Death and dying in literature is the hardest part of being an author

Death-of-Literature-Skull-and-Book

“No one knows whether death, which people fear to be the greatest evil, may not be the greatest good.” – Plato

I know I broached this subject before, but it’s really knawing at me, especially now. I am almost done with my third novel of the Forever Avalon series–the end of the first trilogy–and death is hovering around me. I don’t know about other authors, but for me, death is the hardest part of writing. For the past 10 years, I have put my heart and soul into my writing. These characters, that I have so lovingly created, are like family to me and having to kill some of them to move the plot along can be quite difficult.

Some people find comfort in death Helen Keller said, “Death is no more than passing from one room into another. But there’s a difference for me, you know. Because in that other room I shall be able to see.”

Then there are those you want to see dead. Sure, it’s easy to kill the villains, because they’re the bad guys. They’re the ones you want to be foiled, thwarted, even destroyed by the end of the book. To them, death is just the means to an end in their quest for power, fame or dominion over others.

I think J.R.R. Tolkien summed it up best in The Fellowship of the Ring. He wrote, “Many that live deserve death. And some that die deserve life. Can you give it to them? Then do not be too eager to deal out death in judgement. For even the very wise cannot see all ends.”

Below is an excerpt from The Dark Tides which demonstrates how death moves the story along; but also, for me, it was one of the hardest pages I’ve ever written. I was in tears as I wrote this part of the story, which is why I want to share it with you now.

* * *

With a wave of her hand, Lady Heather gave the signal as two airships descend from the night sky toward Emmyr. It was the Reaper and the Flying Fancy. Ropes were lowered down for the remaining pirates and goblins to ascend. Captain Avery was lowered down from the Fancy
on a platform for Morgana and Lady Heather to ride up on.

Heather handed Bowen off to one of Avery’s men to hold. Cadhla desperately reached out for her son, who cried as he tried to reach for his mother, but to no avail.

“Heather please, don’t do this!” the Queen pleaded, “Take me instead, just leave my son; please leave him alone! It’s me you want, not him.”

Heather walked over to the Queen, strutting over the dominance of her enemy. “Now why would I want you? I mean, what good is a dead hostage,” she said as she plunged the Dagger of Koram into Cadhla’s chest. Th e Queen fell to her knees, unable to breathe and unable to speak. “The Queen is dead …” Heather shouted sarcastically as she pulled the dagger out.

“… Long live the King!” Heather mocked young Bowen, giving him a curtsey. Cadhla fell backwards to the ground. Hunter tried to help her but he could barely move. He was only able to lift her head gently onto his lap. He wept for Cadhla as his gaze shifted to Bowen as he is hauled
up to the waiting ships.

Avery walked up to the Gil-Gamesh, still being held by the goblins. He drew his sword Crossbones as he approached Bryan, placing the blade under his chin. He lifted the Gil-Gamesh’s head up so he can look into his eyes, cutting a deep gash from his chin to his cheek.

“It would be spiteful to take your eye like you did mine, but you might just need that to find the broach for Morgana,” he cursed the Gil-Gamesh. Without warning, threw his sword at Nevan, plunging the blade deep into his chest. Nevan slumped down onto a shocked Sarafina
and young Thomas.

“You took my right eye, now I took your right hand,” Avery said as he walked over to Nevan and retrieved his blade, leaving Sarafina in despair next to her dying husband. “That’ll do for now!” Avery sheathed his sword and joined Heather and Morgana on the platform.

“One month Gil-Gamesh, until the next new moon … Bring my broach to Idlehorn or your young King dies!” Morgana promised. The platform rose up to the Flying Fancy. As the platform moved, the Dark Tides effect on the people lessened and the people slowly began to recover.

Explosions were heard from the port as the people looked down to see Avery’s ships fire on the port and shipyard, destroying the ships and parts of the port itself. Th e fires burned on throughout the city, leaving everyone in shock.

But the only sound that could be heard was the cries of little Thomas Forest as he spoke his first words to his dying father.

“Daddy …SKU-000941753 Daddy please get up! Mommy, tell Daddy to get up! I’ll say anything you want me too Daddy, just please get up!” the little boy cried, repeating it over and over again. Nevan smiled. He finally heard his son call him Daddy. It’s the last thing he heard as his life faded away.

* * *

The Dark Tides is now available for purchase at Amazon, Barnes and Noble and iUniverse.

