Why is it that there are no more original ideas? Instead of coming up with something new, people–and by people I mean comic book editors, movie and television executives–decide to reinvent or re-imagine a classic instead of making an original idea. There are so many original ideas out there from the many independent, self-published authors, why do they have to mess with success?
A great, more recent, example is the Ghostbusters franchise. Now, I may get in trouble for this but hear me out. Instead of going with a third movie in the trilogy, they decided to re-imagine it with an all-female cast. Yes, it had some very funny moments and some of the cast were great (Leslie Jones and Kate McKinnon were my favorites) but it failed to grab the spirit of the original. Now, Jason Reitman is working to make a third movie with some of the original cast for 2020. That is getting praise from the fans of the original movies, and panned by some who think we didn’t give the reboot a chance. We gave it a chance and we didn’t care for it, enough said.
Another example is Star Trek. It was great to see Star Trek go from the original series, to The Next Generation, Deep Space Nine, etc. I was even a fan of the Enterprise prequel. Then we got the reboot with Chris Pine, which was okay but it seemed to be more about bring the “millennial edginess” instead of a way of telling a new story. Even the new TV series Discovery has redefined Klingons different from the original premise. And now, there’s word the Quentin Tarantino will be given a chance to put his mark on Star Trek. Why? Why mess with something that already has a deep-rooted fan base.
Look at the movie 2015 Max Max: Fury Road. Because it was written, directed, and produced by George Miller, the creator of Mad Max, it had the same feel as the original movies. It was visually awesome, great cast, and a decent story. It even won some Oscars, a first for the franchise. You see, they didn’t need to update it because it was good as it is. You don’t need to make wholesale changes to a franchise just to make it interesting.
Another great example is Star Wars. Now, there have been hits and misses with the franchise since the end of Return of the Jedi. The animated series have been top notch, the Rogue One prequel was OUT OF BOUNDS! However, they have not found the original magic from these successes in later projects. The Force Awakens was good, The Last Jedi not so much. Solo was, in my opinion, better than I expected it to be, but it had too many plot holes. I am looking forward to the Mandalorian Netflix series as well as future releases after Episode 9 (which I am patiently holding my breath for) because they will be original movies separate from the Skywalker saga. That’s where they need to go. We don’t need a reboot of the same characters with new actors, but rather, let’s go to another part of the vast universe.
With all these examples, I just want to make the point that there are stories out there that haven’t been told yet, but they need to be done right. Look at Stephen King’s The Dark Tower and how badly it was done. These editors, producers, and directors need to keep the writers in mind to keep the story true to the original intent. Granted, some things may be out of the budgetary range of some movies (though not impossible with today’s CGI technology) but it is from the writer that it even exists in the first place.
Even in comic books, story lines are now being rewritten to accommodate the way they were done in the movies. Really? So, the original stories aren’t good enough anymore? Sorry, but that’s just being too damn lazy to be creative and original.
I have had the great opportunity to meet, talk to, and read the books of other independent authors like me through our connections on social media. There are a lot of great stories out there, worthy of a movie or series. That’s where the inspiration for the next big TV series or blockbuster movie should come from, not someone’s idea of the next reboot should be. Quit re-imagining things and let’s be original for a change.
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Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides is available for purchase as a paperback/ebook at Amazon, Barnes and Noble, and iUniversepublishing. The Outlander War, Book Three of the Forever Avalon series is coming soon from Austin Macauley Publishing.
Magic vs. Science has been a question that fantasy and sci0fi writers have been pondering for quite a long time. The usual trope involves people using science in an under developed country which, to them, seems like magic. I’ve seen this used on episodes of Star Trek, Doctor Who, and various other television shows and movies. It is even considered “one and the same” in the Marvel Cinematic Universe (MCU) as told in Thor.
I remember an old Role Playing Game (RPG) I played back in the 80’s (no jokes or comments about my age please) called 
I think the first time we thought of “virtual reality” was in 1987 when Gene Rodenberry brought us Star Trek: The Next Generation with the latest technology… The Holodeck. We saw a virtual world come to life as Commander Riker stepped on the holodeck, moving from a starship to a forest. There were many such adventures on all the Star Trek series to follow, as the holodeck was used to leave the doldrums of work behind and explore places we’ve never been or seen, from Leonardo Da Vinci’s workshop to a 1920’s crime novel.
Like science fiction itself, virtual reality gives writers a broad brush to paint with. You can make almost anything possible in virtual reality, but I think medieval fantasy (a.k.a. Lord of the Rings) are the most popular in the genre. Sword Art Online does it best with their virtual reality game ALO (Alfheim Online). Its a wonderful blend of science fiction and fantasy that any fan can slip into easily, whether its the anime or the manga.
