Tag: fantasy

Heroes come in many shapes and sizes

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Heroes are some of the most complicated characters, in real life and in fiction. As a writer, you try to emulate the best qualities in your hero: humility, bravery, honor and compassion. When you look through history, there are many great examples for a writer to emulate in their characters. Sometimes, though, you find it in the everyday people you know.

Lord Bryan MoonDrake [2072845]In the Forever Avalon series, I patterned my main protagonist, Lord Bryan MoonDrake, the Gil-Gamesh of Avalon, after a number of people I’ve known or read about. I wanted to share my muses with you to demonstrate how intricate one character could be.

First and foremost, he was a Sailor in the U.S. Navy, a Chief Aviation Boatswain’s Mate working on the flight deck of a nuclear aircraft carrier. Now, I’m a retired Navy Chief, but I never worked on the flight deck on a daily basis. One of the most fearless men I ever saw was Chief Aviation Boatswain’s Mate Gerald Farrier. On July 29, 1967, aboard the USS Forrestal (CV-59) off the coast of Vietnam, a Zuni rocket misfired, causing an explosion of jet fuel and munitions on the flight deck. Chief Farrier, ignoring his own safety, grabbed a PKP bottle (fire extinguisher for fuel fires) and charged toward the burning aircraft in the hopes of saving the pilots trapped in their burning aircraft. He continued to fight the fire until one of the bombs under the aircraft wing exploded, killing him and other members of the flight deck firefighting team. That was courage above and beyond the call of duty.

The only other time I witnessed something like that was as a young Sailor aboard the aircraft carrier USS George Washington (CVN 74). We were on deployment when a fire broke out on one of the ship’s sponsons, spreading up to the flight deck and into the ship through the ventilation system. My leading chief, at that time, was Chief Gregg Snaza. He was in charge of the repair locker I was assigned too. Once the fire broke out, the ship was called to General Quarters. For four hours, we fought the fire. I watched as Chief Snaza, without regard to his own safety, donned an OBA (Oxygen Breathing Apparatus) and went in to relieve one of the team leaders in charge of the firefighters. I still remember watching him volunteer and don that OBA. It’s that bravery that sticks with you and finds its way into your characters.

Another trait of the Gil-Gamesh is the heart of a warrior: Fierce in battle, courage under fire, and a heart of gold. For these traits, I have dozens of examples to use for inspiration from John Wayne to Audie Murphy, Amelia Earhardt, and Michael Murphy.  The best example, though, is my father, Master Sergeant William Piggott, U.S. Marine Corps. My Dad served for 22 years, did two tours in Vietnam. He’s a quiet man, not much of a talker, but whenever I needed him, he was there. His quiet compassion and understanding is an example I try to set with my own children. He is my hero, and I don’t tell him that often enough.

Heroes are not perfect, but they’re really the embodiment of the many men and women who inspire us on the big screen and in real life. Translating those traits into the heroes of your own stories is not that difficult, as long as the inspiration for those characters resonate with your audience.

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51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble, and iUniverse. The Outlander War can be previewed at Inkitt.

Prophecy has been an essential part of science fiction writers

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“I, for one, bet on science as helping us. I have yet to see how it fundamentally endangers us, even with the H-bomb lurking about. Science has given us more lives than it has taken; we must remember that.” ─ Philip K. Dick

One of the thing we love about science fiction is that it allows us to see the future. Do you think someone who read Jules Verne 20,000 Leagues Under the Sea could imagine being aboard a submarine? Or flying into space and landing on the moon after reading 2001: A Space Odyssey? The future can always be found in the pages or science fiction novels.

Books like Brave New World, 1984, Stranger in a Strange Land, and I, Robot are just a few of the 20th Century novels that accurately predicted the future; but it’s not just authors who can be hailed as prophets. Gene Roddenberry’s Star Trek accurately portrayed digital music, hand-held computers, ebooks and so much more.

Isaac Asimov said, “Individual science fiction stories may seem as trivial as ever to the blinder critics and philosophers of today – but the core of science fiction, its essence, the concept around which it revolves, has become crucial to our salvation if we are to be saved at all.”

9c074ebf323afe53d646eb1465cfb837It strange how right, and sometimes how wrong, science fiction has been. I remember watching Lost in Space on TV as a kid. The Jupiter 2 mission was supposed to have taken place in 1984. Granted, that prophetic vision didn’t come true, but it was something that stuck in the memory of an impressionable child.

I think that’s why a genre like steampunk is so popular today. It combines the past, present and future together, as if people are living within the world of science fiction. It also explains the popularity of movies like Star Wars, Blade Runner, Star Trek and Jurassic Park. They show all that is good and all that is wrong with the future.

I know there are a lot of dystopian future novels like The Hunger Games, The Maze Runner and others out there, and they do espouse a new future, but I really don’t consider them prophets. Their future doesn’t look ahead to better things but rather show us a world after war, famine, or pestilence through the eyes of our children. These novels were meant to be a warning, not a prophecy.

Science fiction writers can be prophets but they also act as harbingers, as it were, of those things that could doom the human race. Ray Bradbury’s classic Fahrenheit 451 made us look at how knowledge and education that comes from books can be abused and even lost. He said, “You don’t have to burn books to destroy a culture. Just get people to stop reading.”

That’s the crux of science fiction prophets. They are establishing what direction we take toward the future. We can work hard to created a new world on another planet, like The Martian Chronicles, or start a new life under the ocean like 20,000 Leagues Under the Sea, or maybe a new world within cyberspace like Neuromancer.

