was also involved in a love triangle with her former fiancé, Gary Hale, and Detective Dan Carey. (See the recurring theme here!) A complicated figure, Marla doesn’t seem to like being a superhero, resenting the need for a secret identity and the danger it poses. She is sometimes accompanied by an albino Brazilian named Albino Joe. This provides another controversy from the Golden Age comics, the fact that racial discrimination was quite obvious within these pages.

The villains were focused on the Axis Powers from World War II (German, Japanese) and then the “Communist Threat” of the 40s and 50s (Chinese, Russian) so many of these villains were portrayed with exaggerated features as much of the propaganda did at this time in history. Although it does take away from the comics themselves, they have to be taken in context with this time period.

I think one of the broad characterizations you can see in the Golden Age of Superheroes is the “flag waving, patriotic” heroes that filled the pages. More than 30+ different characters representing the United States of America and the “American Fighting Spirit” filled the pages with red, white, and blue. Most of these characters did their fighting with their fists. Punching out Hitler seemed to be an American pastime in the Golden Age. The names were also quite colorful from American Eagle and Captain Freedom to Fighting Yank, The Shield, and V-Man (as in “V for Victory”). Even Uncle Sam got his own comic book fighting the scourge of Nazi and communist threats to America.

Lash Lightning Comics - Comic Vine
Lash Lightning

As I said before, a lot of these superheroes were ordinary people who through genius intellect and wealth or a mystic object or a chemical formula gained super powers. It was very broad and quite basic but in their concepts, but some were just out of this world. For example, meet Lash Lightning. In 1940, explorer Robert Morgan is delving into an Egyptian pyramid when he encounters an ancient mystic called The Old Man of the Pyramids. The mystic teaches Morgan ancient secrets, and gives him the Amulet of Annihilation, on the condition that he uses his powers to fight evil. Morgan’s powers include super-strength, super-speed, flight, the ability to generate electricity and radiate “lightning heat,” and a measure of invulnerability (Sounds a lot like Shazam, a.k.a. the original Captain Marvel, doesn’t he?) His powers can be recharged by electricity. Returning to the United States, Morgan dons a costume and changes his name to Lash Lightning (as opposed to maintaining a secret identity). His emblem is a triangle with a thunderbolt emerging from each of its three sides. His early foes include the Mummy, an insane college professor wrapped in bandages infused with radium, and the mad scientist Mastermind. His recurring villains also include a werewolf, the zombie-raising Dr. Diablo, and the Maestro, who wears a bee costume. Crazy, huh?

I don’t think we’ll ever see any of these heroes on the silver screen or even the TV screen anytime soon. They are from a bygone era. Although, Dynamite Entertainment did a series of books called Project Superpowers where these old heroes were suspended in time, awakened in the world today to fight a new threat. It was a rebirth for these Golden Age heroes and great to read! I’d definitely recommend checking it out!

Although many of the Golden Age heroes still exist in today’s mainstream comics, their legacy with the lost heroes of the Golden Age will never be forgotten. As awkward and politically incorrect as these comic books are, they are still an amazing look into the history of comics as well as our own national identity.

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Mark Piggott is an independent author of the Forever Avalon fantasy book series and other fantasy novels and short stories. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides: Book 2 of the Forever Avalon Series is available for purchase as a paperback/ebook from iUniverse Publishing and at Amazon, and other booksellers. The Outlander War, Book Three of the Forever Avalon series is available for purchase as a paperback/ebook from Austin Macauley Publishing, and at Amazon and other booksellers. His latest fantasy novel, The Last Magus: A Clockwork Heart is available through Lulu and other booksellers. Get ready for The Prometheus Engine: Book 4 of the Forever Avalon Series, coming soon, and the steampunk historical fiction, Corsair and the Sky Pirates.

From Marvel to DC to anime, the idea of parallel dimensions is a great tool for writers

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Dark Nights: Metal — the DC Universe of your wildest nightmares - Polygon

The Multiverse… The concept that there exists alternate realities across the dimensions has been written about for years. It’s more prevalent now with the emergence of the multiverse in the Marvel Cinematic Universe (MCU) and DC television (in The Flash TV series and all their annual crossover events). The comics have done a great job of setting this concept up for us, for example DC’s latest run with “Dark Knights: Metal” and creating probably the scariest version of both Batman and The Jokers, The Batman Who Laughs. Then there’s the “Spider-verse” in Marvel Comics with everything from Spider-Gwen, Spider-Man Noir, a Spider Punk, and more. And don’t forget the sci-fi TV series Sliders, which made crossing into alternate universes a weekly episode.

