First artwork for THE OUTLANDER WAR shows the final battle to save Avalon

Half-demon mercenary Abdel Ben Faust challenges the Gil-Gamesh, Lord Bryan MoonDrake, and his Shield Maiden, Amelia Pomodoro, in the Elven Temple of Eternal Starlight in the ancient city of Alfheimer. (Art by Pam Hage)

I am so proud to show you the first artwork based on my third novel, The Outlander War. This is the pivotal fight between Abdel Ben Faust, the half-demon mercenary swordsman, and Lord Bryan MoonDrake, the Gil-Gamesh and Eternal Champion of Avalon, along with his Shield Maiden, Amelia Pomodoro. Thanks to Pam Hage, better known as the Queen of Eagles, for her beautiful artwork! You can check her out on Instagram and on Deviant Art.

Here’s an excerpt from The Outlander War: Book 3 of the Forever Avalon Series to lay out the scene depicted above.

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From the highest points on the mountains flanking the two sides of Alfheimer, the Wrath Legion poured down the mountainside and into the city. Thousands of armoured wraiths ran down the sheer cliffs into the defenders below. The two sides clashed instantly, steel clanging against the phantom weapons of the wraiths.

The shield maidens held their own against the Wraith Legion, living up to their reputation as legendary warriors. The Dragon Guard matched well against the ghostly warriors. Hunter’s spell shot proved most useful against the wraiths, breaking through their armour and shattering their heartstones with a blast of fiery light.

As the battle raged around them, the Gil-Gamesh watched and waited, looking for their leader to appear. The sound of a demon hole opening behind him assured him that his wait was over. Bryan spun around as Abdel Ben Faust lunged at him, bringing his broadsword Deathsong down at the Gil-Gamesh’s head. Bryan crossed his swords and blocked his attack. Amelia stepped in and, true to fashion, used her shield to pummel Faust, hurling him away and to the ground.

Faust got up slowly as he ran his hand under his nose. He saw the dripping blood, caused by Amelia’s blow, and it angered him even more. “You’ll pay for that, you little bitch!” he cursed.

“Take another step closer, braggart, and I’ll knock you down again!” Amelia jabbed back at him. The three circled each other, there in the foyer of the temple, and jockeyed for position.

“I don’t know who or what possessed you to commandeer the Wraith Legion, Faust, but it ends today. You’re putting all our lives at risk from the demon hordes of Hell, and for what? For some foolish master with eyes on the throne of Avalon?”

“You know not of my master, Gil-Gamesh, and when you do…you will only find your death!” Faust lunged at the two again, slashing wildly. Like a precision machine, Amelia and the Gil-Gamesh worked in unison, trading blow-for-blow with Faust. Amelia blocked his attacks with her shield while Lord MoonDrake struck back at Faust.

Bryan knew that the best way to take down a formidable swordsman like Faust was to keep him off balance. The Gil-Gamesh pressed his attack, keeping Twilight high and Dusk low. Faust swung mercilessly at the two of them, cutting out chunks of marble from the floor and columns with his massive broadsword.

When one such blow briefly lodged Deathsong in it, the Gil-Gamesh saw his opening. He leapt into the air and spun, his blades extended. Bryan sliced at Faust’s chest with Twilight and connected. The unearthly dragonfire of Twilight engulfed the broadsword’s blade, hilt and beyond, burning away part of Faust’s tunic, not to mention Faust himself. The half-demon stepped back and snarled in pain. It was then that Bryan saw the source of Faust’s power.

The Gil-Gamesh looked at the heartstone attached to Faust’s chest. It looked just like the ones on the wraiths and glowed with a heavenly light. “You…insufferable bastard,” he said. “You captured the essence of the heavenly host in that stone to control the wraiths, didn’t you?”

Faust spat on the ground and smirked. “Nothing gets by you, does it?”

“But how, how can a lowlife half-demon like you get command of such magic?”

* * *

This great piece of art will have a place of honor in my Fan Art link, along with other great artwork highlighting the Forever Avalon fantasy book series. There is an additional piece of new art on The Outlander War Fan Art page, but it’s a bit of a SPOILER so I won’t post it here. No sense in spoiling things for those who haven’t read it yet.

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Mark Piggott is the author of the Forever Avalon fantasy book series. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides: Book 2 of the Forever Avalon Series is available for purchase as a paperback/ebook from iUniverse Publishing and at Amazon, and other booksellers. The Outlander War, Book Three of the Forever Avalon series is available for purchase as a paperback/ebook from Austin Macauley Publishing, and at Amazon and other booksellers.

