I cry when I write, okay? It doesn’t make me any less of a man, but it does make me a better writer!

Like most authors, I consider the characters in my novels like they are part of my family. I live, laugh, and love them with every word I write. And yes, when I have to kill someone off to move the story along, I cry. It has happened to me on numerous occasions, when I write, edit, and even when I read that part of my story again. The emotion is still with me, even after all that time.

I don’t cry over the villains. I mean, they’re villains… They need to die. But sometimes, the villains win and that’s when it gets hard. These wonderful characters you cultivate and grow through you words also have to die by your hand. It’s not easy.

I know what you’re thinking… “They’re not real! You’re such a wuss! Why do you care about imaginary people?” Well, they are real to me. I breathed life into those characters with every word typed or written down. I’m not going to compare it to motherhood, or giving birth, because that’s an insult to women. It’s not like that. I just see it as a parent-child relationship between a writer and its characters.

But when you think about it, it’s all about the story. You don’t just kill someone or hurt someone for no reason. It has to go with the flow of the story and make sense. Think about the “Red Wedding” in the Game of Thrones series. That was a horrific death scene for a number of characters, but when you think about it, it moved the story along. It gave a purpose, resolve and motivation to characters like Arya and others. As bad as it was, as unexpected as it was, it was necessary.

Crying when I write makes me feel my humanity. It bridges that fine line of fantasy and reality, of what’s real and imaginary as it relates to my characters, but I’ve dealt with that all my life. I played Role Playing Games (RPGs) my whole life. Characters could easily live, or die, in these games. When you’ve played a character for so long, you form an emotional connection. It’s especially strong when said character dies because of a stupid mistake or bad decision.

Here’s an excerpt from THE DARK TIDES to make my point. I can’t read this page, even now, without a tear welling up in my eye. I guess I am an old softie at heart.

FYI to anyone reading this excerpt who hasn’t read my novel yet… Yes, I named the Shield Maidens after Disney Princesses. I have two daughters, it was inevitable.

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Sarafina and her Shield Maidens fought their way down through the keep toward the dungeon. Lord Baldrid was happy to loan her an airship and company of Elves to rescue the Gil-Gamesh. Even Usage was with them, showing the quickest route to the dungeon, bashing a few goblin
heads along the way.

Merida led the way, clearing a path with her bow. Sarafina and Aurora followed close behind, slashing at the ones still standing with their swords. Usage directed them where to go while Ariel and Snow covered them from behind, keeping the Brood at bay with their pole arms. The Elves, led by Eonis, scattered the remaining Brood and goblins outside the keep from their airship Aerdrie Faenya. The airship rained down explosive volleys from their cannons, sending goblins flying off the keep’s defenses. Archers brought down the ones still standing in an
attempt to make the keep safe for landing.

Within minutes, Sarafina and her Shield Maidens made their way to the dungeon. They found the Gil-Gamesh hanging by the chains while Caleb Guoyle lay prone on the ground. Sarafina rushed to Bryan, checking if he’s still alive.

“Ariel, get him down!” Sarafina ordered as she and Merida held him up. Ariel pointed her trident at the locks around his wrists.

“Excido Portas!” she chanted as magical energy sparks from the tips of her weapon, opening the locks. Bryan’s body went limp as they eased him down to the ground.

“This one’s dead,” Snow exclaimed after checking on Caleb Guoyle, “though I doubt the Gil-Gamesh was able to do it.”

“It doesn’t matter who killed him. The Gil-Gamesh is dying,” Sarafina said as she checked his wounds. “We need to get him to the healers quickly.”

Bryan began to stir at the sound of Sarafina’s voice. He opened his eyes and saw her hovering over him as he smiled. “Hey you …” he moaned. “I knew you’d be the one to find me.”

“Of course I would,” Sarafina said, tears welling in his eyes. “You wouldn’t stop looking for me; I wasn’t going to stop until I found you.” Bryan smiled again as he closed his eyes and fell unconscious. “Father!” Sarafina screamed, trying to wake him up. “Father! Don’t leave me… Father!”

“Come on,” Aurora said motioning for Merida to help. “We have to get him back to the ship now.” Sarafina didn’t move, she just stared at the Gil-Gamesh.

“Sarafina! We’ve got to go now!” Merida shouted at her. Sarafina nodded her head, then stepped back as the two Shield Maidens lifted the Gil-Gamesh and started moving up the stairs. Snow and Ariel followed close behind.

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Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides is available for purchase as a paperback/ebook at Amazon, Barnes and Noble, and iUniversepublishing. The Outlander War, Book Three of the Forever Avalon series is coming soon from Austin Macauley Publishing.

Great villains make it easy to be bad

“Evil is relative – and what I mean by that is that our villains are as complex, as deep and as compelling as any of our heroes. Every antagonist in the DC Universe has a unique darkness, desire and drive.” 