“The multiverse is a theory in which our universe is not the only one, but states that many universes exist parallel to each other. These distinct universes within the multiverse theory are called parallel universes. A variety of different theories lend themselves to a multiverse viewpoint.”

The Theory of Parallel Universes for Dummies (Yes, that’s a thing!)

The concept is simple. One world where things are slightly different than the world we know. I like the worlds where the Nazis win and how it changes the origins of heroes as we know them: Earth-X with the kick ass Uncle Sam and the Freedom Force! That’s how to do it! But there’s so many different possibilities. That’s what makes it not only enjoyable to read and see but to create as well.

The idea of a multiverse, parallel dimensions, or alternate realities (whatever you want to call them) makes it easy for a writer to let their imagination run wild. I mean, you can create practically anything. Nothing is off limits or out of bounds in the idea of the multiverse. It takes the whole “time travel can rewrite history” concept and turns it on its head because, you’re not creating a new timeline but rather a new reality. Even scientists are now saying that the theory is more than science fiction, it’s a possibility. Think of the universe as a deck of cards…

“Now, if you shuffle that deck, there’s just so many orderings that can happen,” physicist Brian Greene says. “If you shuffle that deck enough times, the orders will have to repeat. Similarly, with an infinite universe and only a finite number of complexions of matter, the way in which matter arranges itself has to repeat.”

A Physicist Explains Why Parallel Universes May Exist, NPR.org

To me, a great example of the parallel universe if Star Trek and its “Mirror Universe” episodes. Each series did it’s own tale within the parallel universe where the Federation was a conqueror and not the benevolent organization as its portrayed in . I love the goatee Spock, bad yet still quite logical, and the scheming Sulu in all his glory. It seems all the really good alternate realities and parallel universes are the ones where the heroes become the villains. In DC, Earth-3 and the Crime Syndicate are a great example, and the “Age of Apocalypse” X-Men event in Marvel. It gives you such a unique perspective into characters we know and love.

I will admit that it has been slightly overdone lately. You see it everywhere nowadays. It’s no longer a something like Philip K. Dick’s “Man in the High Castle” where multiple realities exist, but rather, the idea that one decision creates multiple versions of yourself. However you interpret it, the possibilities are endless.

“In the many-worlds interpretation of quantum mechanics, every decision I take in this world creates new universes: one for each and every choice I could possibly make. There’s a boundless collection of parallel worlds, full of innumerable near-copies of me (and you). The multiverse: an endless succession of what-ifs.”

“Multiverse me: Should I care about my other selves?” from NewScientist

I think that comic books is the best place to see the endless possibilities of the multiverse. In Marvel, they even have their own group of heroes protecting the multiverse (The Captain Britain Corps) which is near and dear to my heart since it involves Merlin and Avalon. DC did it so perfectly with the “Elseworlds” graphic novels. “Gotham by Gaslight” is still my favorite, although “Kingdom Come” is a close second. These books take us to new possibilities and that’s always good to read. Sometimes, the stories become stale and twists like these help refresh the fruits of the imagination.

However, we need to be careful of redoing things too much. In the past 20 years, DC and Marvel both have redone their line ups and universes several times, i.e. “New 52” and “BattleWorld” for example. Yes, it has given us new versions of classic characters, but it changes so much it becomes confusing. That’s the grim reality of the multiverse idea for writers. You have millions of possibilities to create using the multiverse theorem, but what is unique about your idea and has it been done before?

World building is an essential part of the craft as a writer, especially a fantasy writer. Building a world from the ground up is one of the hardest parts of the job. The idea of the multiverse gives us the tools to create world based on our own. I’m doing that with my upcoming novel, The Last Magus: A Clockwork Heart. I created a world where a single event recreated our world as we know it into a land of magic and fantasy. It’s a reimagining of North America into something totally unrecognizable except maybe for pieces of the map. I wanted to use some names associated with cities and places in the U.S. and change others into something new. It made for an exciting challenge as I created my fantasy dystopia. I took inspiration from the great Terry Brooks for this new fantasy adventure.

