Tag: writing tips

Summertime Blues sometimes equals Writers Block

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When the sun is high in the sky, the days are longer and the air is thick with humidity. All the while, the cool waters of the beach or swimming pool are calling you, what is a writer supposed to do? Sure, I can sit inside my air conditioned apartment and bang away at my keyboard, ignoring the possibilities of fun in the sun, but why? The oppressive heat and constant “air quality alerts” make going outside next to impossible. Still, it also makes it impossible to concentrate on writing.

Writer’s block is real! I’ve written maybe ten pages or less in the past month. It’s been hard to be inspired right now, especially after back surgery. It’s bad enough to sit behind my desk for my regular job, trying to keep moving to relieve pain in my back and legs. Then, sitting at night or on the weekends and writing is even harder. Plus, the heavy pain medications they have me on don’t help, either.

I’ve experienced writer’s block on more than one occasion. We are old friends and adversaries. We have dueled on the battlefield repeatedly, trading barbs and deleting poorly written sentences. Our conflicts have been bitter, nasty, and sometimes lasting for months or years. The struggle for The Dark Tides of 2012 still haunts me to this very day.

I still don’t have a cure for the evil of writer’s block. I’ve never been able to put it entirely behind me. All I can do is work through it or wait it out. Writer’s block is as unforgiving as a glacier moving through a chasm . . . slow and unrelenting. If you think about banging your head repeatedly into the wall, and never stop no matter how painful, that’s writer’s block.

All I can do is take it slow and work through the problems. I always say, “Writing a few sentences daily is progress in the right direction.” Keep doing that, and by the fall, I’ll have finished the chapter. Then, when cooler weather kicks in, and I’m feeling more like myself, with a pumpkin spice latte in hand, the words will start to flow again.

In the meantime, stay inside, and check out my Events page for upcoming book sales and conventions you can find me at.

Mark Piggott is an award-winning independent author of several fantasy/steampunk novels and short stories. A 23-year U.S. Navy veteran, his stories will take you from the shores of eternal Avalon to a dystopian steampunk future and other worlds.

The Forever Avalon fantasy book series—including Forever Avalon, The Dark Tides, and The Outlander War—are available online at Amazon and other booksellers. His fantasy steampunk novel, The Last Magus: A Clockwork Heart, is available through Lulu and other booksellers.

Cross over The River of Souls in a fantasy novella and the steampunk historical fiction, Corsair and the Sky Pirates from Curious Corvid Publishing. The Last Magus: Dragonfire and Steel and The Prometheus Engine: Book Four of the Forever Avalon Series, are coming soon. Stay tuned for more new fantastic stories from the imagination of Mark Piggott.

Working on multiple WIPs at the same time can be quite maddening for any writer

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Frustrated? Overworked? Help is one the way . . .

So, I’m in the middle of a crisis at the moment. I have multiple ideas for stories, both ones I’m working on, new ones, and ones I haven’t even put down notes on yet. They’re all rattling through my head, begging for life. I try to work on what I can, but then my mind drifts elsewhere. I can’t tell you how many times I’ve woken up at 3am with one of these stories nagging at me. Like I said, maddening. I wish I could get committed to an asylum just so I could sit quietly and write. I would take a vacation to work on them, but then I probably wouldn’t have a wife to come home to anymore. I mean, she puts up with me dragging her to conventions, art festivals, and book signings.

This is a dilemma, one every writer runs into from time to time. I know I’m not alone in this madness. The difference for me is that I am not looking through multiple storylines in one genre or story. I have a multitude of ideas streaming through my head like a Netflix playlist. From steampunk sky pirates to mercenary demon hunters, a wayward Magus, and knights of Avalon, I don’t know where to begin. Add to that the short stories I’m constantly plugging away at to ply my trade within the many opportunities available to the writing community.

Curious Corvid Publishing . . . Publishing a variety of gothic works that bring a voice to the darker side of life.

The one good thing I can say about these shenanigans is that I feel a sense of relief within this madness because I have a publisher now. Being one of the myriad of talented authors under Curious Corvid Publishing has given me pause in my madness . . . Well, partly. Having a publisher that supports me as a writer takes away the worry of frantically searching for someone to publish my stories. I have that support system under me so I can focus on writing and no worry about who’s going to publish my next fantasy trope. I can’t tell you how grateful I am to be a part of this up-and-coming publishing house. Thank you Ravven!