— Geoff Johns

extEvery story has to have an interesting protagonist, but it also must have an equally villainous antagonist. Most people think being bad is easy, but its not. We’re taught at a very young age that being evil is stupid. I remember the days of Snidely Whiplash, Boris and Natasha, and Dick Dastardly. Their plans always failed because of their mistakes.

But recently, evil has evolved. Villains are more complex, complete sociopaths that work their way to beating the good guy through intricate plans. Characters like Hannibal Lecter, the Joker, and Cersei Lannister are shown as calculating, devious beings with the utmost evil intent. Even Disney villains are becoming darker than ever. Their hearts are as black as a starless night, and yet, we are curious as to what make them tick. That is why they interest us.

Every crime drama from Criminals Minds to Law and Order: Special Victims Unit brings us a daily dose of evil to dissect their mind and their motives. We watch every day people responsible for horrors so awful we can’t stomach it, and yet we can’t turn away. It’s intriguing to some, to others, perhaps its an escape. Have you ever imagined doing something horrible to another person? Sure you have, we all have. It’s acting out on the those evil impulses that separates us from being complete sociopaths. Some have even come to be anti-heroes, those doing bad in the name of good. It’s all so confusing.

It’s the same in writing. You want to create a villain, an antagonist, that interests the reader but not one that takes the story away from the hero, or protagonist. I believe that, in order to take the morale high ground, good must always triumph over evil. Sure, evil has their victories, but in the end, they lose.

Villains are very difficult characters to create, unlike the old days where villains were obvious to all. Villains today are given a myriad of excuses and diagnosis to justify their actions. Bette Davis once said, “There are new words now that excuse everybody. Give me the good old days of heroes and villains, the people you can bravo or hiss. There was a truth to them that all the slick credulity of today cannot touch.”

In my own stories, I try to stick to the basics, relying on classic villains:  Morgana le Fay and Mordred. These characters have been a part of fantasy literature. Their ideology has been both good and evil, and somewhere in between. I find it easy to use these classic characters and add my own addition of supporting villains, as it were, to blend in my own style to the story.

You don’t need the obvious villain with bad teeth and the curled mustache that is twisted and curled around his fingers. Today’s villains are smooth charmers, one that will pour out their love to you while they stab you in the back with a knife. A great example of that is Amy Dunne in Gone Girl by Gillian Flynn. That woman is pure evil, and you wouldn’t realize how evil until the very end of the book.

I find it challenging to decide between greedy and corrupt or calculating sociopaths. One may give way to the other, or vice versa. Although villains make being bad look easy, writing them into a story is a challenge for any author. The key is finding that balance between Captain Bligh and Adolf Hitler. It’s not easy, but essential.

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51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase as a book/ebook at Amazon. The Dark Tides is available for purchase as a book/ebook at AmazonBarnes and Noble, and iUniverse publishing. The Outlander War, Book Three of the Forever Avalon series is coming soon.

Villains should be feared, not misunderstood

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“All things truly wicked start from an innocence.”─ ERNEST HEMINGWAY, A Moveable Feast

I don’t get it … Villains are becoming more popular than heroes nowadays. People cheer and rave over characters like Venom, Hannibal Lecter, Darth Vader and Dracula. What happened to the days of good guys who wore white and bad guys wore black. You could clearly identify who the bad guys were and you never felt an ounce of sympathy for them.

Today, there writing books, TV series and movies centered around villains. For example, Fox’s TV series Lucifer. I mean, its a show about the devil on Earth. Here’s the guy, whom I was taught in endless Sunday School lessons, was the epitome of evil and he’s portrayed as if he cares about humanity. How can a guy be the ultimate evil if he’s a softy for solving crimes? It doesn’t make any sense.

Comic book characters like Venom, Deadpool and Harley Quinn are being pursued as quasi-heroes, characterized as bad, yet somewhere, deep down inside, therein lies a hero. Even Disney villains are not what they’re cracked up to be. Maleficent was, by all counts, and evil sorceress. That’s how she was portrayed in the Sleeping Beauty movie I saw as a kid. And yet, with the help of Angelina Jolie, she’s became a complicated villain and Aurora’s father is the true villain of this movie. Wait, what?

“Many evil things there are that your strong walls and bright swords do not stay.” ─ J. R. R. TOLKIEN, The Fellowship of the Ring

You see how confusing it has become. There are more movies, books and TV shows out there with villains who are loved, not scorned. I mean, vampires and demons used to be some of the scariest monsters out there. I remember the Exorcist, The Omen, and all the old Hammer horror films featuring Christopher Lee’s Dracula. Even the original Salem’s Lot TV movie (starring David Soul of Starsky & Hutch fame) was as terrifying as the Stephen King novel. Every time I heard something at my window, I wondered if there was a child vampire floating outside, asking to invite me in.