So while we ponder what we would be like in hundreds of different parallel universes, let’s look at our own reality. Escapism is a good thing to have at hand, but our own reality, our own world, is always a good starting point. Take it from there and the possibilities are endless.

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Mark Piggott is the author of the Forever Avalon fantasy book series. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides: Book 2 of the Forever Avalon Series is available for purchase as a paperback/ebook from iUniverse Publishing and at Amazon, and other booksellers. The Outlander War, Book Three of the Forever Avalon series is available for purchase as a paperback/ebook from Austin Macauley Publishing, and at Amazon and other booksellers. His next two fantasy novels, The Last Magus: A Clockwork Heart and The Prometheus Engine: Book 4 of the Forever Avalon Series are being released in 2021.

What did I just see? “Avengers: End Game” was the best superhero movie EVER

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Image result for avengers endgame

No spoilers but plenty of accolades! Oh my frick’n God, what did I just see? This has to be a GREATEST superhero movie ever. Yeah, I know, I’ve said that before. But each time, a new movie comes out, it overtakes the last one that was previously the greatest. Just the final battle scene was enough to tag this as THE GREATEST.

It’s not enough to undo the snap, Thanos’ universe-ending action at the end of INFINITY WAR. There were plenty of clues in IW that led us to what was happening in ENDGAME. I know that Marvel has said that SPIDER-MAN: FAR FROM HOME is the final movie of Phase 4, but make no mistake, it’s really this one.

This movie had it all… Comedy, drama, action, adventure, etc. Sometimes, I think they go a little too far with the comedy. The Ant-Man jokes were expected, but EG went back to THOR: RAGNAROK to give us Thor/Hulk as the “straight man” in an ongoing comedy routine throughout the whole movie. It was funny, but to me, out of character for these two original Avengers.

I will admit that I cried a couple of times in this movie, and I don’t normally expect to cry when watching a superhero movie. This movie gave you unforgettable moments that you need a handkerchief or box of tissues. One person was so shaken after watching this movie, they had to be hospitalized, or so I read.

I will say one, kind of, spoiler, but this is something that has been suggested from the beginning of the EG rumormill. There is time travel involved and this gave us the opportunity to see characters that have died in previous movies. That made it a lot of fun to see these great characters one last time. There was also another great Stan Lee cameo, so the “Godfather of Marvel Comics” still lives in these movies. Excelsior!

After just watching CAPTAIN MARVEL last month, I expected her to have a bigger role in the movie, and to be honest, I was disappointed that she wasn’t there a lot. Her character in the MCU seems to be more focused on the galaxy rather than Earth, and this movie demonstrated that. Still, when she was there, she kicked ass, and she led a female superheroine group that took to the forefront in one scene.

Lastly, I would like to add that this was the end of a journey for many of the actors involved. It’s not clear where we’re going from here in the MCU. We know they’ll be sequels to Black Panther, Doctor Strange, Guardians of the Galaxy, and Captain Marvel in the future, as well as a Black Widow prequel and The Eternals, maybe Nova too. With the acquisition of Fantastic Four and X-Men from Fox, there may be more there too.

The future awaits and “Avengers: Endgame” set it up beautifully.

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Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides is available for purchase as a paperback/ebook at Amazon, Barnes and Noble, and iUniverse publishing. The Outlander War, Book Three of the Forever Avalon series is coming soon from Austin Macauley Publishing.

The Arrowverse has gone stale on the CW

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Image result for the arrowverse

I was so happy when the CW started the “Arrowverse” series. Since Smallville ended, there wasn’t any really good superhero TV series out there. Then came Arrow, followed by The Flash, DC’s Legends of Tomorrow, and Supergirl. While most of these series have brought out a variety of great story arcs (especially the crossover events) lately, the stories have gone stale. Instead of dark, superhero stories, we’re getting reality show drama.

Arrow started out as a dark vigilante, out for revenge. Now, he’s worried about his son being gay and his relationship with Felicity. The Flash had more of an upbeat storyline with Barry learning to use his power while fighting off the foes of Central City, including the start of The Rogues. However, those villains went on to become “sometime” heroes in DC’s Legends of Tomorrow and the Rogues never really came together. The storylines have gone on to try and cover every “politically correct” drama, twists, and story arcs with a lot of “B” villains and heroes filling out the cast.

