You first look at the Justice League…Wow!
July is usually remembered for the 4th of July, Independence Day, with a lot of fireworks, picnics and the red, white, and blue. July is also a time for oppressive heat, sitting on the beach getting sand in your trunks, or maybe just enjoying some fun in the sun. For even a few fanatics out there (and I’m speaking from experience because I’m married to one), July is revered as the halfway point until Christmas, hence the hours and hours of “Christmas in July” sales on shopping channels, making an enormous debt on my wallet. However, for me, July means San Diego Comic-Con and the best trailers, interviews, reveals about everything in geekdom. That’s my Christmas!
I know there are tons of columns, blogs, news articles and geek websites that have already covered every single aspect of Comic-Con, so why would I want to stick my toe in the water that crowded with big, ugly feet and well-manicured Pedi’s? Well, I thought I’d weigh in from the aspect of an author. We know the stories, we love the stories, but the question is, how are they being told? Granted, I am basing my opinions on trailers but you can learn a lot about a movie in under two minutes.
As with most comic book movies today, they cannot stay 100% true to the source material but they do try. I mean, Ultron was created by Hank Pym, not Tony Stark, but did so to make it relevant to the Avengers. This is a prime example of what I’m talking about. One of the best movies to hold true to form in its transition from book-to-screenplay is Fantastic Beasts and Where to Find Them since the screenplay was written by author J.K. Rowling. This is one movie that cannot be faulted for not being true and, besides the fact, it looks absolutely amazing. I love old New York and to throw magic into that noir setting is a treat for me.
There were so many more movies represented at Comic-Con, from King Arthur: Legend of the Sword, Kong: Skull Island, Guardians of the Galaxy Vol. 2, and more but these films were the cream of the crop.
Wonder Woman took an early turn out of the gate by starting her adventures in World War I vice World War II, though the sentiment behind this was mainly because there hasn’t been a superhero movie done in that era before. To be honest, I think that putting Wonder Woman in World War II would bring too many comparisons to Captain America: The First Avenger anyway, so it was a good choice. They are sticking to her mythology, so that’s good news to me, and her fighting scenes in the movies are killer. Plus it’s about damn time Wonder Woman got her own movie anyway. Lynda Carter has been waiting for more than 40 years to pass the torch and Gal Gadot was the best decision Warner Brothers made in casting this movie.
I don’t want to go back-to-back DC, so let me jump into Doctor Strange next. I really have mixed feelings about this. The trailer was amazing. The special effects reflect the incredible power of the mystic arts as created by artist Steve Ditko and writer Stan “The Man” Lee. The casting was undeniable as Benedict Cumberbatch and the rest of the cast are incredibly talented, even with the haters trolling about Tilda Swinton as the Ancient One. What bothers me is Baron Mordo, as portrayed by Chiwetel Ejiofor. In the comics, Mordo was a jealous, ambitious protegé of the Ancient One that turned to evil when Strange was picked over him. They seem to be more allies than adversaries in the movie. I’ll have to wait and see if there’s more to their relationship.
Justice League was definitely the surprise of the convention. Not only did they show the first image of the entire league standing together, but they also gave a quick glimpse of the trailer. It was a wonderful blend of humor, drama, and action that is making this the most anticipated movie of 2017. Another brilliant casting effort that includes Ezra Miller has more of the wit and humor of Wally West from the Justice League cartoon rather than Barry Allen in the comics. Jason Momoa is quite brooding as Aquaman, but I love the “talking to fish” comment by Batman. It’s been the running joke on Aquaman over the years and it plays out perfectly. Cyborg looks intense, yet vulnerable, as played by Ray Fisher. It was just a brief glimpse, but it continues to show Zack Snyder’s influence in the DC Extended Universe.
I will continue my look at the Comic-Con on Wednesday with a review of the upcoming TV series and what they’re bringing next season. Until then, head over to YouTube and check out all the trailers from San Diego Comic-Con.
We’ve all experienced it, some more than most. It is an obsession that we can’t explain nor can we understand ourselves. With me, it began in college in the 1980s, where I was introduced to Dungeons and Dragons. That’s where I fell for it hook, line, and sinker.
Even after I joined the Navy, I continued to play D&D. I found friends aboard the ship and we played during our duty days and off-duty hours. When I eventually stopped playing, I turned my obsession around and started writing, and it was from that, I created my
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The BFG, written by Roald Dahl in 1982 and directed and produced by Steven Spielberg, is the only book by Dahl that hasn’t been made into a feature film previously. The BFG (Mark Rylance), while a giant himself, is a Big Friendly Giant and nothing like the other inhabitants of Giant Country. Standing 24-feet tall with enormous ears and a keen sense of smell, he is endearingly dim-witted and keeps to himself for the most part. Giants like Bloodbottler (Bill Hader) and Fleshlumpeater (Jemaine Clement) on the other hand, are twice as big and at least twice as scary and have been known to eat humans, while the BFG prefers Snozzcumber and Frobscottle. Upon her arrival in Giant Country, Sophie, a precocious 10-year-old girl from London, is initially frightened of the mysterious giant who has brought her to his cave, but soon comes to realize that the BFG is actually quite gentle and charming, and, having never met a giant before, has many questions. The BFG brings Sophie to Dream Country where he collects dreams and sends them to children, teaching her all about the magic and mystery of dreams.