What Doctor Who teaches us about the magic of Christmas

Christmas has many traditions that people observe in their own way, from when do we get to open presents to what foods we get to eat. My favorite Christmas tradition is watching the annual Doctor Who special on BBC America.

xmas

“The Doctor, the Widow and the Wardrobe”

It may not seem like a normal tradition to some people, but it is very normal to geeks like me. Doctor Who has been around as long as I’ve been alive. These Christmas specials are special on so many different levels. They are wonderful stories in their own right, setting up the next season of Doctor Who, and they demonstrate the universal truth about the Christmas holiday. “The Doctor, the Widow and the Wardrobe” taught us the importance of family at the holidays. “Last Christmas” taught us to believe in Santa Claus, even with an alien crab stuck to our heads. “Voyage of the Damned” told us why Titanic is a bad name for a ship in any universe.

To fans like me, the Doctor Who Christmas specials are just as important as watching How the Grinch Stole Christmas or It’s a Wonderful Life every year. These are special episodes made to make us laugh, make us cry and tease us for what’s happening next season.

_64612231_3216352-low_res-doctor-who-christmas-special-2012

“The Snowmen”

Sometimes, they even help us say goodbye to the old Doctor and hello to the new one. The past three Doctors have all regenerated during a Christmas special. The 10th Doctor, David Tennant, died in “The End of Time” and regenerated into the 11th Doctor, Matt Smith. Consequently, Matt Smith died in “The Time of the Doctor” and regenerated into the 12th Doctor, Peter Capaldi. I think BBC does this to make it easy on the fans as they watch these specials on Christmas with family and friends who share their enthusiasm for Doctor Who.

The other great aspect of the Doctor Who Christmas Specials is the wonderful actors that guest star in these episodes. Kylie Minogue played a waitress on the Titanic starliner in “Voyage of the Damned” Christmas episode. Michael Gambon and opera star Katherine Jenkins were in my favorite Doctor Who Christmas special, “A Christmas Carol.”

Doctor-Who-Last-Christmas

“Last Christmas”

The origins of the Doctor Who Christmas specials date back to 1964. During a seven-part serial “The Daleks Master Plan” premiered one episode on Christmas Day called “The Feast of Steven” which included breaking the “fourth wall” in television, wishing viewers a Happy Christmas. The tradition really started in 2005 with “The Christmas Invasion” as the Doctor (David Tennant) and Rose Tyler (Billie Piper) helped stop an alien invasion on Christmas Day. From then on, people have enjoyed their Christmas pudding and spiked Eggnog with an extra helping of Doctor Who.

Some people will tune into 24 hours of A Christmas Story, go to church or maybe gather around the piano and sing Christmas carols on Christmas night, but not us diehard Whovians. We will sit and wait and tune into the BBC for our annual tradition of the Doctor, his sonic screwdriver and the TARDIS. It just wouldn’t be Christmas without the Doctor.

 

As a writer, I often dream about being a writer … don’t you?

6a00e0099410db8833013488f97c04970c-800wiNeil Gaiman said, “As far as I’m concerned, the entire reason for becoming a writer is not having to get up in the morning.” That is what I aspire too.

Writing as a passion or writing as a business … That question has hounded me since I began my life as a self-published author. It may seem to some as an easy one to answer, but it’s definitely not. For many authors, we love to write because we have a story to tell. Your mind is filled with images, as if you can hear the whirring sound of a movie projector in your head as they fly by. You can’t write fast enough to keep up with it.

Many of us dream about being the next Stephen King or J.K. Rowling. We all think that once our story grabs onto an audience once, we’ll have it made. It’s a nice idea, but unfortunately, it doesn’t always happen that way.

Sidonie-Gabrielle Colette suggests, “Put down everything that comes into your head and then you’re a writer. But an author is one who can judge his own stuff’s worth, without pity, and destroy most of it.”

I’ve invested time and money into my two books, Forever Avalon and The Dark Tides, and no matter what the cost, I’ve enjoyed every minute of it. Writing every word has brought me the full range of emotions, from sadness and grief at the death of a character to sheer joy when an idea came together.

This is the point where writing as a passion or a business diverges. It is so easy to self-publish today, anyone can put out a book for very little money. The time it takes away from work and family for writing, editing, engaging on social media makes it hard work.

The dedication it takes is well-known by any author. If you believe In your story, in yourself, then you’re willing to put the time and effort into it. “Writers are desperate people and when they stop being desperate they stop being writers,” said Charles Bukowski.

I want nothing more than to spend my days getting up in the morning, pouring a nice cup of coffee and sitting down at my desk to spend my day writing the next chapter of my next novel. It is what we all strive for. Not the glamour, but the freedom to be a writer.

Roald Dahl said, “A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.”

Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is now available for purchase at Amazon, Barnes and Noble and iUniverse.

Would you go to see Humphrey Bogart as Indiana Jones?