“Science, my lad, is made up of mistakes, but they are mistakes which it is useful to make, because they lead, little by little, to the truth.” ─ Jules Verne, Journey to the Center of the Earth

Science fiction writers go beyond stories about aliens, other worlds, and future tech. They are explorers of what could be and what will be. We should embrace the future and, as writers, look ahead to those many possibilities. You don’t have to be a scientist to write science fiction, just someone who can see beyond the horizon and imagine more.

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51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble, and iUniverse. The Outlander War can be previewed at Inkitt.

 

Villains should be feared, not misunderstood

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“All things truly wicked start from an innocence.”─ ERNEST HEMINGWAY, A Moveable Feast

I don’t get it … Villains are becoming more popular than heroes nowadays. People cheer and rave over characters like Venom, Hannibal Lecter, Darth Vader and Dracula. What happened to the days of good guys who wore white and bad guys wore black. You could clearly identify who the bad guys were and you never felt an ounce of sympathy for them.

Today, there writing books, TV series and movies centered around villains. For example, Fox’s TV series Lucifer. I mean, its a show about the devil on Earth. Here’s the guy, whom I was taught in endless Sunday School lessons, was the epitome of evil and he’s portrayed as if he cares about humanity. How can a guy be the ultimate evil if he’s a softy for solving crimes? It doesn’t make any sense.

Comic book characters like Venom, Deadpool and Harley Quinn are being pursued as quasi-heroes, characterized as bad, yet somewhere, deep down inside, therein lies a hero. Even Disney villains are not what they’re cracked up to be. Maleficent was, by all counts, and evil sorceress. That’s how she was portrayed in the Sleeping Beauty movie I saw as a kid. And yet, with the help of Angelina Jolie, she’s became a complicated villain and Aurora’s father is the true villain of this movie. Wait, what?

“Many evil things there are that your strong walls and bright swords do not stay.” ─ J. R. R. TOLKIEN, The Fellowship of the Ring

You see how confusing it has become. There are more movies, books and TV shows out there with villains who are loved, not scorned. I mean, vampires and demons used to be some of the scariest monsters out there. I remember the Exorcist, The Omen, and all the old Hammer horror films featuring Christopher Lee’s Dracula. Even the original Salem’s Lot TV movie (starring David Soul of Starsky & Hutch fame) was as terrifying as the Stephen King novel. Every time I heard something at my window, I wondered if there was a child vampire floating outside, asking to invite me in.

I believe there is good and evil, no in between. To me, you can’t justify the immorality and wanton disrespect for life. A killer is a killer, plain and simple. Can you really justify someone like Charles Manson or John Wayne Gacey? The monsters are not redeemable nor should they be.

In the article “So bad it’s good: Why do we find evil so alluring?”, writer Terry Eagleton had a simple answer. “One answer might be: when goodness began to look boring. We can blame this on the puritanical middle classes. It is they who redefined virtue as thrift, prudence, meekness, abstinence, chastity and industriousness. It’s not hard to see why some people should prefer zombies and vampires. Goodness came to seem negative and restrictive.”

As a writer, I take evil quite seriously. To me, evil is just that, evil. Writers have the responsibility to show people what evil looks like. I we can help them recognize what true evil is, you can avoid it, and even destroy it.

Here is an excerpt from my upcoming third novel in the Forever Avalon series, The Outlander War, where the two villains of my story–Abdel Ben Faust and a “yet to be named” master–meet and discuss their plot to destroy the Gil-Gamesh and take the throne of Avalon.

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On Avalon, South Essex was known as a city of artisans. The finest craftsman could be found in South Essex of all mediums—wood, metalwork or canvas—as well as exceptional tailors, tinkers, and tradesmen. It was a town full of the finest shops you could ever find outside of New Camelot.

The Black Swan was one of the most reputable taverns in South Essex, with the finest wine and spirits in all of New Camelot. The food at the Black Swan also had a reputation for being the best served in all Avalon. But even the best places can attract some unsavory characters.

Inside, the tavern was brightly lit with the glow of candlelight and roaring fires. The rooms were decorated in the finest silk drapes and tapestries of red and black. The décor epitomized the name of the tavern as swans could be seen represented in various shapes and sizes from statues to wall sconces.

While the rest of the tavern was crowded, as usual, the back of the room was empty, except for one guest. The owner did this at the request of the guest but also so his other patrons wouldn’t be subjected to his company.

He sat alone with his back to the wall, gorging himself on rare roasted beef and bottles of 500-year-old Aldinian Whiskey. He appreciated spirits, especially rare ones, and he always came to the Black Swan whenever he was in town because they always carried the best.

His name was Abdel Ben Faust, a mercenary by trade and considered by many as the finest swordsman on Avalon. His long black hair was pulled back tightly in a ponytail, exposing his pointed ears and long face. A scar ran from his left temple, across his nose, and down his right cheek … A reminder of being cut from his mother’s womb. His mustache was long and thin, hanging down below his chin, but that was where his true heritage showed through.

His skin was reddish-brown and, from his chin, grew horns that resembled a goatee, twisted like braided hair. Abdel Ben Faust was a half-demon, the son of a witch and an Incubus, conceived during a blood moon in a magical ritual. His mother died while giving birth to him. He had to be cut from her womb by the same clerics that killed his demon father.

Faust was raised a slave, tormented regularly for his demonic form, but in his torment grew strength and resolve. He molded himself from slave to warrior, becoming a master swordsman, available to the highest bidder.

He has avoided conflict with the Gil-Gamesh since his return to Avalon thanks to an innate ability from his demonic lineage. Faust can conjure “demon holes” to move from place-to-place, unseen. Demon holes were doorways of black smoke, fire, and brimstone. Only binding him in iron chains prevented him from using his power.