I’ve been self-published for more than ten-plus years. As a side job, I know I’m still operating in the red. I spend more money on publishing, marketing, etc., than I earn from selling books. That’s the rub for any independent, self-published author. We do this because we love it, no matter what the cost. Not saying that I want to go bankrupt being a writer, I just want to tell my stories the easiest way I can. Just reading a good review or hearing someone say they liked my story is reward enough for me. The problem is getting the damn things out of my head.

For now, I need a calm mind and a cool head. That will get me through my writing dilemma. One thing at a time, maintaining my focus, and this will all work itself out. But maybe, just maybe, I do need to take a small vacation to push through all this frustration. Maybe I can talk my wife into a nice spot on the beach where she can catch some rays while I sit under the umbrella, tapping away on my laptop. There’s a compromise in there somewhere.

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Mark Piggott is an independent author of the Forever Avalon fantasy book series and other fantasy/steampunk novels and short stories. Forever Avalon is available for purchase as a paperback/ebook at Amazon and as an audiobook from Audible and iTunes. The Dark Tides: Book 2 of the Forever Avalon Series is available as a paperback/ebook at iUniverse Publishing,  Amazon, and other booksellers. The Outlander War, Book Three of the Forever Avalon series, is available as a paperback/ebook from Austin Macauley Publishing and at Amazon and other booksellers. His latest fantasy novel, The Last Magus: A Clockwork Heart, is available through Lulu and other booksellers.

Get ready for The River of Souls fantasy novella, coming soon from Curious Corvid Publishing along with the steampunk historical fiction, Corsair and the Sky Pirates. The Prometheus Engine: Book 4 of the Forever Avalon Series and The Last Magus: Dragonfire and Steel are future installments of his current fantasy book series, plus so much more coming soon.

Changing your novel after its done is crazy, right?

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So, I woke up the other night at 3 o’clock in the morning thinking about my current #WIP (work in progress) The Last Magus. Something has been bugging me, so much so that I woke up in the middle of the night thinking about it (a common problem with writers). Anyway, this book topped off at 189,000 words. A monster, right? So, I’ve been having issues with the excessive length, but to me it’s a complete book. What do I do?

I had a similar issue with the second novel in the Forever Avalon series, The Dark Tides. I originally started to write this book as a prequel to my first novel, but the more I wrote, the more I didn’t like the approach. I wanted the story to go forward, not backwards, so then the idea came to me. I took the sections I already wrote and decided to use them as flashbacks instead. When I finished The Dark Tides, it was nearly 200,000 words. In the end, I cut it back to around 165,000, but that’s how I wanted it to be. To me, it was a finished novel.

So now I’m having the same issue with The Last Magus. It’s a brute but I love the way it is. What do I do? The answer is simple… Cut it in half. I think if I can find a good point, I can split the story in two and have two novels instead of one big one. So now that I know what to do, the question is how to do it?

I have a prologue, 21 chapters, and an epilogue. Splitting it in half also means writing a new epilogue for the first book and a new prologue for the second book, so they both are connected. I have my work cut out for me on a project I thought was finished with just editing work in progress.

This is a hard decision for any writer. You think you’ve written this great novel, until you start editing and realize… “What the hell was I thinking?” It’s not easy to be so critical of ones own work. I spent a good part of six months writing it in the first place and the next six editing. Now, having to split one novel into two, I have more writing and editing to do. This also puts a damper on other writing projects I had started.

It’s also a development issue. I laid out this story and never expected this issue to come up like it did. I mean, my novel just grew and grew exponentially. It had a life unto itself at times. I now have to go back and rethink my original concept. That’s hard for me because I thought I had it down. To be honest, I’m not very good at changing things on the fly. Usually, I write and the story develops as I write.

It’s like having to start the process all over again, which extends out every other project I had going on. It’s difficult to explain but I know other writers can attest to this frustration. I’ve said many times before how my mind is like a Broadway play running nightly shows. My stories play themselves out daily, two extra shows on the weekends. So now, it’s like the lead actor and the understudy have fallen ill, closing the show while another one quickly jumps in to fill the gap; but I can’t stop thinking about getting the other one back on stage. Do you get what I mean?