Fantasy Maps help expand “world building” for a writer to take the reader on a journey

High resolution map of Middle Earth - Album on Imgur
Map of Middle Earth from The Lord of the Rings by J.R.R. Tolkien

“Writing has nothing to do with meaning. It has to do with land surveying and cartography, including the mapping of countries yet to come.”

― Gilles Deleuze

World Building is a skill every writer needs, especially in the fantasy and sci-fi genre. Luckily, as a former D&D DungeonMaster, I have some background in this area before I became an author. Creating the world to take my friends on their many adventures was a part of my life, whether it was Dungeons and Dragons, Space Opera, Rift or any other RPG, I had to create the world in which we were roleplaying.

I used to try and create my own maps using PowerPoint or Adobe InDesign to help me imagine these brave new worlds, but they were poor substitutes and not marketable. Thank God for the independent author and artist community online. They have the resources needed to help bring my imaginary world into a reality.

World building is defined as “the process of constructing an imaginary world, sometimes associated with a whole fictional universe. Developing an imaginary setting with coherent qualities such as a history, geography, and ecology is a key task for many science fiction or fantasy writers.” You don’t know how true that is! As writers, we have to imagine everything from landscapes to cityscapes and everything in between. That means political structure, currency, races, religion, etc. It all has to be accounted for, but the biggest factor is the landscape.

In writing, you need to talk about the cities, forests, roads, and everything else when describing your story. If my protagonist is heading east along the Vanir Road, following the Blackbriar Forest on his way to the Gilded Halls of the Dwarves, I have to know where those places are in relation to his current location. In a sense, you could be writing about going one way and then mention somewhere you protagonist has been, and you say east instead of west so then your world becomes confusing.

Think of it this way… Would you have understood the journey Frodo went on in Lord of the Rings without the map of Middle Earth? Maybe, but the map helped me (as the reader) understand the journey they went on through that map. I like to think about that when I look at world maps from the 1600’s, seeing how they thought of the Earth 400 years ago and how different it is today. Even maps from the 1960’s and 70’s are different from what they are today.

The Island of Avalon
Map of Avalon from the Forever Avalon series, designed by Amy Kruzan.

Mapping is essential which is why, as a writer, I am happy to employ mapmakers in helping me create my worlds. The first one I used was Amy Kruzan, known in Instagram as fantasygraphicsbya. She took my description of Avalon and mapped the enchanted island, as told in the Forever Avalon fantasy book series, into a working map. Now, she helping me with a new layout of Avalon following the aftermath of The Outlander War (I won’t spoil it, so please read it to understand why). Imagining it was one thing but seeing it is something completely new. The layout reflects the ideas I had more than 20 years ago when I started writing the first book in the series.

I found many map artists on Twitter and Instagram. They are quite prolific in creating these myriad of worlds for dreamers like me. The ability to take the words and descriptions to design the forests, mountains, lakes, seas, rivers and cities is designed down to the ridges on the cliffs to the pine trees swaying in the wind. It makes it difficult to formulate things like trade routes, ship ports, rivers and canals, roads, etc. These are all essential for a vibrant or lackluster economy, which makes your fantasy world believable. I mean, how can you take care of an entire island without farmland, shipyards, and all the necessities to feed the populace, export commerce, and transport goods from one place to the other.

“You can’t map a sense of humor. Anyway, what is a fantasy map but a space beyond which There Be Dragons? On the Discworld we know that There Be Dragons Everywhere. They might not all have scales and forked tongues, but they Be Here all right, grinning and jostling and trying to sell you souvenirs.”

― Terry Pratchett, The Color of Magic

So, besides the regular social media crowd, there are artist websites like Art Station, Deviant Art and others allow artists to showcase their work so it makes for a great place to research styles, designs and artists. Although many maps, especially fantasy maps, look similar in many respects, but its the fine details that make the map into something special and unique for your story. You can find the artist you’re looking for to take your story into the world you’re creating.

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Mark Piggott is the author of the Forever Avalon fantasy book series. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides: Book 2 of the Forever Avalon Series is available for purchase as a paperback/ebook from iUniverse Publishing and at Amazon, and other booksellers. The Outlander War, Book Three of the Forever Avalon series is available for purchase as a paperback/ebook from Austin Macauley Publishing, and at Amazon and other booksellers.