Tag: reboots

No more remakes! For God’s sake, get a better writer!

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Is it too hard to ask for something new, not another remake or reimagining of something from the past. We are now approaching our third incarnation of Charlie’s Angels, fourth if you count the time when they replaced Farrah Fawcett and Jaclyn Smith during the TV series run. How about an original idea for a change, huh?

I mean it. We now have another Terminator reboot (third since the original trilogy), another Addams Family movie (albeit animated) and our third Lost in Space reimagining. Now they’re also doing prequels to popular shows (The Sopranos and Game of Thrones). Why? What’s the point?

There is enough original material out there for hundreds of new movies and TV series to keep us occupied and entertained. I mean, Charlie’s Angels was great and it fit the 70s mantra of empowering women, but it’s been done and, with all due respect, you will never be better than the original. What’s next? The new Howdy Doody Show with CGI puppets?

Where has all the imagination gone? It’s like they’re looking for a quick fix and easy cash, not even trying to be original anymore. As a writer, it breaks my heart to see talent go to waste. It’s a shame that these executives can’t see the millions of dollars wasted on a movie or series. Of course, if it sees any semblance of profit, they’ll be happy and keep on doing it.

Part of the problem, and the solution, is online streaming services. All of these various streaming channels (Netflix, Hulu, Amazon, etc.) allows an open source for new material. However, they’re just as guilty as the big studios. Disney+ is doing multiple Marvel-based series to tie into their movies. At the same time, we’re getting an original Star Wars series in The Mandalorian. Meanwhile, Netflix is doing a Lord of the Rings series where one actress commented she wants to see a female Gandalf. What?

It’s a ridiculous blend of originality and insanity. I don’t know what to believe anymore. Maybe it’s just wishful thinking, but I hope Hollywood would understand that being original is okay. It doesn’t mean redoing it and just change the gender or race of a character. There has to be substance behind the story. If you just want to reboot everything, then why have writers?

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Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides is available for purchase as a paperback/ebook at Amazon, Barnes and Noble, and iUniversepublishing. The Outlander War, Book Three of the Forever Avalon series is coming soon from Austin Macauley Publishing.

How many more comic book reboots do we have to endure nowadays?

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Why does it seem that comic books don’t know what to do with themselves anymore? We’ve gone through several reboots, character deaths and subsequent rebirths, time travel, alternate realities, etc. Entire books have ended only to restarted under a new brand or idea, with revamped characters. It’s a never ending cycle.

I will admit that sometimes they have good ideas. Crisis on Infinite Earths and Age of Apocalypse are two of my all-time favorites. These multi-issue, cross brand arcs are what the comics need, from time-to-time. But lately, they seem to be doing it more for sales than content.

DC did the “New 52” back in 2011 after the Flashpoint crossover to give the characters a “jump start” into, what I would consider, their DCEU personas for the movie franchises. However, that didn’t last as the DC universe was rebooted again in 2016 with its Rebirth, as they called it.

So let me get this right… The original DC characters, in their first incarnations, lasted more than 60+ years until the New 52, which only last five years? What does that tell you?

Marvel is better at hiding these changes and reboots, but they’re terrible at killing characters off. In DC, three members of the Legion of Superheroes–Invisible Kid, Ferro Lad, and Chemical Kid–died and have stayed dead. Can you say the same for Jean Grey, Nick Fury, or anyone Deadpool killed in a dozen alternate realities? They even revived Scott Lang in the comics just to make the Ant-Man movie!

They’ve tried subtle reboots to invigorate the brand, like during the Onslaught crossover where Rob Liefeld got to create a new universe for the Fantastic Four and the Avengers, but it failed miserably. They tried to create a new “Ultimate” universe with new renditions and origins of classic characters, but then decided to combine them into one in the new Secret Wars (and I’m not talking the one where Spidey got his black suit).

Not all reboots are bad. Some bring fresh characters into the mix. During the Inhumanity crossover, we got a new Ms. Marvel as Carol Danvers finally became Captain Marvel. Two thumbs up for that one! And DC’s Dark Nights: Metal gave us one of the most twisted renditions of Batman ever seen in The Batman Who Laughs. Unreal!

So, let’s review. Reboots can be good at introducing new characters but some consistency please. We don’t need one every couple of years. It’s making “Silver Age” readers like me antsy!

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SKU-000941753

Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides is available for purchase as a paperback/ebook at Amazon, Barnes and Noble, and iUniverse publishing. The Outlander War, Book Three of the Forever Avalon series is coming soon from Austin Macauley Publishing.