RaidersImagine Clark Gable as Han Solo or maybe Anthony Perkins as Hannibal Lecter. Think about it? Alfred Hitchcock directing Halloween or Charlie Chaplain directing and starring in Big.

I love classic movies. Rear Window, Key Largo, and The Quiet Man are just a few of my favorites. I love to imagine what modern movies would have been like with the great stars of the silver screen cast in those roles.

We see the reverse all the time, when they take a classic movie and remake it. You Got Mail with Tom Hanks and Meg Ryan was originally Shop Around the Corner with Jimmy Stewart and Margaret Sullavan. This time, though, I want to try things in reverse.

I could see Raiders of the Lost Ark with Humphrey Bogart as Indiana Jones, Lauren Bacall as Miriam, Peter Lorre as Sallah and Edward G. Robinson as Belloq. That would have been a classic right up there with Treasure of the Sierra Madre.

With all the hype for Star Wars: The Force Awakens, how would you cast Star Wars in classic Hollywood? I would cast Jackie Cooper as Luke Skywalker, Audrey Hepburn as Princess Leia, Clark Gable as Han Solo, Douglas Fairbanks as Obi-Wan Kenobi and Yul Brynner as Darth Vader. In a twist, I would cast Sir Alec Guinness as Governor Tarkin.

If you want to take things to a whole new level, imagine Jack Lemmon and Marilyn Monroe in the diner scene from When Harry Met Sally; or maybe Jimmy Stewart and Grace Kelly as the paleontologist sin Jurassic Park. The possibilities are endless.

Here’s something to keep you thinking about the many possibilities. Pick a movie and recast it with stars from classic Hollywood (30s to 50s). Post your choice in the comment section below. I’ll pick the best one and the winner will receive a copy of my book, The Dark Tides. Good luck!

What I learned at Pitchfest “book-to-movie” 2015 in New York City

file_573779_books-2013-part-2-0122013-175906

I had the honor of attending Pitchfest this past weekend in New York City. Pitchfest was a book-to-screen seminar where independent, self-published authors like myself were taught how to turn our novels into a two minute pitch and then pitch that idea to studio/production representatives from movies and television.

The event was hosted by Author Solutions, a company that provides services to self-published authors. They saw a need in Hollywood for the myriad of ideas from independent authors that was virtually unknown to them. That’s why they put together their first Pitchfest. Since then, they’ve done these bi-annually to get authors that two minute chance to sell their book idea to the silver screen.

With the expanding television audiences emerging from small, online production companies associated with Netflix, Hulu and Amazon, the need for new ideas is paramount. The guest speaker, Bob Kosberg, is known as the “King of the Pitch” and he was an honor to learn the business from him.

One of the most influential quotes he told us was by former Disney CEO, Jeffrey Katzenberg. “I the dizzying world of movie making, there is one fundamental concept … The idea is King!” That said, everyone has an idea or concept, but making it into a compelling story is what makes the pitch.

You start off with the set-up, putting your ideas to a particular genre, comparing it to other stories out there, like “this is Alice in Wonderland but set on Mars.” Then you go into the inciting action, what gets the ball rolling in your story, followed by an introduction of your main character. Here is where you being to really sell the idea.

Lastly, you have to lay out what’s at stake and then resolve the plot. All of this I two minutes, and they do mean two minutes.

We were put in what can only be described as “speed dating” as we walked into a room with several tables with one-to-two reps per table. One we sat down, the two minutes began and you started your pitch. At two minutes, the buzzer sounded and you shifted to the next table on the right. You had maybe a couple of seconds to finish your last few words, but then it was on to the next. You got up and shifted to the right, starting your pitch all over again to another pair of reps. This process continued until you end right back where you started from.

By the fourth pitch, my mouth was so dry I could barely speak, but I pushed on until I was done. It took less that 15 minutes but I made all my pitches. I’ll find out in a few weeks whether or not any of the reps want a copy of my book, then it’s really a waiting game from there.

As Keith Ogorek, Author Solutions Senior VP for Marketing, explained that the process was not a quick one. If a production company wants to option a story, they’ll pay an author between $500-$1500 to reserve the rights for a year to 18 months while they start developing the concept. Authors can offer to help by writing the screenplay or just wait until the project fully develops. It can take anywhere from 3-5 years or more for a project to culminate in a finished movie or television show.

A great example he gave was the novel Still Alice by Lisa Genova. It was self-published in 2006 through iUniverse. It was opted for the screen and was finally released in 2014 starring Julianne Moore (Hunger Games movies, Hannibal, Jurassic Park 2: The Lost World) for which she won the Academy Award for Best Actress.