I believe there is good and evil, no in between. To me, you can’t justify the immorality and wanton disrespect for life. A killer is a killer, plain and simple. Can you really justify someone like Charles Manson or John Wayne Gacey? The monsters are not redeemable nor should they be.

In the article “So bad it’s good: Why do we find evil so alluring?”, writer Terry Eagleton had a simple answer. “One answer might be: when goodness began to look boring. We can blame this on the puritanical middle classes. It is they who redefined virtue as thrift, prudence, meekness, abstinence, chastity and industriousness. It’s not hard to see why some people should prefer zombies and vampires. Goodness came to seem negative and restrictive.”

As a writer, I take evil quite seriously. To me, evil is just that, evil. Writers have the responsibility to show people what evil looks like. I we can help them recognize what true evil is, you can avoid it, and even destroy it.

Here is an excerpt from my upcoming third novel in the Forever Avalon series, The Outlander War, where the two villains of my story–Abdel Ben Faust and a “yet to be named” master–meet and discuss their plot to destroy the Gil-Gamesh and take the throne of Avalon.

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On Avalon, South Essex was known as a city of artisans. The finest craftsman could be found in South Essex of all mediums—wood, metalwork or canvas—as well as exceptional tailors, tinkers, and tradesmen. It was a town full of the finest shops you could ever find outside of New Camelot.

The Black Swan was one of the most reputable taverns in South Essex, with the finest wine and spirits in all of New Camelot. The food at the Black Swan also had a reputation for being the best served in all Avalon. But even the best places can attract some unsavory characters.

Inside, the tavern was brightly lit with the glow of candlelight and roaring fires. The rooms were decorated in the finest silk drapes and tapestries of red and black. The décor epitomized the name of the tavern as swans could be seen represented in various shapes and sizes from statues to wall sconces.

While the rest of the tavern was crowded, as usual, the back of the room was empty, except for one guest. The owner did this at the request of the guest but also so his other patrons wouldn’t be subjected to his company.

He sat alone with his back to the wall, gorging himself on rare roasted beef and bottles of 500-year-old Aldinian Whiskey. He appreciated spirits, especially rare ones, and he always came to the Black Swan whenever he was in town because they always carried the best.

His name was Abdel Ben Faust, a mercenary by trade and considered by many as the finest swordsman on Avalon. His long black hair was pulled back tightly in a ponytail, exposing his pointed ears and long face. A scar ran from his left temple, across his nose, and down his right cheek … A reminder of being cut from his mother’s womb. His mustache was long and thin, hanging down below his chin, but that was where his true heritage showed through.

His skin was reddish-brown and, from his chin, grew horns that resembled a goatee, twisted like braided hair. Abdel Ben Faust was a half-demon, the son of a witch and an Incubus, conceived during a blood moon in a magical ritual. His mother died while giving birth to him. He had to be cut from her womb by the same clerics that killed his demon father.

Faust was raised a slave, tormented regularly for his demonic form, but in his torment grew strength and resolve. He molded himself from slave to warrior, becoming a master swordsman, available to the highest bidder.

He has avoided conflict with the Gil-Gamesh since his return to Avalon thanks to an innate ability from his demonic lineage. Faust can conjure “demon holes” to move from place-to-place, unseen. Demon holes were doorways of black smoke, fire, and brimstone. Only binding him in iron chains prevented him from using his power.

Faust came to South Essex to indulge his tastes while the Gil-Gamesh and the rest of the Knights of the Round Table moved to the coast to protect Avalon from the Outlanders. He knew there would be no trouble coming to the Black Swan and drinking his fill before moving on to his next job.

The curtain to the back room was pulled aside as young Finnick Devereaux, son of the Earl of South Essex, Sir Robert Devereaux, stepped in. The young man was nearly 50, young for a noble of Avalon. His dirty blonde hair, dashing good looks and fine clothes endeared his upright lineage. He pulled a handkerchief from his inside pocket and waved it in front of his face as he tried to dispel the stench coming from Faust.

“He is here milord, just as I said,” Finnick said to someone behind the curtain. A robed, hooded figure stepped through, walking right past the young noble.

“Good … Leave us Finnick, and make sure we are not disturbed,” the hooded figure said.

“Are you sure you want to do this milord?” Finnick asked. “The last man who interrupted Abdel Ben Faust while he was eating had his head chopped off and tossed into a stew pot.”

“Not worry, I’ve come bearing gifts,” he said as pulled a bottle from out of robe pocket. Finnick just bowed and left the room, closing the drapes behind him.

The stranger walked up to Abdel’s table but stopped when he drew his sword as he chugged down the last of the whiskey, resting his blade across the table. It was a broad sword, nearly four feet long, with a jagged edge etched along the top edge of the blade. Wisps of smoke rose up from the sword, as if it was burning, as the runes etched on the blade glowed softly. This was Deathsong, a cursed blade that only Abdel Ben Faust could wield and he did so very well.