Faust came to South Essex to indulge his tastes while the Gil-Gamesh and the rest of the Knights of the Round Table moved to the coast to protect Avalon from the Outlanders. He knew there would be no trouble coming to the Black Swan and drinking his fill before moving on to his next job.

The curtain to the back room was pulled aside as young Finnick Devereaux, son of the Earl of South Essex, Sir Robert Devereaux, stepped in. The young man was nearly 50, young for a noble of Avalon. His dirty blonde hair, dashing good looks and fine clothes endeared his upright lineage. He pulled a handkerchief from his inside pocket and waved it in front of his face as he tried to dispel the stench coming from Faust.

“He is here milord, just as I said,” Finnick said to someone behind the curtain. A robed, hooded figure stepped through, walking right past the young noble.

“Good … Leave us Finnick, and make sure we are not disturbed,” the hooded figure said.

“Are you sure you want to do this milord?” Finnick asked. “The last man who interrupted Abdel Ben Faust while he was eating had his head chopped off and tossed into a stew pot.”

“Not worry, I’ve come bearing gifts,” he said as pulled a bottle from out of robe pocket. Finnick just bowed and left the room, closing the drapes behind him.

The stranger walked up to Abdel’s table but stopped when he drew his sword as he chugged down the last of the whiskey, resting his blade across the table. It was a broad sword, nearly four feet long, with a jagged edge etched along the top edge of the blade. Wisps of smoke rose up from the sword, as if it was burning, as the runes etched on the blade glowed softly. This was Deathsong, a cursed blade that only Abdel Ben Faust could wield and he did so very well.

“I’d think twice before sitting down,” Faust warned as he finished his drink. The stranger just placed the bottle down in front of him. Faust dropped his own bottle to examine the gift.

“Can it be?” he exclaimed. “Panaque, distilled from the vines of the dryads of Meliai, over 4,000 years old!” He popped the cork and smelled the delicate bouquet of the fine spirit. He looked up at the stranger and nodded his head to the chair in front of him. The hooded figure sat down as Faust sheathed his sword and poured himself a drink.

“So to what do I owe this honor and who do I have to kill to keep this bottle?” he asked as he took a sip of the delicious liquid.

“The bottle is yours, Abdel Ben Faust, a gift for listening to what I have to say,” he began. “But first, I have a question for you. Last year, when Morgana le Fay was resurrected, why were you not part of her forces at the Battle of Idlehorn Mountain? Surely a swordsman of your caliber could have turned the tide in her favor.”

Faust seemed to be insulted by the stranger’s accusation but took it in stride for the moment. “Her cause was lost from the moment she began,” he scoffed as he took another sip.

The hooded man seemed irritated by his answer but just sat back and listened. “Why do you say that?”

“Because she let the Gil-Gamesh live,” he answered. “You don’t give someone like the Gil-Gamesh any glimmer of hope. She should have killed him when she had the chance. That’s always been the problem with despots like Kraven Darkholm and Morgana le Fay. They want that power but they want to gloat about it in the process. That’s what got them killed.

“I don’t side with losing causes,” he concluded as he downed the last of his drink. “I’ve answered your question, now you answer mine … What do you want?”

“I want you to lead an army to take Avalon out of the grips of the Pendragon’s and the Gil-Gamesh,” the stranger said without skipping a beat.

Faust just laughed under his breath. “Well if you wait long enough, the damn Outlanders with all their technological weapons will do it for you.”

“Oh, I doubt that,” the stranger impugned. “If the Gil-Gamesh is as resourceful as you say, then all I have to do is wait until he restores Avalon as it was before, hidden from the outside world. Then, we tear Avalon apart, taking the throne and killing him in the process.”

Faust was not convinced by the hooded stranger’s plan. He laughed again as he poured himself another drink. “Well in the first place, you’d need an army at least 10,000 strong,” Faust calculated. “Hell, the goblins don’t even have half that number anymore, and the trolls are all whipped lackeys for that Shield Maiden now. So where is this army you speak of?”

The stranger reached into his robe and pulled out the ruby amulet, still glowing from the strong magic’s imbued within. Faust just looked at the amulet, unfazed and uncaring. “What’s that supposed to be?” he asked.

“The key to controlling the most powerful army in creation, the Wraith Legion of Purgatory!” Abdel Ben Faust was stunned, aghast at the stranger’s claim. The Wraith Legion was an army of fallen knights, trapped in purgatory because of some dishonor or shame that fell upon them in life. They served a penance, keeping the demons of the underworld in check until, one day, they’ve earned their place in Heaven.

“No one can control the Wraith Legion. It’s impossible,” he exclaimed.

“You can with this,” the stranger said, dangling the amulet. “With this amulet, they will follow your every command. You will be their General, Abdel Ben Faust, and you will conquer Avalon for me.

“In return, I will give you the Twin Swords of the Dragon Moon as payment, for your collection.”

It is known that Abdel Ben Faust has, over time, collected the sword or weapon of every knight, every warrior and every monster he ever bested in battle. He kept his collection hidden from prying eyes. He liked to savor each and every victory by looking at the weapons of his fallen enemies hanging on the walls of his vault. Adding the swords of the Gil-Gamesh would be the centerpiece of his collection.

The stranger had intrigued Faust with his offerings but wasn’t convinced completely just yet. He needed to know something more. “Who are you?” he asked.

The hooded figure stood up and peeled back his hood, revealing his face to Faust. The half-demon was stunned as he recognized the face almost immediately. “You? But that’s impossible, you’ve been dead for centuries, millennia even! It can’t be you!”