I had a blast learning so much about the movie business, but more importantly, how to condense my novels in the Forever Avalon series into a two minute pitch. Why two minutes? It’s the average time spent in an elevator. So if you walk in an elevator with Steven Spielberg, you have your pitch ready to go. After all, it only takes one idea to make movie magic.

Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is now available for purchase at Amazon, Barnes and Noble and iUniverse.

I visited the Bermuda Triangle and all I got was this lousy t-shirt!

article-2555006-1B574E5800000578-140_634x480Last week, the east coast of the United States was under a tropical storm warning as we awaited Hurricane Joaquin. Fortunately, it stayed way out to sea and barely affected us, but it did give me some inspiration. It gave me a great opportunity to talk about one of the “sci-if” elements of Forever Avalon and The Dark Tides … The Bermuda Triangle.

For those who need a little history lesson, the Bermuda Triangle is an area of the Atlantic Ocean between Miami, Florida, San Juan, Puerto Rico, and the island of Bermuda, more than 1,510,000 square miles of ocean. There are more than 1,000 recorded incidents in the last 500 years in that part of the Atlantic Ocean.

I’ve always been fascinated by the Bermuda Triangle. I remember a movie from the 1975 that I saw as a kid called Beyond the Bermuda Triangle. Of course, who could forget Leonard Nimoy’s TV series In Search Of, where he spent one episode on the mysterious disappearances in the Bermuda Triangle and possible reasons behind them. Next to the search for Noah’s Ark, Bigfoot and the Loch Ness Monster, the Bermuda Triangle is a mystery wrapped in an enigma.

Rifts_RPG_Ultimate_Edition_2005I even played a role-playing game, in my D&D days, called Rifts. The story was that Ley Lines, lines of magical every that crisis-cross the Earth, intersect in certain places (like the Bermuda Triangle) creating rifts or portals to other worlds in space and time. This post-apocalyptic game took us into the future. It combined sci-if and fantasy, for example, you had Elves that could hack into computer networks through jacks in their heads. Like I said, fun!

There are plenty of logical reasons why all these boats and planes disappeared in the Bermuda Triangle, from hurricanes to rogue waves, that can explain the phenomenon. I like to think that there is some truth behind the disappearances which is why I incorporated them into my novels.

Sure, aliens are the most prevalent theory behind the myth, but I like to stick to the magical. Using the Bermuda Triangle as a portal to Avalon gave the back story to my novel some credence. The people who survived the storms ended up in the shores of Avalon. There they either blended into the medieval society or died, it was that simple.

866683_f520One of my favorite tales from the Bermuda Triangle is the story of Flight 19. Flight 19 was the designation of five U.S. Navy TBM Avenger torpedo bombers that disappeared over the Bermuda Triangle on December 5, 1945 during a overwater navigation training flight from the Naval Air Station in Fort Lauderdale, Florida. All 14 airmen on the flight were lost. Investigators could not determine the cause of the loss of Flight 19 but said the airmen may have become disoriented and ditched in rough seas after running out of fuel.

I came up with a better answer … They arrived on Avalon. The flight leader, Lieutenant Charles Taylor, became an essential part of the Forever Avalon story. He was a mentor and friend to Bryan MoonDrake, the Gil-Gamesh, from the moment he arrived on Avalon. I originally meant for him to be just a small part of the back story, but in The Dark Tides, I was able develop his story as part of the character development of the Gil-Gamesh.

Whether you believe in the supernatural or not, the Bermuda Triangle will always be a place where sci-fi/fantasy authors can twist and turn their stories in any direction possible. Just be sure not to get lost in there. You never know where you’ll end up.

Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is now available for purchase at Amazon, Barnes and Noble and iUniverse.

Dreamers are the writers of tomorrow

703.-More-Than-One-DreamIt’s funny how writing correlates to dreaming. Most people forget what they’re dreaming about when they wake up the next morning. As a writer, I find inspiration in my dreams.

Dreaming is the television of the mind, as I like to call it. It’s where our fantasies become realities. Daydreams are especially poignant. Edgar Allen Poe said, “Those who dream by day are cognizant of many things which escape those who dream only at night.”

I truly believe that day dreamers are the most creative people alive today. It takes that level of imagination to inspire one in art, writing, and other creative endeavors.

Daydreams are the most prevalent dreams we have. They have been the subject of everything from Saturday Morning Cartoons to an episode of “Happy Days” (the episode that introduced us to “Mork from Ork” played by the incomparable Robin Williams). I remember a “Looney Tunes” cartoon with little Ralph, who daydreamed his way through school, being a deep-sea diver after gazing at the classroom fish tank one moment to being General MacArthur when he leaves school promising “I will return,”

Dreams are the playgrounds of our minds, as the song says. As writers, we use it to cultivate the stories for our next chapter. The hard part for me is that, at times, my mind is racing through thoughts and ideas so fast that I can’t get to sleep. It’s especially difficult if I was writing just before I went to bed.

