Inspiration … it’s a word I use a lot in most of my social media posts. You’ll find #inspiration in almost everything I write. I can relate to so many different things as I weave my stories together. Movies, books, television, theater, and music give me the focus and drive in everything I do. Even as I am writing this blog, I am listening to Joss Whedon’s 2005 sci-fi classic Serenity.
Some people get inspiration through meditation and solace while others get it through experiences and community. Jimmy Dean said, “I can’t change the direction of the wind, but I can adjust my sails to always reach my destination.” That, in a nutshell, is the true definition of inspiration.
Our senses are the source of our inspiration: The sight of a beautiful sunset, the touch of a loved one’s hand, the smell of a bouquet of flowers, the taste of an ice cream sundae, and the sound of a touching song. These provide us the input for our inspiration. As an author, I focused on the things I love the most to inspire my writing. Whether it’s watching the original Star Trek TV series, any of the Lord of the Rings or The Hobbit movies, or listening to classic 80’s rock like Def Leppard, Duran Duran or Asia, I am inspired to put words to paper.
I know some writers prefer peace and quiet when they right, I need constant sound to help me focus on my writing. It’s a little strange, I know, but I found that by being surrounded by sight and sound, I’m able to push myself to concentrate on my writing. The great actress Audrey Hepburn said, “Nothing is impossible, the word itself says ‘I’m possible’!” You can’t argue with that logic.
David Bennet wrote a great blog about #inspiration at the Huffington Post. “Don’t look to the sky or mountains for inspiration. Look beneath the trees and shrubs. Our greatest inspirations can be at our feet at any moment. It reminds me of a time while hiking alone in Arizona, feeling the awe of nature surrounding me without a soul in sight. In my stillness, I heard ‘look down’ and there by my toe was the smallest flower. I would have never seen it. Thanks for the attentiveness of my inner voice. In that moment, that little flower felt like it carried all the beauty of the world. I’ve never forgotten that moment or that feeling.”
It’s the simplest things in life that inspire us. I remember a few months ago when I was working to finish the third book in the Forever Avalon series, The Outlander War. I was looking for a known magical artifact to include in my story. In my novels, I prefer to find actual things from myth and legend and put my own twist to it. To me, it allows my readers to better identify with my stories. I came across a fantasy movie from 1984 with Sean Connery called “Sword of the Valiant.” Connery played the mythical Green Knight from Arthurian legend. I watched the original trailer and researched the origins of the Green Knight and it fit perfectly into my story.
I wasn’t even looking for it and it found me. That’s the easiest way to become inspired. When you least expect it or don’t even look for it, we find our inspiration. You can find it too.


Let’s start at the end and work our way back. In 1973, Heston starred in Soylent Green with Chuck Conners, Leigh Taylor-Young, and the great Edward G. Robinson. In the year 2022, the people of Earth survive on a ration known as Soylent Green. When an executive at the factory is murdered, Detective Robert Thorn (Heston) investigates the case. This leads to conspiracy, intrigue, and murder along with the shocking discovery that their rations are made from the dead. Like a lot of the other movies of its time, Soylent Green hit upon the fear of the era … overpopulation, starvation, nuclear war, etc. The film is loosely based upon the 1966 science fiction novel Make Room! Make Room! by Harry Harrison. It won the Nebula Award for Best Dramatic Presentation and the Saturn Award for Best Science Fiction Film in 1973. This was also Edward G. Robinson’s last movie so that makes it even better, but it’s Heston that drives this film. His performance turned, what could have been a boring movie, into an edge of your seat crime thriller.
In 1971, Charlton Heston starred in The Omega Man, based on the novel I am Legend by Richard Matheson. If that sounds familiar to you, it is the same name as the 2007 movie I am Legend starring Will Smith. There was also a 1964 adaptation called The Last Man on Earth starring Vincent Price. In any case, Heston’s version is, to me, the true representation of the novel. It’s about Dr. Robert Neville (Heston) the sole survivor of a plague that killed or turned most of the population into zombie-like creatures. His blood held the key to curing the victims and also vaccinating other survivors. This movie had many firsts, including the first interracial kiss between Heston and co-star Rosalind Cash as Lisa. Another great aspect of the film was the empty streets of Los Angeles. They filmed in downtown LA on a Sunday morning to show the post-apocalyptic, deserted streets. Though the movie only got a 55% rating on
The last movie is the 1968 classic Planet of the Apes and it’s sequel, Beneath the Planet of the Apes. As astronaut George Taylor, Heston and his team’s space flight takes them more than 2000 years into the future where apes now rule and humans are mute slaves. Of course, you don’t find this out until the end of the movie when you see the classic image of the Statue of Liberty, rusted and torn apart on the shoreline. This movie hits on a big theme of that era, equality and racism, but this time, it’s the humans being discriminated against. The movie was the first for large-scale make-up effects for all the actors cast as apes. Heston shines in his role as the only talking human in a world of talking apes. His arrogance, vanity, and narcissism comes through in his tough-guy persona as he struggles to survive. He also has to share time with the late great Roddy McDowell, who starred in all five Planet of the Apes movies. In the end, though, this is one of Heston’s most memorable roles.
“Life is to be lived, not controlled; and humanity is won by continuing to play in the face of certain defeat.” That’s from Invisible Man by Ralph Ellison. That’s just one constant you can always find throughout literature, words to live by and wisdom to navigate through the rivers of self-doubt. As authors, we represent the struggles of not only our own lives but that of the world events happening around us. Authors want to instill hope, courage, determination and justice in the words we right.
The end of the world has been prophesied since the dawn of time. The Mayans said the world would end on December 21, 2012. The Vikings called it Ragnarök when the world ends and the Norse Gods die, only to be reborn. Of course, the book of Revelation in the New Testament goes into detail about the end of the world and the second coming of Jesus; and with the current climate of financial, political and global upheaval happening today, people are scared that our time has come.
As writers, the end of the world can come about through endless possibilities and that gives us so many options in the stories we tell: Zombie apocalypse, machines taking control, deadly viruses, nuclear war, climate change, etc. We are fatalistic in our views of the apocalypse and show humanity at its worst to bring about the end of the world. Yet, through all that turmoil and tribulation, we find a glimmer of hope. There is always one guiding light or shining star that wins out in the end and gives everyone, from readers to storytellers alike, that spark of optimism that will inspire.
Disney is known for its great animated movies, the majority of which take place in the fantasy genre. Classics like Snow White and the Seven Dwarfs, Sleeping Beauty and The Sword in the Stone have all the right elements of a great fantasy movie: wizards and witches, dragons and knights, good versus evil, etc. There is one, however, that was a beautiful adaptation of a classic fantasy novel that Disney decided was too dark and scary and swept it under the rug of forgotten classics. I am, of course, referring to The Black Cauldron.
The imagery in this movie was quite dark and spooky, especially for a kid’s animated movie. The Horned King looked like a walking corpse. It had all the earmarks of a Disney movie with the boy hero, a beautiful princess, the evil villain and his henchmen, and of course, the comedic sidekick; but even with all that, Disney had problems with the film. After its initial audience screening, the Disney Studio chairman Jeffrey Katzenberg ordered massive edits and cuts in the film, particularly in the “cauldron born” scene where the Horned King brings his army of the dead to life. There was even scenes where one of the “cauldron born” monsters sliced the neck of one victim and the torso of another. It was very gruesome indeed.