Arrow, The Flash, and Supergirl are supposed to be about the individual heroes, yet they are really teams of heroes instead, so all those background stories and plot holes get lost in the main character’s story. Meanwhile, DC’s Legends of Tomorrow (the actual superhero team show) is a time travel romp that lost it’s focus after the first season. It seems to be more about comedy relief than actual superhero storylines. If you want comedy, they should add Booster Gold, Blue Beetle, and Guy Gardner into the mix. That would make it a better show.

The one bright spot in the CW’s shows has been the epic crossover events. The “Nazi-themed” Earth-X storyline was epic and the last one introduced Batwoman (who’ll be added to the mix with her own show next season). Unfortunately, they handled her with kid gloves. She barely saw any real action. She was mostly used for “Batman-esque” establishing shots with Batwoman standing atop a building, looking down on our heroes.

I realize that throughout this rant I haven’t mentioned Black Lightning. That’s because (a) I didn’t read a lot of his comics so I don’t really know the character or his villains; and (b) he’s not part of the Arrowverse. I grew up with “Black Vulcan” on Superfriends, and that’s a whole different character, so I don’t really watch his show. It might be more interesting if he was part of the Arrowverse, but DC and CW decided not to include him.

They keep bringing more drama and less action. We also get villains that many people, even avid comic book readers, don’t know for the main seasonal arc. I mean, Cicada? Seriously Team Flash? You haven’t even given us a proper Rogues storyline and you give us Cicada. At least Supergirl has gone the Legion route, since she played a big part in the future league, and they’ve handled it well, and I’m waiting to see Jon Cryer’s Lex Luthor. That should be fun.

The point of all this is that if you’re going to do a superhero TV show, then make it a damn superhero TV show. We want to see intrigue, action, and cliffhangers like we get when we read a comic book. I don’t mind the occasional love story (i.e. Cisco and Gypsy) but Barry and Iris dealing with their teenage daughter from the future is a bit much. Plus, the comedy is a bit overboard at times, especially on DC’s Legends of Tomorrow. I’m getting tired of the pop culture references between Ray and Nathan in every single episode.

The Arrowverse is fading, and I hate that. Make it fresh again, like it was in the beginning. Otherwise, you risk losing your audience. It doesn’t matter how many “Crisis on Infinite Earths” events you do, it won’t save an entire season.

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Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides is available for purchase as a paperback/ebook at Amazon, Barnes and Noble, and iUniverse publishing. The Outlander War, Book Three of the Forever Avalon series is coming soon from Austin Macauley Publishing.

Why can’t they leave great franchises alone?

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Why is it that there are no more original ideas? Instead of coming up with something new, people–and by people I mean comic book editors, movie and television executives–decide to reinvent or re-imagine a classic instead of making an original idea. There are so many original ideas out there from the many independent, self-published authors, why do they have to mess with success?

A great, more recent, example is the Ghostbusters franchise. Now, I may get in trouble for this but hear me out. Instead of going with a third movie in the trilogy, they decided to re-imagine it with an all-female cast. Yes, it had some very funny moments and some of the cast were great (Leslie Jones and Kate McKinnon were my favorites) but it failed to grab the spirit of the original. Now, Jason Reitman is working to make a third movie with some of the original cast for 2020. That is getting praise from the fans of the original movies, and panned by some who think we didn’t give the reboot a chance. We gave it a chance and we didn’t care for it, enough said.

Another example is Star Trek. It was great to see Star Trek go from the original series, to The Next Generation, Deep Space Nine, etc. I was even a fan of the Enterprise prequel. Then we got the reboot with Chris Pine, which was okay but it seemed to be more about bring the “millennial edginess” instead of a way of telling a new story. Even the new TV series Discovery has redefined Klingons different from the original premise. And now, there’s word the Quentin Tarantino will be given a chance to put his mark on Star Trek. Why? Why mess with something that already has a deep-rooted fan base.

Look at the movie 2015 Max Max: Fury Road. Because it was written, directed, and produced by George Miller, the creator of Mad Max, it had the same feel as the original movies. It was visually awesome, great cast, and a decent story. It even won some Oscars, a first for the franchise. You see, they didn’t need to update it because it was good as it is. You don’t need to make wholesale changes to a franchise just to make it interesting.