That’s the difficulty of being and independent author. You have to work at another job so that, at night, you can focus on your passion for writing. Unfortunately, it can lead to a few restless nights.

Dreams is your subconscious talking to you, in one way or another. It’s the creative side of your brain reaching out to tell you something. That’s how I originally came to write Forever Avalon.

When I was on active duty in the Navy, I had this recurring dream whenever I deployed. It was my subconscious trying to help me cope with the long separation from my family. It put me in a place where they relied on me, needed me, on a magical island out of time and space. In my dream, I felt closer to my family than any time before.

This was the dream that inspired me and led me to write the Forever Avalon series. Funny thing is that after I wrote my first story, the dream stopped. Like I said, it was my subconscious talking to me and I got the message, loud and clear.

edgar_allan_poe__by_ohparapraxiaEdgar Allen Poe said, “All that we see or seem is but a dream within a dream.” These are words to live by when you’re delving into your creativity and inspiration to create a world of fantasy.

Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is now available for purchase at Amazon, Barnes and Noble and iUniverse.

Editing your novel can lead to harsh cuts – A deleted excerpt from “The Dark Tides”

SKU-000941753I hate to admit it but it took me almost six months to edit The Dark Tides. I was hard because, I got a little out-of-hand as I was writing it and it reached almost 228,000 words. I had to get it down to a little more manageable size, and that called for extreme editing. I found some places where I repeated myself and, in other places, I found sections of my novel that really didn’t add to the overall story.

This is one of those parts as I give you a glimpse into part of the story that would’ve been in this deleted excerpt from The Dark Tides. I like to call it “Ambush at Merlin’s Pinnacle” so, here you go!

***

The Avenger glided through the air around Merlin’s Pinnacle. The crew was on their toes during this part of the passage, as the air currents around the peak could be quite treacherous. The Gil-Gamesh watched his crew move like a well-oiled machine during the flight. Even Hunter and Andrew were pitching in, to not only be helpful but to learn more about the operation of the airships of Avalon.

From the bridge, Bryan looked down at the fog covered Arkengarth Vale and reflected back on that epic battle, his torture and recovery afterwards in Alfheimer. It’s moments like this that the Gil-Gamesh couldn’t help but feel his age. Though 60 was considered middle-aged for someone from Avalon, in Bryan’s “Outlander-way” of thinking, it’s near retirement age for most people. And with everything that happened over the past month, he was beginning to wonder how much longer he could keep doing this.

His 20 years on Avalon had been nothing but non-stop since he arrived. It wasn’t like it was unfamiliar territory to him. Working on the flight deck of an aircraft carrier was no different — fast paced, focused attention-to-detail, non-stop action-packed work for days on end. But the question remained, when this is all over, could he finally take a break from the fast-paced life he led as the Gil-Gamesh? Only time would tell.

Suddenly Bryan noticed a shadow falling across the ship’s deck. He turned to look skyward to see what could be casting it. High in the sky behind them, flying right in the sun, another airship closed in on the Avenger. Because of its position, Bryan couldn’t see who it was or why Captain O’Brien hadn’t acknowledged its presence.

“Captain, what’s that ship following us?” the Gil-Gamesh asked.

“It’s the Intrepid milord. Our lookouts spotted her about an hour ago, just before you came on deck. She appears to be following us into Idlehorn.”

“Has Captain Oldman signaled his course and intentions per protocol?”

Edan thought for a moment before answering. “No milord, he hasn’t. I assumed with the beatings our ships have taken over the past few weeks, it might have slipped his mind.”

“Never assumed anything Edan,” Bryan said as he reaches into his cloak and pulled out his spyglass lens. “Video Visum!” he chanted as the lens zoomed in on the airship. The decks were empty, even in the rigging. This was very disturbing to the Gil-Gamesh, especially for running this close to Merlin’s Pinnacle.

“Have the crow’s nest attempt to signal them,” Bryan ordered. Captain O’Brien relayed the command and the sailor manning the crow’s nest pulled out a pair of flags and started to signal the airship through a series of motions and signals. No response ever came from the Intrepid.

Bryan contemplated his next move. “Shall we fly up alongside her Gil-Gamesh?” Edan inquired.