The stranger pulled the hood back over his head and sat back down. “I assure you, it is me, Abdel Ben Faust. I have many machinations at work, but I need a general to lead my army. You are the one man I can entrust with this task because I know that you will only accept my offer if you believe it can succeed.

“So will you, will you join me?” he asked. Faust sat there, stroking his chin, contemplating all the stranger has offered him. After a few moments, he raised his glass to him.

“When do we get started?”

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51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble, and iUniverse. The Outlander War can be previewed at Inkitt.

We need a little more “steampunk” in our sci-fi/fantasy reading

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11110004269Steampunk is defined as “a genre of science fiction that has a historical setting and typically features steam-powered machinery rather than advanced technology.” To me, it’s more than modern technology with a Victorian twist. This genre has been on the rise with its push in video games with the award winning Bioshock franchise, TV series like Steampunkd, and in books, starting with the Godfather of Steampunk, Jules Verne, to authors like Cherie Priest and Michael Moorcock.

Some people view it more as a fashion style, combining Victorian-era sensibilities with brass fittings, gauges and gears. Weird optics, mechanical arms and powerful weapons are the backbone of steampunk style, but again, it’s the story behind the style that makes it appealing.

I always imagined a meeting in France between Nikola Tesla and Jules Verne in the spring of 1882, discussing the possibilities of Verne’s creations using Tesla’s technology. This would be the ideal setting of where it all began. The birth of Steampunk as we know it today.

One of the best representations of Steampunk in film is the Japanese animated film, Steamboy. Though most of the Steampunk technology in the film was represented by weapons, it is still a wonderful tribute to the genre. Steamboy tells the story of Ray Steam, a British boy in 1863 England, and how the invention of a “steamball” pitted Robert Stephenson, the first master of the steam engine, against Ray’s father, Edward, and his “Steam Castle” at the London Exposition. It’s style, look and feel could make any Steampunk aficionado jump for joy. Another great example of Steampunk is the Japanese TV series, Fullmetal Alchemist. It combines the style and look of Steampunk with alchemy and magic.

Steampunk inventor/author/mechanic Jake von Slatt said, “To some, ‘steampunk’ is a catch all term. To me, it is essentially the intersection of technology and romance.” That’s quite an opinion. I think Steampunk does have a bit of a romantic flair, especially in the wardrobe. Men’s attire is very masculine in Steampunk while the women are sexy and feminine. In both cases, the trend is very fashion forward, evoking strength and power while being strangely attractive.

I’ve started to bring some Steampunk into my own writing. Though my Forever Avalon novels are more medieval fantasy, in contrast, through my stories, they are moving forward in look and technology. Like Fullmetal Alchemist, I am trying to weave those elements together with things slowly coming of age. In my next novel, The Outlander War, I am leaning more towards the Renaissance while keeping some of the medieval fantasy elements there.

I created weapons I call GunStars, named after the ships in The Last Starfighter movie (one of my favorite sci-fi movies of the 80’s). They look like oversized flintlock pistols, using cartridges containing alchemical mixtures that, when combined with the magic within the GunStar, fires explosive rounds. From fireballs and ‘magic missiles’ to acid rain and hail, these weapons make even the more novice warriors more formidable.

I realize that these creations of mine are not 100% Steampunk, but they were inspired by it. Steampunk is as Jake von Slatt said, “an intersection” of technology and whatever your imagination brings to the table. Don’t think of it as outdated, but rather a futuristic twist on history. That’s some that can spark the curiosity of any reader.

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51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble, and iUniverse. The Outlander War can be previewed at Inkitt

Where have all the good wizards gone?

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785276646085089940It’s good to be bad, am I right? There seems to be a trend where anyone touched by or practicing magic is always seduced to darkness. The same goes for those who gain incredible powers or become something more than human. It begs the age-old question, “power corrupts and absolute power corrupts absolutely.”

Throughout fantasy storytelling, you get a glimpse of both sides of the coin. In The Lord of the Rings, Gandalf and Galadriel both resisted temptation from the One Ring but Saruman is seduced by Sauron and turned against the light. There are tons of names on both sides of the argument, from Harry Potter and Lord Voldemort to Merlin and Morgana le Fay. Lately though, the trend is leaning more towards evil, but to a point.

In fantasy, across multiple genres, there are a lot of examples that exude the philosophy that its good to be bad. The anti-hero is the “new Coke” as it were. From Deadpool, Venom, and Lobo in comics to characters like Anakin Skywalker, Willow Rosenburg and Walter White in movies and television. Writers love that little twist to make the story more interesting, and to many, being bad is good.

There is a vein of goodness in many of these anti-heroes, but its been twisted like a pretzel at Oktoberfest. The same can’t be said for wizards going dark. It’s like a touch of dark magic and there’s no turning back. I mean, think about it. Name one dark wizard who came back to the light. It’s hard, when you think about it … You really can’t do it.

Magic, like many things in the fantasy genre, has no clear line with good and evil powers. I mean, Necromancers have been portrayed as both good and evil (think the video game Diablo, for example, or Hellboy for that matter). Again, like everything in storytelling, its the character that counts.

Not to throw religion into the mix, but I like to believe that everyone is worth saving. I believe that we all have a chance to redeem ourselves in the eyes of God. You see that from a lot of writers, but at the same time, there is a trend of making evil as something seductive and enticing.

Look at vampires, and how over sexualized and charismatic they’ve become. They’ve gone from being the scary creatures in Stephen King’s Salem’s Lot and Christopher Lee’s Dracula in the Hammer horror films to glittering “boy toys” in the Twilight series. The only thing that is still scary, today and always, is clowns, am I right?