I think this is why many great authors drank, used drugs, and caroused. If you don’t have something on the side, the sheer madness of it all will overwhelm you. I’ll end this with a great quote from Alain de Botton…

“Writing isn’t a career choice. It’s self-medication that over time precipitates the madness it was meant to ward off.”

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Mark Piggott is the author of the Forever Avalon fantasy book series. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides: Book 2 of the Forever Avalon Series is available for purchase as a paperback/ebook from iUniverse Publishing and at Amazon, and other booksellers. The Outlander War, Book Three of the Forever Avalon series is available for purchase as a paperback/ebook from Austin Macauley Publishing, and at Amazon and other booksellers.

Do your research when it comes to weaponry, both medieval and modern

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Whether you’re writing science fiction or fantasy, the accuracy of the weapons being wielded is as crucial as the characters and the setting. You wouldn’t take a long sword on a dungeon crawl (for a visual, watch the first episode of the anime Goblin Slayer) nor would a U.S. Special Forces carry an AR-15 in combat. This is where your research as a writer is critical.

You can be flexible when you mix in science fiction, like steampunk or dystopian, when you mix and match weapons together. Even in some fantasy aspects, weapons have been creatively produced, like “Stormbringer” from the Elric saga or Xena’s chakram… Functional weapons but not easily wielded.

I can honestly say that my years of playing Dungeons and Dragons gave me an edge in fantasy writing. When you have calculate the length of your weapon to wield it in a dungeon, it makes you think. (Remember, in these instances, size does matter!) Add to that, my military career gave me some much needed knowledge in military weaponry, from automatic weapons to aircraft and missile technology. I know the difference between an F/A-18 Hornet and an E-2C Hawkeye, a Sea Sparrow and a CWIS.

This was my problem while I was writing my latest novel, The Outlander War: Book 3 of the Forever Avalon Series. The story begins in the middle of the Atlantic Ocean, in the heart of a naval exercise, when Avalon suddenly reappears, causing disruptions on both fronts. The U.S. Navy, now circling the mysterious island, wants answers. The tensions build as modern technology faces off against ancient magic, on an island where the laws of magic supersede the laws of science, as military forces continue to surround the mysterious island, bringing both sides to the brink of war.

I have already written two books with people using various medieval weapons, so that wasn’t the issue. Now, I had to incorporate the medieval fantasy world of Avalon with the U.S. and Russian Navy as well as special forces. This took a lot of research on my part. As a retired U.S. Navy Chief Petty Officer, I served on three aircraft carriers so I was quite familiar with the aircraft, weaponry, and terminology. It was a little different in researching Russian ships, weapons, and aircraft, but necessary for my story.

Here’s an excerpt from The Outlander War demonstrating an exchange between modern military forces and medieval weaponry.

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His voice trailed off as his eye caught something different on the horizon. Hunter knew how keen the eyesight of an Elf was and tried to see as well. It was a clear night, the moon waning as a small sliver of a crescent high in the sky.

“What is it?” Hunter asked. “What do you see?”

“There’s a new ship out there, one I’ve never seen before.”

“Are you sure, Feredir?” Eadric asked. “Those metal contraptions look all the same to me.”

“I have observed all the same ships for the past few weeks, that one is new.”

Try as he might, Hunter could barely make out the ship in the darkness. “Can you describe it?” he asked. “Do you see any writing on it?”

“It looks like the other large warship… the aircraft carrier, I believe your father called it, but the front of the ship is curved upward like a ramp,” Feredir said. “There is some writing on the side of the main structure but I’m not familiar with the language.”

“Show me!” Hunter demanded. Feredir took a dagger and wrote a few letters in the dirt next to the fire. Hunter didn’t understand the words, but he recognized the language. “That’s Russian, I think,” he said. “It must be a helicopter carrier of some sort.”

“Are those the machines with the spinning blades on them?” Feredir asked.

“Yes, why?”

“Because there are four of them headed our way!”

Feredir drew his bow. Hunter turned to two of the younger knights standing with them. “Pass the word down along the coast that invaders are coming toward Avalon,” he commanded. The two men took off in opposite directions to warn the other outposts. “Henri, go tell my father what’s going on! We need him here immediately!” Henri dropped the teapot and he took off running toward the main encampment.

Hunter reloaded his Lancer with two new spellshots as he and Sir Eadric crouched low behind the protection of some rocks. Feredir acted as lookout.

“How far out are they?” Hunter asked.