Speaking of the stories, that’s one of the things I truly love in anime. The plots made be similar across different genres, but the stories are incredible versatile and diverse. They combine fantasy, sci-fi, horror, and action/adventure in so many different ways. I also love the “underdog to hero” story in many of them. It’s the heart of most of these stories; specifically, good versus evil. That’s the basis for a lot of them and its the best story there is. Now matter how bad it can get, good wins in the end. They take the morale high ground, even if the main protagonist is a pervert (i.e., High School DxD) or a nobody (i.e., Is it Wrong to pick up Girls in a Dungeon).
There are many traditions from various cultures around the world when it comes to Christmas; but in Great Britain, and in the homes of geeks around the world, nothing is more sacred than the Doctor Who Christmas special. After a long day of presents, family, and food, it’s nice to curl up under a Tardis blanket, wrapped in a eight-foot long scarf, with a nice bowl of fish fingers and custard to watch Doctor Who celebrate the joy of Christmas and, sometimes, regenerates into the new Doctor.
5. The End of Time, David Tenant (2009) — The End of Time was the final episode with David Tenant as the Doctor. It involved the return of the Master (John Simm), an alien device called the Immortality Gate, and the return of Rassilon (Timothy Dalton) and the entire planet of Gallifrey to bring about the end of time. The best part of the episode is the end, when the Doctor takes a grand tour and visits all the companions he met over the years, including a stop off with Rose Tyler on New Year’s Day of the year before she met him. It’s a sad ending with the Ood singing an operatic farewell as he limps back to the Tardis. The one thing everyone remembers is his last words, “I don’t want to go!”
4. The Doctor, The Widow, and the Wardrobe, Matt Smith (2011) — I will start off by saying that Matt Smith’s 11th Doctor has three spots in my Top 5 Doctor Who Christmas specials. His specials were the most memorable to me. Besides the 4th Doctor (Tom Baker), Matt Smith is one of my favorite Doctors. After a World War II widow saves his life, he repays her and her children by trying to bring a little fun in their Christmas; but, as usually happens with the Doctor, things run amok, including a trip to another world that’s about to be destroyed. In the end, the Doctor saves her and her family, including her deceased husband. As with most Christmas specials, the ending was the best when he reunites with Amy and Rory for Christmas dinner. The fact that they always set a place for the Doctor brings a tear to his eye, and makes it a memorable special.
3. The Husbands of River Song, Peter Capaldi (2015) — River Song has been one of my favorite companions of the Doctor since her first appearance in “The Silence of the Library” with David Tenant. We learned about River’s long history with the Doctor through Matt Smith’s run as the Doctor. It all came to a close with Peter Capaldi when they finally reached the “Singing Towers” on the planet of Darillium, where he gave River her own sonic screwdriver. It also has the best “Hello Sweetie” in all the episodes of Doctor Who with River Song. This episode had everything you want to see in a Doctor Who Christmas special–giant robots, split-head aliens, a spaceship falling from space, and a jewel heist. What more could you ask for?
2. The Time of the Doctor, Matt Smith (2013) — This episode was Matt Smith’s final one as the Doctor, leading to his regeneration into Peter Capaldi’s 12th Doctor. It also spanned centuries as the Doctor defended the town of Christmas on the planet of Trenzalore. This was supposed to the Doctor’s last battle, where he dies at the end of his regeneration cycle. Every race across the universe is trying to prevent the Doctor from answering “the oldest question in the universe” that would return the Timelords and Gallifrey from it’s exile in another universe. They feared the resurgence of the Time War and so, the Silence was born to stop the Doctor. Like The End of Time did with David Tenant, The Time of the Doctor brought everything from the beginning of Matt Smith’s tenure to a close–the crack in the wall, the question, Silence will Fall. In the end, Matt Smith gives, what I think, is one of the best speeches by the Doctor at the end of his time. Add to that, the reappearance of Amy Pond and her final words, “Raggedy Man, Goodnight,” touched my heart as he took off his bow tie and regenerated.