This brings me back to my opening statement. Kids, and even parents, today flock to Finding Dory instead of The BFG. Don’t get me wrong, I love the Pixar movies, but to see a classic like The BFG ignored for a talking fish is sad. This generation is so hung up on movies, television, the internet, and video games that they all but ignore reading such great stories. It’s only because of technology today that movies can bring these stories to life. Watching The BFG made me want to read the book again, to bring back the magic from long ago.
Let’s start at the end and work our way back. In 1973, Heston starred in Soylent Green with Chuck Conners, Leigh Taylor-Young, and the great Edward G. Robinson. In the year 2022, the people of Earth survive on a ration known as Soylent Green. When an executive at the factory is murdered, Detective Robert Thorn (Heston) investigates the case. This leads to conspiracy, intrigue, and murder along with the shocking discovery that their rations are made from the dead. Like a lot of the other movies of its time, Soylent Green hit upon the fear of the era … overpopulation, starvation, nuclear war, etc. The film is loosely based upon the 1966 science fiction novel Make Room! Make Room! by Harry Harrison. It won the Nebula Award for Best Dramatic Presentation and the Saturn Award for Best Science Fiction Film in 1973. This was also Edward G. Robinson’s last movie so that makes it even better, but it’s Heston that drives this film. His performance turned, what could have been a boring movie, into an edge of your seat crime thriller.
In 1971, Charlton Heston starred in The Omega Man, based on the novel I am Legend by Richard Matheson. If that sounds familiar to you, it is the same name as the 2007 movie I am Legend starring Will Smith. There was also a 1964 adaptation called The Last Man on Earth starring Vincent Price. In any case, Heston’s version is, to me, the true representation of the novel. It’s about Dr. Robert Neville (Heston) the sole survivor of a plague that killed or turned most of the population into zombie-like creatures. His blood held the key to curing the victims and also vaccinating other survivors. This movie had many firsts, including the first interracial kiss between Heston and co-star Rosalind Cash as Lisa. Another great aspect of the film was the empty streets of Los Angeles. They filmed in downtown LA on a Sunday morning to show the post-apocalyptic, deserted streets. Though the movie only got a 55% rating on 
The last movie is the 1968 classic Planet of the Apes and it’s sequel, Beneath the Planet of the Apes. As astronaut George Taylor, Heston and his team’s space flight takes them more than 2000 years into the future where apes now rule and humans are mute slaves. Of course, you don’t find this out until the end of the movie when you see the classic image of the Statue of Liberty, rusted and torn apart on the shoreline. This movie hits on a big theme of that era, equality and racism, but this time, it’s the humans being discriminated against. The movie was the first for large-scale make-up effects for all the actors cast as apes. Heston shines in his role as the only talking human in a world of talking apes. His arrogance, vanity, and narcissism comes through in his tough-guy persona as he struggles to survive. He also has to share time with the late great Roddy McDowell, who starred in all five Planet of the Apes movies. In the end, though, this is one of Heston’s most memorable roles.
The end of the world has been prophesied since the dawn of time. The Mayans said the world would end on December 21, 2012. The Vikings called it Ragnarök when the world ends and the Norse Gods die, only to be reborn. Of course, the book of Revelation in the New Testament goes into detail about the end of the world and the second coming of Jesus; and with the current climate of financial, political and global upheaval happening today, people are scared that our time has come.
As writers, the end of the world can come about through endless possibilities and that gives us so many options in the stories we tell: Zombie apocalypse, machines taking control, deadly viruses, nuclear war, climate change, etc. We are fatalistic in our views of the apocalypse and show humanity at its worst to bring about the end of the world. Yet, through all that turmoil and tribulation, we find a glimmer of hope. There is always one guiding light or shining star that wins out in the end and gives everyone, from readers to storytellers alike, that spark of optimism that will inspire.
Disney is known for its great animated movies, the majority of which take place in the fantasy genre. Classics like Snow White and the Seven Dwarfs, Sleeping Beauty and The Sword in the Stone have all the right elements of a great fantasy movie: wizards and witches, dragons and knights, good versus evil, etc. There is one, however, that was a beautiful adaptation of a classic fantasy novel that Disney decided was too dark and scary and swept it under the rug of forgotten classics. I am, of course, referring to The Black Cauldron.
The imagery in this movie was quite dark and spooky, especially for a kid’s animated movie. The Horned King looked like a walking corpse. It had all the earmarks of a Disney movie with the boy hero, a beautiful princess, the evil villain and his henchmen, and of course, the comedic sidekick; but even with all that, Disney had problems with the film. After its initial audience screening, the Disney Studio chairman Jeffrey Katzenberg ordered massive edits and cuts in the film, particularly in the “cauldron born” scene where the Horned King brings his army of the dead to life. There was even scenes where one of the “cauldron born” monsters sliced the neck of one victim and the torso of another. It was very gruesome indeed.
Mark Piggott | Fantasy & Steampunk Author 