We need to get back to maintaining that line in the sand between good and evil. If we, as writers, continue to present stories with bad guys as the protagonist, what will our world become. Evil can be redeemed but it shouldn’t be glamorized.

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51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble, and iUniverse. The Outlander War can be previewed at Inkitt.

 

Diversity is something we all must come to terms with as writers

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nhnzry3jycv4bf2qxt63Recently, Marvel’s Vice President of Sales, David Gabriel, claimed that the company’s recent focus on creating diverse superheroes is a driving factor behind its declining comic book sales. He said, “Any character that was diverse, any character that was new, our female characters, anything that was not a core Marvel character, people were turning their nose up.”

I don’t agree with this statement, but I can see where he gets his point of view. Recently, there has been a trend to make comic book characters more diverse, but I think that’s more of a natural trend. More diverse characters started out as villains (like The Mandarin and Diablo, for example) but that trend has been changing as time progressed. The 70’s brought us Falcon and Luke Cage, the 80s and 90s brought out War Machine, Black Lightning and Storm. Sometimes it’s more about age than anything else.

Think about it … Captain American, Iron Man and Thor have been leading the Avengers since the 60’s. These characters haven’t aged like the rest of us. I mean, the original X-Men were teenagers in the 60’s, meaning that they should be senior citizens by now. Some characters like Superman and Wonder Woman can look the same because they are alien and God-like, respectfully. However, Batman today is more represented by the elder Bruce Wayne in the Batman Beyond series, not as he is in the comics. I loved it when Dick Grayson took up the mantle because that’s how it should be, but of course they went back to Bruce.

I understand I’m talking more about age discrimination than diversity, but here’s my point. People age, they grow old and they die. So why not let a new generation take up the mantle of these heroes. I think Kamila Khan was a great choice as the new Ms. Marvel, not because she was Muslim, but because she was like many of us who like comics … She’s a fan! Here’s a total fan girl who gets superpowers and becomes her idol. I don’t think there’s a single person out there reading this blog who hasn’t had the same fantasy.

I think the first problem people may have is the youth of the characters. You have comic book fans who started reading comics in the 60s/70s, like me. You don’t need to make all these new characters to be kids. I mean, the new Iron Man (Iron Heart, Riri Williams) and Hulk (Amadeus Cho) are all super smart teenagers, for example. It’s a trend right now that’s pushing the envelope. for us older readers. 

I like it when a longtime sidekick/friend takes over the mantle. Sam Wilson (Falcon) as the new Captain America was a great choice because here was an established character taking the shield and responsibility. The same with Jane Foster as Thor. That was a brilliant move, even with the cancer angle, to give her even more reason to be worthy of the hammer.

Diversity is not the problem with comics. You have four different people wearing the mantle of Spiderman, from the original to a clone, a Latino African-American, a Hispanic from the future, and even a young girl (Spider-Gwen). This is where diversity was done right, bridging the gap across generations. That’s how it needs to be done.

In comics, it has never mattered about the color of their skin. It’s about the heart and soul of the character, as a hero, villain or everyday person. I don’t care if a character is gay or straight, black or white, Hispanic or Asian. We want all these characters to represent people of all ages, race, religion or sexual preference for that matter.

When Marvel brought out the mutant Northstar as being gay, I loved the way it was handled in the story. It wasn’t meant to shock us, or done for the sake of diversity, but rather as a way of giving us depth behind his character’s story. It made sense and broadened the idea of being both mutant and gay and how it affected him.

What I’ve been trying to say is that comics have been becoming more diverse since the 60s. Characters like Black Panther, Luke Cage and Falcon have evolved and grown over the years to give us more and more diverse characters today, like Ms. Marvel, Storm, and the new Hulk. Just remember, comics have always had characters of so many different colors (Nightcrawler, Gamora, Brainiac 5) and races (Dawnstar, Green Lantern (John Stewart), White Tiger) that make comics more and more representative of the world today.

Readers don’t want just diversity in comics for the sake of political correctness. They want good stories. That’s more reasonable for the downward trend of readers and sales rather than blame it all on diversity alone. Think about it, there are various crossover storylines annually, changing the continuity of the comics world multiple times in one year. We’ve changed DC comics multiverse three times in the last decade and Marvel once.

Writers know what the problem is … Consistency, consistency, consistency! Learn it, live it, love it and the readers will return!

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51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble, and iUniverse. The Outlander War can be previewed at Inkitt.

It’s hard to pick a favorite Doctor Who episode, but I’ll give it my best shot

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This week marks the premiere of the new season of Doctor Who. It also marks the last season for the 13th Doctor, Peter Capaldi. Now, for you purists out there, I realize he’s technically the 12th Doctor, but I like to count Sir John Hurt’s “War Doctor” in that number because “he was the Doctor on the day when he couldn’t be.” In any case, I will concede to the correct numbering for the remainder of this post. To that end, the new season will mean a whole new regeneration and that means its time for a Top 5.

Before I hit my Top 5 Doctor Who episodes, I’d like to make a prediction about the new Doctor. I think, in this age of diversity, we will get either our first female Doctor or our first black actor as the Doctor. My money’s on Haley Atwell. I think she’d be a great choice as her gig as Agent Carter has ended. There’s been other names bounced around, like Idris Alba, but I think he’s too mainstream with large scale production commitments to be the Doctor.