1. A Christmas Carol, Matt Smith (2010) — There are so many reasons I absolutely love this episode, it’s hard to pick just one. I’d have to start with the music. Singer Katherine Jenkins is the voice of an angel, bringing a beauty and soul to this special that has never been matched. Her song brings the joy and spirit of Christmas to life. Second, the comedy is just so damn funny. In my opinion, Matt Smith has the comedic timing of Charlie Chaplain and it shows in this episode. From his photo of him with Santa Claus (“or as I like to call him, Jeff”), to the shark in the wardrobe, and his “marriage” to Marilyn Monroe was absolutely priceless. Lastly, the story was a wonderful rendition of the traditional Charles Dickens classic. Michael Gambon gives a perfect rendition of Scrooge, or Kazran Sardick in this episode. I especially loved their twist on the Ghost of Christmas Future, showing a young Kazran his grouchy, future self to change his heart. I will watch this Christmas special before all others. It is, at heart, what Doctor Who is all about.
I have been a fan of anime before it was known as anime. In the 60’s and 70’s, it was just a Japanese cartoon dubbed in English to American kids. Shows like Speed Racer, Gigantor, Marine Boy, and Star Blazers were an absolute joy to watch, after school and on Saturday mornings.
These anime is so different and so expressive that it comes up with new ways of approaching fantasy. The Irregular at Magic High School is a great example. The story takes place in an alternate history where magic exists and is polished through modern technology. However, the ability to use magic is determined by genetics, limiting the amount of magicians in existence. Due to the limited amount of magicians, they are treated as commodity and are forced to enter magic related schools and professions. It follows Tatsuya and Miyuki Shiba, siblings who enroll into First High magic high school.
Them (1954) — The earliest atomic tests in New Mexico cause common ants to mutate into giant man-eating monsters that threaten civilization. This movie has an all-star cast, including James Whitmore and Edmund Gwenn (Santa Claus from Miracle on 34th Street). In the early days of the atomic bomb, scientists didn’t really know how radiation would affect people, insects, animals, etc. It wasn’t the giant ants that were scary in this movie, but the sound they made. When you heard that sound, it made chills run down your spine, kind of like the music from Friday the 13th when Jason Voorhees was near. The best scene was when they were talking to the little girl who survived the attack and, when she hears the sound of the ants, and shouts out “Them! Them!” It really makes the movie seem real and terrifying.
Dracula (1931) — The ancient vampire Count Dracula arrives in England and begins to prey upon the virtuous young Mina. Before vampires became sparkly boy-toys, there was Count Dracula. Bela Lugosi is, and always will be, the one and only Dracula. This is the role that, unfortunately, typecast him so that he rarely did any other roles outside the famous vampire; but at the same time, it is a role he will always be remembered for. He doesn’t bare the classic fangs we see in vampires today, but he was terrifying none the least. It is amazing to see the huge sets and dark, scary places associated with the classic story. Though it’s been told and retold, time and time again, this is still the original and the best one there is.
War of the Worlds (1953) — A small town in California is attacked by Martians, beginning a worldwide invasion. Though Orson Wells radio show started the hysteria around this adaptation of the H.G. Wells novel, the movie brought it to life. It even won an Academy Award for visual effects, influencing countless science fiction movies in the years to come. The death and destruction reigned down on the people of Earth was overwhelming. It also showed the ugly side of man, as they tear each other apart to escape the horror. Even in the end, when they died from something simple as bacteria, it demonstrated that we (human beings) are not the most powerful beings in the universe. This movie is always on the top of my watch list.
The Thing from Another World (1951) — Scientists and American Air Force officials fend off a bloodthirsty alien organism while at a remote arctic outpost. Many think John’s Carpenters The Thing is the best version of this story, but I beg to differ. This is, without a doubt, the best and the scariest there is. When battling aliens, it’s hard to imagine a fight like this: A crashed spaceship, a frozen alien pilot, alien plant-life that grows on human blood, and more. The creature itself was terrifying to watch. His bloodthirsty nature was an integral part of the story, as was the idiot scientist who thought he could control it. Battling the creature in the freezing arctic made it even more difficult. This is an essential science fiction classic for everyone to see, but my advice is don’t watch it alone.
Abbott and Costello Meet Frankenstein (1948) — Two hapless freight handlers find themselves encountering Dracula, the Frankenstein monster and the Wolfman. Okay, it’s not a scary movie, but it’s too damn funny to ignore. Abbott and Costello ran into various classic movie monsters in a series of movies, but this one is the best. This movie has the original Dracula (Bela Lugosi), the original Wolfman (Lon Chaney, Jr.) and even a cameo by Vincent Price as the Invisible Man. It has so many great scenes that combined scary and funny. When Lou Costello was reading the description of Dracula and the coffin lid kept opening and closing, or when he goes into the Wolfman’s room and he keeps missing the monster’s attacks are side-splitting laughter to watch. This is a don’t miss movie.
Mark Piggott | Fantasy & Steampunk Author 