“Three of them are holding their position about six furlongs off shore,” he said, scanning the horizon. “I’ve lost the fourth one.”

“What?” Hunter exclaimed and jumped up to look. Eadric followed suit.

“Where did it go?” Eadric asked. Before Feredir could answer, the three men heard a whirring sound from just off the cliff. From below the edge, a helicopter rose up in the air in front of them, threatening them with a rotary mini-gun.

The three took cover as the helicopter opened fire, pelleting the ground around them with rapid-fire spray. Feredir notched an arrow and readied himself. The firing stopped for a moment and the Elven warrior stood up and fired off an arrow. The aim was true, a perfect shot at the helicopter pilot, but it ricocheted off the front windshield. Feredir got a second arrow off, but it had the same result. He dove behind the rock just as the pilot began firing again.

Feredir cursed. “My arrows won’t penetrate that infernal machine!” Hunter weighed all the options and he came up with an idea.

“I think I can help you there,” he said. He pulled up his Lancer, ready to fire. “After I shoot, hit him again. Your arrows should penetrate this time.”

Hunter took a deep breath before he popped up and fired his Lancer at the helicopter. His spellshot—a combination of magic and alchemy loaded into a cartridge the size of a shotgun shell—fired a freezing spray at the helicopter, coating the front of the aircraft in a layer of frost. The windshield froze instantaneously, and the pilot stopped firing.

Feredir quickly popped up and fired another arrow at the windshield. This time, his arrow shattered the glass and pierced the pilot through the chest. The aircraft pitched to the side and the co-pilot tried to regain control. Feredir didn’t give him a chance and he fired another arrow, killing the co-pilot instantly with an arrow through the throat.

The helicopter spun out of control as it flew over the three warriors and careened toward the ground. The engines shut down just before impact, then it crashed, exploding in a giant ball of fire. Sir Eadric and Hunter roared loudly at their victory. Feredir just stood there silently, there was a hint of a grin on his face.

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Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides is available for purchase as a paperback/ebook at Amazon, Barnes and Noble, and iUniversepublishing. The Outlander War, Book Three of the Forever Avalon series is coming soon from Austin Macauley Publishing.

What language does one use when casting spells?

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Magic spells are the “bread and butter” of any fantasy author. There isn’t a person out there doesn’t know words like “Expecto Patronum” or “Avada Kedavra” and what they can do. The power behind d the magic is in the words. The question is, what words do you use to enchant those spells.

When I first started writing Forever Avalon, I had to come up with a plan since, in my world, everyone could use magic in some form or another. The world of Avalon came from our world, so the easiest think to use was one of the oldest languages of man… Latin.

It made sense to me to use. It is one of the oldest languages in human used, known across multiple cultures. Why not make it a source for magic. Besides, between Google translate and a great online program through the University of Notre Dame, it was easy to use.

Unfortunately, my new story is taking me in a whole new direction. After I finished book four of the Forever Avalon series, I started planning book five, when I got an idea for another series. This would take place in a whole new fantasy world, completely original. So now, I needed another language for magic.

I’m not a linguist, so it’s hard enough doing Elf, Dwarf and other verbiage in my stories. For example, I use Norwegian and German for the Dwarf language, since those countries are where the legends come from. But to create something new for magic, I used a shortcut again. Hello Google Translate.

This time I went on a different direction… to Corsica. According to Wikipedia, “Corsica is an island in the Mediterranean Sea and one of the 18 regions of France. It is located southeast of the French mainland and west of the Italian Peninsula, with the nearest land mass being the Italian island of Sardinia to the immediate south. A single chain of mountains makes up two-thirds of the island.”

I picked Corsican for the language of magic in my new story because it seemed to flow properly, especially for single word spells. It’s closely related to a the medieval language of Tuscan (Toscano) which fits with a medieval fantasy world. In addition, I created a whole new style of magic casting along with it. You see, I figured spells could be cast using long, drawn out phrases as well as single words of power. This gives the magic caster options for how powerful they want their spell to be. For single words, I use Corsican for the spells. I have to be a little creative in the long phrase spells, mixing a little bit of poetry with my magic. For example, this is a concealment spell in my new story:

“Whispers in the darkness, silent as the wind, bend the light to my will; Cast your shadow around me, hide me from my enemy, conceal me while I remain still.”