So as we approach the Saturday premiere, I would like to give you my Top 5 Doctor Who episodes. These are my Top 5, as many Whovians have their own, so please don’t take it personally if I leave one of your favorites out.

doctor-who-silence-in-the-library#5. Silence in the Library/Forest of the Dead (May 2008) – These episodes made my list because it introduced us to River Song, played by the wonderful Alex Kingston. Here’s a character that knows the Doctor and his many faces. I was hanging on her every word trying to find some clue as to who the Doctor really is, but “spoilers!” She has been one of my favorite characters/companions of the series. This episode makes you sad at how many people died needlessly, but it also gave me a sigh of relief as they were all “saved” by CAL (you have to watch the episode to understand that reference). Let’s not forget that this was a great story, in itself, especially for an author like me. An entire planet is the world’s biggest library. I love to think that my books are sitting on a shelf there, stored for all eternity. The best part, though, is the end when David Tenant figured out the reason why, his future self, gave River a sonic screwdriver and then to watch him run “one last time” together. Plus, to see that come full circle and played out in last year’s Christmas episode with Peter Capaldi just brought the entire story to a wonderful finish.

doctor-who-photos-50th-03#4. The Day of the Doctor (November 2013) – This special commemorated the 50th anniversary of Doctor Who. It not only introduced us to John Hurt as the War Doctor, but it also gave us the best online video tie-in (“Night of the Doctor” with Paul McGann, who finally got his regeneration) and the best on-screen surprise guest. First off, I loved the late John Hurt as the War Doctor. He gave us the solemn attitude and vulnerability of the Doctor on the day when “he couldn’t be the Doctor.” In that one episode, John Hurt endeared himself to me, and to all of us Whovians I think. We all knew David Tenant and Matt Smith were going to be in the special, and they brilliantly shot one-liners back and forth off each other, as expected. The surprise was in the final battle, where they were assisted by all 13 Doctors, including our first look at the “angry eyebrows” in Peter Capaldi. Lastly, the end of the episode where Matt Smith met up with the curator, aka Tom Baker, the 4th Doctor (MY DOCTOR). It was a shock and surprise that I still enjoy watching, over-and-over again. His brilliant performance showed that once you play the Doctor, you never stop being the Doctor.

imagesZO8CV01D#3. The Girl Who Waited (September 2011) – This is one of my favorite episodes because it gave us to the woman who is Amy Pond. We got to see all her vulnerabilities, all the pain and tragedy she has experienced as a companion. Amy gets trapped on a planet that has been quarantined due to a deadly disease that affects people with two hearts (like the Doctor). On top of that, those infected by the plague are placed in one of several thousand accelerated time streams, allowing them to live out their lives. This means the Doctor and Rory are out of sync with Amy and they try to rescue her after she spends more than 36 years there, alone. All this time alone made her rethink her relationship with the Doctor and not to trust him. The entire episode is an emotional roller coaster and, as a fan, it touched on the deep and meaningful relationship the Doctor has with each of his companions and how it both hurts and helps them. It reminded me of a quote from another great episode, Love & Monsters, where Elton goes on about “salvation and damnation” and if you touch or are touched, by the Doctor, it could destroy you. It was heartbreaking at the end when older Amy had to be left behind, in a sense justifying her concerns and fears about the Doctor; but then again, it’s these hard decisions that he must make, as a Timelord, that weighs heavy on his hearts.

Genesis of the Daleks … the Doctor and Davros.#2. The Genesis of the Daleks (March/April 1975) – Although the Daleks were introduced in the first season of Doctor Who, this episode gave us an in depth look at their creation and introduced us to their creator, the villainous Davros. First and foremost, Tom Baker is “my Doctor” and this where we saw the Doctor at his best. He is sent to Skarro by the Timelords to interfere in the creation of the Daleks and hopefully prevent the future death and destruction they wreak across the universe. In this episode, we learn why the Daleks were created without compassion or pity, turning them into ruthless war machines. In one of his best scenes as the Doctor, Tom Baker holds two wires in his hands, connecting them would detonate explosives and wipe out the Dalek’s incubation room. He holds those wires and asks “Have I the right?” to commit genocide of an entire race. That scene makes the entire six episode run one of the best in the history of Doctor Who. The impact these episodes had on the series reverberates in the future, from Sylvester McCoy’s Doctor (Remembrance of the Daleks, October 1988), Christopher Eccleston’s 9th Doctor (The Parting of Ways, June 2005), David Tenant’s 10th Doctor (Stolen Earth/A Journey’s End, June/July 2008), Matt Smith’s 11th Doctor (Asylum of the Daleks, September 2012), and finally, with Peter Capaldi’s 12th Doctor (The Magician’s Apprentice/The Witch’s Familiar, September 2015). That’s what makes this episode one of the most important episodes in the history of Doctor Who.

Before I reach number 1, you have to realize that there are so many different opinions on favorite episodes. There are so many I want to pick that whittling them down to these five are difficult. I want to make these “honorary selections” for favorite episodes, including The End of the World from the 9th Doctor, School Reunion, Doomsday and Blink from the 10th Doctor, The Doctor’s Wife, The Angels Take Manhattan and A Good Man Goes to War from the 11th Doctor, and Time Heist and Face the Raven from the 12th Doctor. Plus, Matt Smith’s Christmas Specials were the best of all the Christmas Specials to date.