“No, we’d be too exposed to an attack as we maneuvered into position. He’s got the wind in his favor. I have a better idea.” Lord MoonDrake raised his fingers to his mouth and whistled. “Maverick!” he shouted. From below decks, a tiny dragon whizzed past all the sailors until he reached the Gil-Gamesh. Faerie Dragons were quite small, less than two feet in length, but they’re also the fastest creatures on Avalon. Their wings resembled dragonfly wings, beating as fast as a hummingbird.

Bryan held up his hand and the little dragon landed on it like a falconer would. He stroked it under the chin, causing the beast to purr like a kitten. Bryan spoke to Maverick in the ancient tongue of the dragons. The Faerie Dragon growled and took off toward the Intrepid. It didn’t take long for it to come back and land on Bryan’s shoulder. The little creature grunted and growled to the Gil-Gamesh, garbled to everyone else but Bryan understood it perfectly.

“No one is on deck save for a single Brood manning the helm,” Bryan relayed. “He’s got to be planning a kamikaze run on us. He’s probably waiting until we get closer to Idlehorn.”

“A ‘kamikaze’ milord?” Edan asked.

“In the outside world, there was a world war,” Bryan explained. “When the enemy realized they were losing the war, they decided to take out as many of our ships as they could by flying into them, sacrificing themselves to severely damage us. They were called Kamikazes. It means ‘divine wind’ hoping their sacrifice would earn them a place of honor in Heaven.”

“Shall we beat to quarters?” Edan asked.

Bryan thought for a minute then decided against it. “No, if he sees any real change on deck, he may dive at us sooner than expected. He would cut us in half before we could change course or fire any shot off at him. This calls for something with a little more subtlety.”

The Gil-Gamesh got an idea and walked over to the rail. “Hunter, Andrew … Get your Lancers and get up here!” he ordered. The two young men stopped what they’re doing and headed below decks. Within minutes, they returned to the bridge with their Lancers in hand.

“Alright, time for a battle test of your new weapon,” Bryan began. “Behind us is the Intrepid, but its crew is missing and it’s being piloted by a single Brood. From the position they’re in, if we do anything to show aggression, she’ll dive right at us and we won’t be able to respond.”

“You think they’re going to ram us?” Hunter asked.

“More than likely, which is where you and your Lancers come in,” the Gil-Gamesh explained. “I need you to shoot some explosive dragonfire rounds into that ship, preferably up forward where the ammunition is stored. That should be able to blow it right out of the sky.”

“Just out of curiosity sir, why don’t you cast a spell to do the same thing? I mean, your spells seem to be more powerful than these spell shots could ever be.”

“That’s true Andrew, they are, but to cast a spell to travel that distance and be effective, it takes some time in conjuring. If he sees me performing any kind of enchantment, he would more than likely dive right at us. That’s why you built these Lancers, remember … Stealth with precision. To him, it’ll probably look like you’re looking at them through a spyglass. Now, get to it!”

Hunter and Andrew loaded the spell shots into their Lancers. They took position on the aft end of the bridge. “You want to aim about ten feet back from the bow ornament Andy, about halfway down the hull,” Hunter told him.

“Got it …” Andy retorted.

“Remember to adjust your second shot if and when he starts to react,” Bryan reminded them. The two men just nodded their head.

“On three …” Hunter said as he counted down, “One, two, three …” The two men fired simultaneously as the Lancers exploded with a loud “whoosh”, almost like a musket firing, as the dragonfire spat out, launching fireballs that grew incrementally as they travelled through the air. Almost immediately, the two men fired a second volley at the airship. The first two fireballs impacted right on target on the bow, causing a massive explosion as the Intrepid started to dive. Then the second fireballs hit, causing the ammunition to detonate, and the airship was reduced to burning embers.

Bryan steps up and patted his son and son-in-law on the shoulders. “Well done gentlemen, well done. I hate losing another ship but we can’t let them take any advantage over us.”

“The Lancers are more powerful than we ever hoped,” Hunter added. “Great job Andy.”

“Thanks … I just hope it will help in the coming battle,” Andrew said with due humility.

“Well, we may be losing battles like this, but in the end, we’re going to win the war. Morgana won’t know what hit her,” Bryan replied. “In the meantime, I suggest you start planning a training regime to teach our forces how to use them. You won’t have a lot of time to get them up to speed on the Lancers.”

“Don’t worry father. I’m putting together the best shooters from the Knights of the Round Table. These men are already quite skilled with the GunStars, so teaching them how to use the Lancers should be child’s play.”

“You might want to include Captain McLoughlin in your training,” the Gil-Gamesh added. “The Shield Maidens paired with those knights will have to be ready to adjust their tactics.”

“How much time will we have?” Andrew asked.

“Less than a week, a few days at most … I don’t expect Morgana to attack before the new moon, but I need her too. So, I’ll just have to give her a little nudge.”