It’s not my best prose, but magic is coming from a different plane. You are talking about something of complete fantasy and trying to make it real is what a writer is supposed to do. It’s times like this I wish I had the linguistic skills of a J.R.R. Tolkien.

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Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase as a book/ebook at Amazon. The Dark Tides is available for purchase as a book/ebook at Amazon, Barnes and Noble, and iUniverse publishing. The Outlander War, Book Three of the Forever Avalon series is coming soon from Austin Macauley Publishing.

Poetry opens the minds of writers to new possibilities

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1-street-art-poetry-recapBelieve it or not, I started writing by writing poetry. In high school, I was part of the Poetry Club and helped edit and printed out our annual poetry magazine. I must admit, though, I am a terrible poet. My rhymes were more nonsensical than practical or what most would seem acceptable prose. Though I haven’t written any since then, I still have an appreciation for it.

Recently, I’ve done some “book review exchanges” with some wonderful poets and it has reignited my passion for poetry. It is exciting to find a passion inside me that I thought was long gone.

NOTE: It is a great option for independent authors to do “book review exchanges” to not only expand their library but get additional reviews from their peers.

I want to first give a shout out to the poets that have inspired me to write this blog. Universal Colloquies Inside of Me by Veronica Thornton is a wonderful book of poetry that will expand your mind through poems about the world today as well as poems that take a new view on the universe. Whispers of Death by Ronald Kihali was a diverse book of poems, that made me laugh and made me cry. Finally, I just started reading Her Crowning Frenzy by Robin Chappell. So far, this book reminds me of a walk through someone’s life, with chapters entitled “Love”, “Heartache”, and “Life” to show you the way.

These three books have really begun to inspire me, opening my mind to new possibilities. Poet Dylan Thomas said, “Poetry is what in a poem makes you laugh, cry, prickle, be silent, makes your toe nails twinkle, makes you want to do this or that or nothing, makes you know that you are alone in the unknown world, that your bliss and suffering is forever shared and forever all your own.”

For the most part, we associate poetry with the well-known names… Maya Angelou, Robert Frost, Emily Dickenson, etc. But you need to look further. There are some many wonderful poets, just starting out. They are brilliant in their own respects and inspire us as both humans and, for me, as a writer. As Vanna Bonta said, “The true poem rests between the words.”

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51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase as a book/ebook at Amazon. The Dark Tides is available for purchase as a book/ebook at Amazon, Barnes and Noble, and iUniverse publishing. The Outlander War, Book Three of the Forever Avalon series is coming soon.

Virtual reality is the new, up-and-coming fantasy world for writers to explore

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Image result for star trek holodeckI think the first time we thought of “virtual reality” was in 1987 when Gene Rodenberry brought us Star Trek: The Next Generation with the latest technology… The Holodeck. We saw a virtual world come to life as Commander Riker stepped on the holodeck, moving from a starship to a forest. There were many such adventures on all the Star Trek series to follow, as the holodeck was used to leave the doldrums of work behind and explore places we’ve never been or seen, from Leonardo Da Vinci’s workshop to a 1920’s crime novel.

“Reality is incredibly larger, infinitely more exciting, than the flesh and blood vehicle we travel in here. If you read science fiction, the more you read it the more you realize that you and the universe are part of the same thing. Science knows still practically nothing about the real nature of matter, energy, dimension, or time; and even less about those remarkable things called life and thought. But whatever the meaning and purpose of this universe, you are a legitimate part of it. And since you are part of the all that is, part of its purpose, there is more to you than just this brief speck of existence. You are just a visitor here in this time and this place, a traveler through it.” ― Gene Roddenberry

This technology may be pure science fiction, but it is used quite frequently to transport people to fantasy worlds. Anime does that a great deal of exploration into these alternate realities (Sword Art Online, The Silver Guardian, Recovery of an MMO Junkie, Overlord, etc.) but its got to be more than just straight science fiction. You have to know how to use the technology, whether it be holograms or a virtual computer world.

I think one of the first virtual reality movies—in my lifetime—didn’t use either one. In the 1973 film Westworld,  the rich vacationed in virtual worlds filled with androids. The virtual reality of choice here was a popular one from the 60s/70s… Westerns. The modern Westworld on HBO is more about artificial intelligence than virtual reality. I think we’ll see more about the “escapism” factor of virtual reality when the movie Ready Player One comes out.

