As a lifelong comic book geek who has put up with lots of bad movies and TV shows prior to CGI, I am in nirvana right now. We have had an annual dose of great comic book movies, some good and some bad, but they keep getting better and better. This weekend, I went to see the latest Marvel Studios movie, Doctor Strange, starring Benedict Cumberbatch, Chiwetel Ejiofor, Tilda Swinton, Benedict Wong and Mads Mikkelsen. I saw it in IMAX 3D, which I would recommend you seeing it in. The visual effects of this movie will amaze you in IMAX and it’s well worth a few dollars more. The creation of Stan Lee and Steve Ditko was actually made into a TV movie in the 70s (I remember watching it, it was terrible) but this is his first jaunt onto the big screen.
This is our first venture into magic and mysticism in the Marvel Cinematic Universe (MCU), although one could say the two Thor movies, and Thor: Ragnarok coming out next year, was like dipping your big toe in the pool of magic. Magic in the MCU, according to Thor, is what we call science in the real world. I did like how the Ancient One (Tilda Swinton) explained it in Doctor Strange. Magic is energy and “spells are programs” to bend it to the will of the sorcerer.
In any case, this is a full-on origin story but it does take place over the span of previous Marvel movies. Stephen Strange’s name was mentioned in Captain America: The Winter Soldier as a target Hydra needed to eliminate; and in this movie, he was given the option of a surgical consult on an “Air Force Colonel who severed his spine in an armored mech suit” a la War Machine in Captain America: Civil War. You also see the Avengers Tower in the New York skyline during various scenes in the movie. As an origin movie, I like how they cut straight to the chase and didn’t draw out his entire life story in the first hour. It was quick and to the point, though a rumored scene showing how the death of his sister led him to medicine might have been a nice touch, Maybe we’ll see it in the Blu-Ray/DvD release.
The whole movie is not about Strange becoming a sorcerer, but rather it focuses on a former student of Ancient One (Mads Mikkelsen) who wants to “save” our world by ending death through eternal life in the Dark Dimension. Here we see the real villain behind the scenes, Dormammu. Whereas Thanos is the big bad cosmic being the rest of the MCU is worried about, Dormammu is the big bad of the magical world within the MCU. You really get to see all the evil that is Dormammu in the final boss fight (sorry but a video game reference is the only way to describe it).
This movie has a great cast, outstanding visual effects, and story that even the most novice comic book fan can follow. It takes Doctor Strange from being an egotistical surgeon to being a humble man taking on the awesome responsibilities as sorcerer supreme. It’s a great story with the perfect blend of action, humor, and serious drama. I wanted to see more backstory on some of the other characters, but I do realize it’s a movie about Doctor Strange so the others will have to wait for the sequel.
Like all Marvel movies, there were great mid-credits and post-credits scenes. The mid-credit scene set up Thor: Ragnarok beautifully while the end credits gave us a glimpse as to where they would take a sequel to Doctor Strange. In addition, there are dozens of “Easter Eggs” that many comic book fans will know and appreciate.
This is a great movie and worth the price of admission. It just leaves you wanting more from the MCU, but now we have to wait until 2017 for Guardians of the Galaxy, Vol. 2 (May 2017), Spiderman: Homecoming (July 2017) and Thor: Ragnarok (November 2017).
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Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble, and iUniverse. The Outlander War can be previewed at Inkitt.


Let’s start at the end and work our way back. In 1973, Heston starred in Soylent Green with Chuck Conners, Leigh Taylor-Young, and the great Edward G. Robinson. In the year 2022, the people of Earth survive on a ration known as Soylent Green. When an executive at the factory is murdered, Detective Robert Thorn (Heston) investigates the case. This leads to conspiracy, intrigue, and murder along with the shocking discovery that their rations are made from the dead. Like a lot of the other movies of its time, Soylent Green hit upon the fear of the era … overpopulation, starvation, nuclear war, etc. The film is loosely based upon the 1966 science fiction novel Make Room! Make Room! by Harry Harrison. It won the Nebula Award for Best Dramatic Presentation and the Saturn Award for Best Science Fiction Film in 1973. This was also Edward G. Robinson’s last movie so that makes it even better, but it’s Heston that drives this film. His performance turned, what could have been a boring movie, into an edge of your seat crime thriller.
In 1971, Charlton Heston starred in The Omega Man, based on the novel I am Legend by Richard Matheson. If that sounds familiar to you, it is the same name as the 2007 movie I am Legend starring Will Smith. There was also a 1964 adaptation called The Last Man on Earth starring Vincent Price. In any case, Heston’s version is, to me, the true representation of the novel. It’s about Dr. Robert Neville (Heston) the sole survivor of a plague that killed or turned most of the population into zombie-like creatures. His blood held the key to curing the victims and also vaccinating other survivors. This movie had many firsts, including the first interracial kiss between Heston and co-star Rosalind Cash as Lisa. Another great aspect of the film was the empty streets of Los Angeles. They filmed in downtown LA on a Sunday morning to show the post-apocalyptic, deserted streets. Though the movie only got a 55% rating on
The last movie is the 1968 classic Planet of the Apes and it’s sequel, Beneath the Planet of the Apes. As astronaut George Taylor, Heston and his team’s space flight takes them more than 2000 years into the future where apes now rule and humans are mute slaves. Of course, you don’t find this out until the end of the movie when you see the classic image of the Statue of Liberty, rusted and torn apart on the shoreline. This movie hits on a big theme of that era, equality and racism, but this time, it’s the humans being discriminated against. The movie was the first for large-scale make-up effects for all the actors cast as apes. Heston shines in his role as the only talking human in a world of talking apes. His arrogance, vanity, and narcissism comes through in his tough-guy persona as he struggles to survive. He also has to share time with the late great Roddy McDowell, who starred in all five Planet of the Apes movies. In the end, though, this is one of Heston’s most memorable roles.
Disney is known for its great animated movies, the majority of which take place in the fantasy genre. Classics like Snow White and the Seven Dwarfs, Sleeping Beauty and The Sword in the Stone have all the right elements of a great fantasy movie: wizards and witches, dragons and knights, good versus evil, etc. There is one, however, that was a beautiful adaptation of a classic fantasy novel that Disney decided was too dark and scary and swept it under the rug of forgotten classics. I am, of course, referring to The Black Cauldron.
The imagery in this movie was quite dark and spooky, especially for a kid’s animated movie. The Horned King looked like a walking corpse. It had all the earmarks of a Disney movie with the boy hero, a beautiful princess, the evil villain and his henchmen, and of course, the comedic sidekick; but even with all that, Disney had problems with the film. After its initial audience screening, the Disney Studio chairman Jeffrey Katzenberg ordered massive edits and cuts in the film, particularly in the “cauldron born” scene where the Horned King brings his army of the dead to life. There was even scenes where one of the “cauldron born” monsters sliced the neck of one victim and the torso of another. It was very gruesome indeed.