“Is that a smart thing to do Dad?” Hunter inquired. “We should take all the time we need to get ready for this fight.”

“The problem is that if I give Morgana more time, it brings us closer and closer to the new moon, when the Dark Tides will be at its peak. That’s one advantage I don’t want her to have.”

Before he departed the bridge, Captain O’Brien stopped the Gil-Gamesh. “My apologies Gil-Gamesh, it won’t happen again.”

“Edan, I don’t expect you to be perfect. People make mistakes,” Bryan explained. “Just learn from those mistakes and don’t make the same one again. You get one chance from me, but do it again and you’ll be sacked so fast, I might not land the ship before kicking you overboard.”

Bryan walked right by Edan as he got a lump in his throat from the very ominous threat by the Gil-Gamesh. Hunter tried to reassure the young Captain about his father’s overzealous attack.

“Don’t worry Edan. Jupiter Antilles once told me my father threatened him on more than one occasion to toss him overboard. I’d say you were in good company.”

“I hope so Hunter. It’s just … I’d hate to be the first.”

***

The Dark Tides is now available for purchase at Amazon, Barnes and Noble and iUniverse.

The most dangerous place to work in the world — An excerpt from “The Dark Tides”

originalToday is Labor Day and I was thinking about the hardest jobs to do. One I can say with absolute assurance is the work done by the men and women of our military. As a veteran myself, I know firsthand the great job they do.

The flight deck of an aircraft carrier is known as “the most dangerous place to work” in the world today. Jet engines, propeller blades, jet fuel and explosive ordnance make for a deadly combination. You have men and women under 18 years of age working daily in this hazardous environment.

It takes strong leadership to make it work like the well-oiled machine it is. That’s why I made the protagonist of my novels in the Forever Avalon series an Aviation Boatswain’s Mate (Handler) or ABH. Chief Bryan Drake was such a leader, making sure the job was done safely and efficiently.

This excerpt from The Dark Tides demonstrates his strong leadership that took him from the flight deck of an aircraft carrier to the magical island Avalon to become Lord Bryan MoonDrake, the Gil-Gamesh of Avalon.

***

As Bryan walked down the ship’s ladderwell, he heard a loud commotion coming up toward him. Yellow shirts—flight deck aircraft handlers—were running up the ladderwell, telling people to get out-of-the-way. Bryan recognized one of the handlers from his division, Petty Officer George Rodriguez, but everyone just called him “Georgie.”

“Georgie, what’s going on?” Bryan asked.

“Helo 951 broke loose Chief; it’s sliding around on its rear wheel,” the Hispanic sailor yelled as he stormed past him. Bryan followed behind, heading toward Flight Deck Control to get an update from “the handler,” Lt. Cmdr. Derrick McGregory. “The Mad Scot”—as he is known to his sailors—controlled all aircraft movement on the flight deck.

Inside Flight Deck Control, Bryan rushed into a flurry of activity. McGregory was on the phone with the “Air Boss”—the officer in charge of air operations on Enterprise while others peered out of the small windows to get a peek at what’s happening on deck.

“Clear away from the window,” Bryan shouted to the sailors. “If you don’t have any business in control, get out now!” The sailor’s groaned and filed out as the Handler hung up the phone. His mustache twitched—a sign Bryan came to learn as trouble.

“Chief, the Boss doesn’t want that aircraft damaging any others,” he said to Bryan. “It’s already clipped another helo and a Hawkeye. Think you can secure it?”

Bryan looked at the Handler, tense and nervous. He’s always relied on Bryan for the tough jobs, and he knew it had to be done.

“Yes sir. Just give me Georgie, Bartman and a couple of blue shirts and we’ll lock it down.” The Handler picked up the sound-powered phone while Bryan grabbed a flight deck vest and helmet off a hook on the wall. He’d need the safety gear out on the flight deck, especially in this weather. George, Petty Officer Mike Bartman and two blue shirts—sailors who chain the aircraft down to the deck—arrived in Flight Deck Control.

Bryan finished buckling his helmet as he relayed orders to his crew. “Georgie, you drive the tractor. I want that bird hooked up and holding steady. Bartman, you guide him into the helo. Once that’s done, you two lock it down tight. Ready?”

They all chimed in at the same time. “Yes Chief!” Bryan opened the hatch to the flight deck, the wind and rain blowing them down almost immediately.

Once everyone is outside, Bryan moved his crew toward the swinging helicopter. Its rear wheel remained chained to the flight deck but its front wheels broke free, causing the aircraft to swing like a pendulum. Georgie and Bartman go around the island and start-up a tractor while the two blue shirts stayed close to Bryan.