So, onto my number one episode …

fireplace-8#1. The Girl in the Fireplace (May 2006) – I know that my number one pick resonates with many Whovians. It was one of the most critically acclaimed episodes of Doctor Who, nominated for a Nebula Award and winning a Hugo Award for Best Dramatic Presentation. This episode made you laugh, made you cry, and sometimes, scared you to death. A ship in the far distant future opens a hole in time and space to France in the 1700s to keep an eye on a little girl and wait until she grows up into a woman. Why? To cannibalize her for parts for the ship. Weird as it sounds, it’s fun to watch the Doctor go through time with Madam de Pompadour. Like “The Girl Who Waited” this episode jumps through time as the Doctor tries to protect her from the clockwork soldiers who are after her. It has one of the most touching scenes as the two look at the stars in completely different light. It also has some of the funniest scenes with a horse, a banana daiquiri, and “snogging” Madam de Pompadour. There are also some of the best lines ever in Doctor Who like, “One may tolerate a world of demons for the sake of an angel;” “There is a vessel in your world where the days of my life are pressed together like the chapters of a book so that he may step from one to the other without increase of age, while I, weary traveler, must always take the slower path;” and “This is my lover, the King of France … Yeah, well I’m the Lord of Time.” It’s such a beautiful episode that will go down as one of, if not the best, in the history of Doctor Who.

So, there’s my list of the best of the best. Please feel free to comment on your top episodes and include ones I may have left off. In any case, the new season Doctor Who premieres this Saturday, so get ready!

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51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble, and iUniverse. The Outlander War can be previewed at Inkitt.

It’s St. Patrick’s Day! Time to drink green beer and see some leprechauns

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As we enter March “Like a Lion” (How about that snow!) we reach the holiest of days for Irish-Americans, alcoholics and fantasy role-players alike … St. Patrick’s Day. As such, I am reminded of a great book I read as a young adult in the 80’s. Hobgoblin by James Coyne was published in 1981 at the height of the popularity of Dungeons & Dragons. It is often compared to another novel, Mazes & Monsters by Rona Jaffe (and an equally fun movie starring Tom Hanks, believe it or not), but Hobgoblin is unique because of its Celtic mythological influence.

Hobgoblin is just a game. Ballycastle is just a house.

Scott is just a lonely teenage boy….

Until one Hallowe’en, a Hobgoblin kills everyone he loves.

hob3The story revolves around Scott Gardiner, a teenage boy who becomes obsessed with “Hobgoblin,” a fantasy role-playing game based on Irish mythology, as his life “in the game” and “in reality” slowly blend. Like Mazes & Monsters, Coyne treats the playing of role-playing games as indicative of deep neurotic needs, of which I can attest to from my formative years of non-stop D&D. In these books, the protagonist is, or at least appears to be, suffering from schizophrenia or some analogous condition as the attainment of mature adulthood is accompanied by the abandonment of role-playing games. Like Jaffe, Hobgoblin was published at the height of D&D‘s popularity and the intense media coverage of the “Egbert steam tunnel” incident (i.e., urban myths wherein role-playing gamers enacting live action role-playing games perish, often in the utility tunnels below their university campuses).

You see, I experienced some of the same when I was playing D&D. The whole “D&D will make it so you can’t distinguish from fantasy and reality” line was drilled into me constantly. Fortunately, I didn’t listen, but that’s beside the point. D&D was a great tool for me, as an author, to grow my imagination and create the world of Forever Avalon.

As for Hobgoblin, what I love about this book was how it used legends and fantasy characters from Celtic mythology. I never knew about these characters, like Brian Boru, Morrigan, and Lugh. I think it was this novel that led me to the idea in my Forever Avalon novels to bring all the different mythos together onto one magical fantasy island (no pun intended).

In researching mythology for Forever Avalon, I decided that if I was to bring all magic to one place, the mythologies were not all British, but rather from all mythological creatures around the world. Dwarves from Scandinavia and Germanic, Faeries and Elves from Ireland, Scotland and Wales, Giants from the Russian steppes, etc.

I bring this up because that’s what I learned from Hobgoblin. When I started playing D&D, the game focused on a variety of mythologies, including Greek (when it came to Clerics and the Gods they served, that is). But when we played, I think many focused on the fantasy and didn’t divide up magical creatures from this mythos or that mythos.

Hobgoblin showed me that myths do have a cultural and ethnic origin and we must respect those origins. For example, when I wrote The Dark Tides, I created Togo, a small island off the coast of Avalon, where the descendants of African slaves made a home for themselves. I had to research African culture and mythology, everything from Aido Hwedo, the Rainbow Serpent, and the legend of the Orisa and Eledumare. I learned so much and also how similar many myths are to each other.

When you look across multiculturalism, the stories, myths and legends have an almost universal appeal. They also have many similarities. For example, cultures around the world tell stories about a great flood. In many cases, the flood leaves only one survivor or group of survivors. For example, both the Babylonian “Epic of Gilgamesh” (ha, if you read my books you’ll understand why this is funny to me) and the Hebrew Bible tell of a global flood that wiped out humanity and of a man who saved the Earth’s species by taking them aboard a boat, i.e. the story of Noah (and not the Russell Crowe movie that absolutely bombed). Similar stories of a single flood survivor appear in Hindu mythology as well as Greek and Aztec mythology.

Our stories are what unify us as the human race. So raise a pint this St. Patrick’s Day and toast Hobgoblins, Brian Boru and all the leprechauns we’ll see after too many beers. After all, there may be another story just waiting to be told.

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51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble, and iUniverse. The Outlander War can be previewed at Inkitt.

The long and winding road of a writer

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fbac5ca9ef50d6449e3d12cd77372890My journey as a writer has been a long and tumultuous one. It’s something I never really considered for myself as a teenager, or even through my 20+ year Navy career. I wanted to talk to you about my journey to hopefully explain how being a writer can come right out of left field, until you realize that it was meant to be.