Image result for sword art online quotes about virtual realityLike science fiction itself, virtual reality gives writers a broad brush to paint with. You can make almost anything possible in virtual reality, but I think medieval fantasy (a.k.a. Lord of the Rings) are the most popular in the genre. Sword Art Online does it best with their virtual reality game ALO (Alfheim Online). Its a wonderful blend of science fiction and fantasy that any fan can slip into easily, whether its the anime or the manga.

Overall, I think this does make it doubly hard for the writer, to ensure that smooth transition from fantasy to science fiction and back again; but, at the same time, it gives you the chance to explore some philosophical questions about reality, fantasy, and the roles games (and their storytellers) play in the world today.

When you have  horrific tragedy like the shooting at Parkland High School in Flordia, it makes one question how fast technology has advanced. Has technology gone so far that kids today are so desensitized to violence, and maybe reality itself, that they feel the need to kill others as a way of getting that kick? Its hard to pinpoint precisely where things like video games, virtual reality, take that step too far; but, I want to leave you with this quote from SAO’s Kirito to make my point.

“I thought that the closer the real and virtual world got, the better the future would be. But the more the boundary between them blurs, the more it starts to trick people.” – Kirito, Sword Art Online

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51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase as a book/ebook at Amazon. The Dark Tides is available for purchase as a book/ebook at Amazon, Barnes and Noble, and iUniverse publishing. The Outlander War, Book Three of the Forever Avalon series is coming soon.

Familiarity doesn’t breed contempt, it grows creativity and imagination

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shutterstock_171710123Henry Petroski said, “Many of the familiar little things that we use every day have typically evolved over a period of time to a state of familiarity. They balance form and function, elegance and economy, success and failure in ways that are not only acceptable, but also admirable.”

This is how I look at familiarity, from a writers stand point. To me, familiarity is one of four parts of a writer’s psyche, along with imagination/creativity, passion and skill. The last three are easy to define in the mind of a writer. The PASSION for putting words to paper lend to the SKILL of the individual writer and opens the IMAGINATION as seen through their eyes.

But it’s FAMILIARITY that makes the writer believable. It’s hard to understand that when one of the greatest writers of our time, Mark Twain, is very famous for saying “Familiarity breeds contempt, and children!” I never really understood that quote. Familiarity doesn’t breed contempt, rather it breeds comfort in our surroundings, our personal being, and our state of mind.

I will say that familiarity can sometimes lead to complacency, and that can be very dangerous. I’ve seen that happen too many times during my Navy career.; but I’m talking about familiarity as it relates to being a writer.

When you’re writing about a particular topic, it is best that you are familiar with the specific interest. Sure, many authors have read up or interviewed people about a particular story, and then put it down on paper. That’s being done at countless universities on a daily basis.

What I’m talking about is combining that familiarity with pure inspiration and imagination. When you find yourself intrenched in a particular topic of interest, it opens the mind to an avalanche of possibilities. That familiarity feeds your imagination and lets it run through a myriad of possibilities.

Recently, I found myself in a rut as I tried for weeks to work my way through a bad case of writer’s block. I am currently writing the third book in the Forever Avalon series, The Outlander War. It has been difficult to focus on the story and break through. I have the ending all planned out (in my head) but I have to get there through the middle of the story.

Now, here’s where the familiarity comes into play. The characters of my story are based on family and friends. I found it easy to develop characters using the same personalities and quirks I associate with the people I interact with each and every day. My wife and children became the wife and children of the hero of my story. I even used their middle names as the first names of their characters.

While this helps me develop my characters relatively easier, it also blocks me when I am having real world issues with them. Let me explain that as best as I can. I lost my job back in November 2015 and it’s been very difficult around my home. Stress and worry about money has hampered my relationship with my wife and kids and led to massive writer’s block. That’s how familiarly hurts a writer.

What’s helped me break through it is the love and support of my family as we work through the problems. As we’ve talked about things, it has improved my relationship with my family and thus, helped me push through my writer’s block.

James Hillman said, “Anytime you’re gonna grow, you’re gonna lose something. You’re losing what you’re hanging onto to keep safe. You’re losing habits that you’re comfortable with, you’re losing familiarity.”

As we grow as writers, we have to hang onto that familiarity within ourselves to maintain the connection with our stories, our characters, and our imagination. If we lose that, we lose that spark inside us to build a new world in the pages of a story.

51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753 Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble and iUniverse.