Image result for the mandalorianAnother great example is Star Wars. Now, there have been hits and misses with the franchise since the end of Return of the Jedi. The animated series have been top notch, the Rogue One prequel was OUT OF BOUNDS! However, they have not found the original magic from these successes in later projects. The Force Awakens was good, The Last Jedi not so much. Solo was, in my opinion, better than I expected it to be, but it had too many plot holes. I am looking forward to the Mandalorian Netflix series as well as future releases after Episode 9 (which I am patiently holding my breath for) because they will be original movies separate from the Skywalker saga. That’s where they need to go. We don’t need a reboot of the same characters with new actors, but rather, let’s go to another part of the vast universe.

With all these examples, I just want to make the point that there are stories out there that haven’t been told yet, but they need to be done right. Look at Stephen King’s The Dark Tower and how badly it was done. These editors, producers, and directors need to keep the writers in mind to keep the story true to the original intent. Granted, some things may be out of the budgetary range of some movies (though not impossible with today’s CGI technology) but it is from the writer that it even exists in the first place.

Even in comic books, story lines are now being rewritten to accommodate the way they were done in the movies. Really? So, the original stories aren’t good enough anymore? Sorry, but that’s just being too damn lazy to be creative and original.

I have had the great opportunity to meet, talk to, and read the books of other independent authors like me through our connections on social media. There are a lot of great stories out there, worthy of a movie or series. That’s where the inspiration for the next big TV series or blockbuster movie should come from, not someone’s idea of the next reboot should be. Quit re-imagining things and let’s be original for a change.

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Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides is available for purchase as a paperback/ebook at Amazon, Barnes and Noble, and iUniversepublishing. The Outlander War, Book Three of the Forever Avalon series is coming soon from Austin Macauley Publishing.

How many more comic book reboots do we have to endure nowadays?

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Why does it seem that comic books don’t know what to do with themselves anymore? We’ve gone through several reboots, character deaths and subsequent rebirths, time travel, alternate realities, etc. Entire books have ended only to restarted under a new brand or idea, with revamped characters. It’s a never ending cycle.

I will admit that sometimes they have good ideas. Crisis on Infinite Earths and Age of Apocalypse are two of my all-time favorites. These multi-issue, cross brand arcs are what the comics need, from time-to-time. But lately, they seem to be doing it more for sales than content.

DC did the “New 52” back in 2011 after the Flashpoint crossover to give the characters a “jump start” into, what I would consider, their DCEU personas for the movie franchises. However, that didn’t last as the DC universe was rebooted again in 2016 with its Rebirth, as they called it.

So let me get this right… The original DC characters, in their first incarnations, lasted more than 60+ years until the New 52, which only last five years? What does that tell you?

Marvel is better at hiding these changes and reboots, but they’re terrible at killing characters off. In DC, three members of the Legion of Superheroes–Invisible Kid, Ferro Lad, and Chemical Kid–died and have stayed dead. Can you say the same for Jean Grey, Nick Fury, or anyone Deadpool killed in a dozen alternate realities? They even revived Scott Lang in the comics just to make the Ant-Man movie!

They’ve tried subtle reboots to invigorate the brand, like during the Onslaught crossover where Rob Liefeld got to create a new universe for the Fantastic Four and the Avengers, but it failed miserably. They tried to create a new “Ultimate” universe with new renditions and origins of classic characters, but then decided to combine them into one in the new Secret Wars (and I’m not talking the one where Spidey got his black suit).

Not all reboots are bad. Some bring fresh characters into the mix. During the Inhumanity crossover, we got a new Ms. Marvel as Carol Danvers finally became Captain Marvel. Two thumbs up for that one! And DC’s Dark Nights: Metal gave us one of the most twisted renditions of Batman ever seen in The Batman Who Laughs. Unreal!

So, let’s review. Reboots can be good at introducing new characters but some consistency please. We don’t need one every couple of years. It’s making “Silver Age” readers like me antsy!

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SKU-000941753

Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides is available for purchase as a paperback/ebook at Amazon, Barnes and Noble, and iUniverse publishing. The Outlander War, Book Three of the Forever Avalon series is coming soon from Austin Macauley Publishing.