The ship was listing heavily to right as huge waves crashed over the flight deck. The wind and rain added to the problem, making it hard for them to get good footing. Complicating things even more was the multiple aircraft around them, strained against their chains by the storm.
Georgie backed the tractor on the helo’s rear wheel and, with Bartman’s help, locked the helo down. Once steady, Bartman signaled a thumbs’ up to Bryan to send the two blue shirts in. Heavy chains hung on their shoulders, chocks in their hands, Bryan ordered the two sailors to get to work. He watched as the chocks were placed under the wheels and the chains are hooked on to tie the aircraft down.

Bryan was pleased with his team. He had a great group of sailors working for him. The blue shirts gave the thumbs up and they all started to celebrate, fists pumping and cheering, until without warning, things went from bad to worse.

The ship hit a big swell that caused the carrier to drop fast and list heavy to starboard. Bryan can only watch as Bartman slipped and started to tumble backwards toward the edge of the flight deck. He acted quickly to save his shipmate; without regard for his own life or safety, he dove after Bartman.

The momentum of the listing deck flung him through the air. He reached Batman and knocked him into the catwalk, saving his life, but his life saving gesture propelled him over the side of the ship into the water.

He hit the water hard and momentarily blacked out. His safety gear kicked in, though, and his vest auto-inflated. He rose to the surface and regained consciousness. The waves, wind and rain battered him around.

He saw the ship in the distance. The sound of “Man Overboard” can be heard, even with the storm. The ship started to turn around, but to Bryan it seemed to be getting further and further away from him, as if he was being pulled away from the carrier.

The waves continued to beat him about, practically drowning him in its fury. Bryan became disoriented and fear started to grip him … The fear of dying. He thought about Stephanie and the kids. He remembered birthdays, anniversaries and holidays as images flooded his mind.

Suddenly, he saw a glow in the sky. Bryan thought it was the light from a rescue helicopter, but the ship couldn’t have launched one in this weather. “Is this it? Is this the end?” he thought as the light grew brighter and brighter until it enveloped him. Bryan closed his eyes and accepted his fate.

***

The Dark Tides is now available for purchase at Amazon, Barnes and Noble and iUniverse.

Writers are some of the worst serial killers (in literature)

evil-personifiedWhat does evil look like? That’s a question that has dogged people for centuries. When you look back through history, images of Vlad the Impaler, Adolph Hitler, Charles Manson and Osama bin Laden come to mind. Then again, so does Ted Bundy, Jeffrey Dahlmer and Jim Jones.

I’m in no way saying I’m an expert on evil, but as a writer, you have to be able to dip into the darkness once in a while. How can you create a villain for your story without knowing the evil that lurks inside?

For most of us, evil falls back to the representation of the incarnation of evil … the Devil, Satan, Lucifer, Prince of Darkness, etc. Some writers try to make him sexy, human-like, attractive and appealing. I could never think of the devil that way.

I was raised a Southern Baptist, so I was taught that evil began with Satan; from his rebellion against God, to the temptation in the Garden of Eden and the first murder by Cain.

Evil, to me, is the absence of morals; a complete incapacity to see the difference between right and wrong with a total lack of remorse. When I watch news reports of James Holmes, the man who killed 12 people in the movie theater, I see the face of evil. They’re trying to call him insane, but I believe insanity is just the mind of a killer justifying their actions. It’s evil, pure and simple.

I can admit how uneasy I feel when I’m writing scenes that involve such acts of evil. In the wedding scene of my latest book The Dark Tides (caution, spoilers!) when Morgana Le Fay returns to Avalon, she and her compatriots kill many friends of the Gil-Gamesh. I cried as I wrote this chapter of my book. It was hard to write but a necessary part of the story.

I could never imagine doing something like that and here I was, writing about it as if I caused it to happen. To have that kind of emotional impact on me demonstrates just how writers are capable of tapping into the heart of evil.

Authors can be, at times, the worst serial killers in history. I’m sure Game of Thrones fans feel that way about George R.R. Martin. We must tap into that evil without succumbing to it ourselves.
I always thought the best portrayal of evil was done by Al Pacino in three very different roles. As Michael Corleone in The Godfather, Tony Montana in Scarface and as the Devil himself in The Devil’s Advocate. You looked in his eyes and knew there was a man in there but it terrified you none the less.

We can demonstrate the evil in man, in society, in what we write; but when you do that, there always has to be hope. Hope is the saving grace for the writer. Hope means that evil can be overcome, it can be conquered. Evil may win the battle, but hope means they will lose the war.

The Dark Tides is now available for purchase at Amazon, Barnes and Noble and iUniverse.