Set the “Wayback Machine” for 1976, Sherman. As a high school freshman at Phillipsburg High School, NJ (Go Stateliners!) I was focused on art. My goal was to be the next Jack Kirby. I wanted to work for Marvel or DC, write and draw my own comic books. I drove my parents and my teachers crazy with my constant comic book drawing when they were trying to teach me pastels and painting. While I was in high school, I also joined the school newspaper and yearbook staff, learning some valuable skills that would help me later in life.

After high school, I enrolled in the Art Institute of Pittsburgh. Again, my goal was to hone my art skills to become a comic book artist, but that never came to fruition. Trying to live away from home for the first time, I wasn’t able to manage money or my time properly. I had no choice but to drop out of school, even enrolling at the University of Pittsburgh. There, I joined the college radio station and learned some more valuable skills for down the road. Yet again, I mismanaged things and was forced to drop out and return home to Jersey.

I look back at that time and wonder where I went wrong. I would love to talk to my younger self and tell me it’s going to be all right, but it didn’t seem like it at that time. I moved back into my parent’s house with no job prospects, no college either. So what to do?

My Dad, the 22-year career Marine, pointed me right towards the recruiters’ office. I knew I didn’t want to join the Marines, like my Dad and brother. The Army tried to push infantry and tank driver on me for big bonuses. The Air Force wasn’t really interested as I was looking at non-technical jobs. The Navy, on the other hand, gave me what I was looking for.

I joined the Navy as a Journalist, where my earlier training in broadcasting and writing came in handy. I attended the Defense Information School, or DINFOS, and became what we affectionately call a “DINFOS Trained Killer” with typewriter in hand. After 23 years, I turned that training into a military career.

During my time as a military journalist, I’ve written hundreds of articles that were published in military publications, local newspapers and even a few national newspapers. Seeing your byline in the Miami Herald and Navy Times can be a life-changing experience for a young journalist. It was also during that time that I started working on my novel, Forever Avalon.

This may seem like a round-about way of getting to the fact that I was writing all along, but it really wasn’t. When I was in high school, I augmented my drawing time with writing, creating stories to go with my characters or writing for the school newspaper. In college, I was forced to do only art and that, I feel, made me lose my way because I wasn’t able to write. In the Navy, I wrote mostly press releases and news stories but found the time to write feature stories in addition to starting my novel.

All that time I spent on other things that I was mediocre to average, when writing kept pushing and jabbing at me until it finally broke through. I am a writer and I’m damn proud of it. I will keep writing until you pry the keyboard from my cold, dead hands. (Wow, I should put that on a t-shirt!)

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51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble, and iUniverse. The Outlander War can be previewed at Inkitt.

Doctor Who will always be the heart and soul of sci-fi/fantasy adventures

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all_There are many TV shows, movies and books that are considered the “standard” by which all others are compared. There are many that try to lay claim to that title in the realm of science fiction, fantasy and adventure genre. Lord of the Rings, Star Trek and Star Wars are among the top contenders for those top spots. To me, none can compare to what I consider “the standard” and that is Doctor Who.

The Doctor crosses multiple genres and reflects the heart and soul, the good and the bad, of humanity in its stories, characters and vision from it’s conception in the 60’s to today. Though he’s a 2000-year-old Timelord from Gallifrey, his time among humans allows him to tell us when we’re right and when we’re wrong. That’s what makes him something beyond time and space. In one sentence, he can cross that boundary with such little effort or ease.

“I hate to read about good wizards in fairy tales; they always turn out to be him.” — River Song

It’s sentiments like that, simple yet profound, which shows the range of Doctor Who writers. They can tell his story throughout our history in a single sentence. That’s powerful. And yet, at the same time, the words of the Doctor can still the night air, take your breath away and bring armies to their knees.

“Great men are forged in fire, it is the privilege of lesser men to light the flame.” — War Doctor

Those words were spoken by the late John Hurt. Though he only played the Doctor once, in that short time, he embodied the spirit of the Timelord perfectly like all those actors who portrayed the Doctor before him. That says something about the actors picked to portray him but also to the writers who have created stories from original mythology as well as moments in history. The Doctor has been present at the destruction of Pompeii, with Robin Hood in Sherwood Forest, and he’s saved the Kings and Queens od England on more than one occasion.

One of the best Doctor Who stories was “The Girl in the Fireplace” from 2006. Take Madame De Popmpadour and have a living spaceship break through the time/space continuum to get her brain to run the ship. As crazy as it sounds, this episode showed the romantic, loving side of the Doctor. Here was a woman who took “the slower path” just to see him again. The chemistry between the Doctor and Reinette is so real, you can’t help but fall in love. There’s also a point, like so many in the series 50 year history, where you understand why the Doctor is feared as much as he is loved.

Young Reinette:  “Monsieur, be careful!”
The Doctor:  “It’s just a nightmare, Reinette, don’t worry, everyone has nightmares. Even monsters under the bed have nightmares!”
Young Reinette:  “What do monsters have nightmares about?”
The Doctor:  “Me!”

And now, Peter Capaldi, the latest incarnation of the Doctor, is ending his run at the end of this season. So now the question begs to be asked, who will take his place? Who will step into the mantle and become part of history. My vote is for Haley Atwell of Agent Carter. Just to see the “girl banter” between her and Missy (Michelle Gomez) would be priceless.

The Doctor is,without a doubt, one of the greatest characters ever created. He is in books, television, movies, cartoons, comic books and more. You can find pictures of the Tardis (Time and Relative Dimension in Space for the non-initiated) on practically every continent. He is a part of the many cultures around the world. That’s what makes Doctor Who an undeniable part of history, which is exactly where he (or she) belongs.

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51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble, and iUniverse. The Outlander War can be previewed at Inkitt.