“I’d think twice before sitting down,” Faust warned as he finished his drink. The stranger just placed the bottle down in front of him. Faust dropped his own bottle to examine the gift.

“Can it be?” he exclaimed. “Panaque, distilled from the vines of the dryads of Meliai, over 4,000 years old!” He popped the cork and smelled the delicate bouquet of the fine spirit. He looked up at the stranger and nodded his head to the chair in front of him. The hooded figure sat down as Faust sheathed his sword and poured himself a drink.

“So to what do I owe this honor and who do I have to kill to keep this bottle?” he asked as he took a sip of the delicious liquid.

“The bottle is yours, Abdel Ben Faust, a gift for listening to what I have to say,” he began. “But first, I have a question for you. Last year, when Morgana le Fay was resurrected, why were you not part of her forces at the Battle of Idlehorn Mountain? Surely a swordsman of your caliber could have turned the tide in her favor.”

Faust seemed to be insulted by the stranger’s accusation but took it in stride for the moment. “Her cause was lost from the moment she began,” he scoffed as he took another sip.

The hooded man seemed irritated by his answer but just sat back and listened. “Why do you say that?”

“Because she let the Gil-Gamesh live,” he answered. “You don’t give someone like the Gil-Gamesh any glimmer of hope. She should have killed him when she had the chance. That’s always been the problem with despots like Kraven Darkholm and Morgana le Fay. They want that power but they want to gloat about it in the process. That’s what got them killed.

“I don’t side with losing causes,” he concluded as he downed the last of his drink. “I’ve answered your question, now you answer mine … What do you want?”

“I want you to lead an army to take Avalon out of the grips of the Pendragon’s and the Gil-Gamesh,” the stranger said without skipping a beat.

Faust just laughed under his breath. “Well if you wait long enough, the damn Outlanders with all their technological weapons will do it for you.”

“Oh, I doubt that,” the stranger impugned. “If the Gil-Gamesh is as resourceful as you say, then all I have to do is wait until he restores Avalon as it was before, hidden from the outside world. Then, we tear Avalon apart, taking the throne and killing him in the process.”

Faust was not convinced by the hooded stranger’s plan. He laughed again as he poured himself another drink. “Well in the first place, you’d need an army at least 10,000 strong,” Faust calculated. “Hell, the goblins don’t even have half that number anymore, and the trolls are all whipped lackeys for that Shield Maiden now. So where is this army you speak of?”

The stranger reached into his robe and pulled out the ruby amulet, still glowing from the strong magic’s imbued within. Faust just looked at the amulet, unfazed and uncaring. “What’s that supposed to be?” he asked.

“The key to controlling the most powerful army in creation, the Wraith Legion of Purgatory!” Abdel Ben Faust was stunned, aghast at the stranger’s claim. The Wraith Legion was an army of fallen knights, trapped in purgatory because of some dishonor or shame that fell upon them in life. They served a penance, keeping the demons of the underworld in check until, one day, they’ve earned their place in Heaven.

“No one can control the Wraith Legion. It’s impossible,” he exclaimed.

“You can with this,” the stranger said, dangling the amulet. “With this amulet, they will follow your every command. You will be their General, Abdel Ben Faust, and you will conquer Avalon for me.

“In return, I will give you the Twin Swords of the Dragon Moon as payment, for your collection.”

It is known that Abdel Ben Faust has, over time, collected the sword or weapon of every knight, every warrior and every monster he ever bested in battle. He kept his collection hidden from prying eyes. He liked to savor each and every victory by looking at the weapons of his fallen enemies hanging on the walls of his vault. Adding the swords of the Gil-Gamesh would be the centerpiece of his collection.

The stranger had intrigued Faust with his offerings but wasn’t convinced completely just yet. He needed to know something more. “Who are you?” he asked.

The hooded figure stood up and peeled back his hood, revealing his face to Faust. The half-demon was stunned as he recognized the face almost immediately. “You? But that’s impossible, you’ve been dead for centuries, millennia even! It can’t be you!”

The stranger pulled the hood back over his head and sat back down. “I assure you, it is me, Abdel Ben Faust. I have many machinations at work, but I need a general to lead my army. You are the one man I can entrust with this task because I know that you will only accept my offer if you believe it can succeed.

“So will you, will you join me?” he asked. Faust sat there, stroking his chin, contemplating all the stranger has offered him. After a few moments, he raised his glass to him.

“When do we get started?”

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51nd6H6sATL._SY344_BO1,204,203,200_SKU-000941753Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase at Amazon and Barnes and Noble. The Dark Tides is available for purchase at Amazon, Barnes and Noble, and iUniverseThe Outlander War can be previewed at Inkitt.