The nightmare that is research all writers must face

Researching elements for your next novel can be as time consuming as writing it. Depending on the subject matter–whether its fantasy, science fiction, supernatural, or historical–any author worth their pen and paper want their stories to make sense. Accuracy is the key to all this research. But even then, you sometimes have to make concessions for the sake of storytelling.

You can take one subject and find hundreds of different interpretations of the same mythology or history. Take the Arthurian legend of which the Forever Avalon series is based. Did you know that more than 70 authors have used King Arthur as the basis for a novel? There are six adaptations in musical theater of the King Arthur mythos, and more than 20 plays of classic verse. (Yes, I am including Spamalot! in my numbers!) Additionally, there have been 11 operas, 42 feature films on the characters (plus 22 more considered parodies) and five television series. This is not even counting the numerous episodes from Doctor Who to Japanese anime that feature characters from the Arthurian legend. Safe to say, there is plenty of material to research this one topic.

So, for the sake of argument, lets talk about research in general. In today’s day-and-age, Google is your best friend. I have used that search engine for everything from names (first and surnames), language translation, cities and countries names, historical references, etc. It is a one stop shop for everything a writer needs. I even found a reference sheet of “Other words for said” depending on the emotion of the moment. You can’t beat it from spending countless hours in a library, fighting over reference materials. I’m not saying there’s anything wrong with spending hours in a library. Those are some of my fondest memories. But this allows you to do the research in your pajamas, something most libraries frown upon.

Happy Birthday, Jules Verne: 70 years of fantastic comic-book classicsThere is a broad basis for research, but to me, some of the best research is in the stories I read. Other writers give me inspiration, tips on writing styles, and ideas behind the story itself. For example, I love alternate history novels. Harry Turtledove is one of my favorite writers of alternative history. That gave me pause when I started working on my own alternate history, a world where Nikola Tesla and Jules Verne met and created a “steampunk” future with Tesla’s inventions and Verne’s inspiration. To do that, I had to research their life story to see if they were every in proximity to meet. Fun fact:  They were! Tesla worked for the Edison Company in France while Verne lived there. That gave me the track to create my story.

This is the importance of research. Even for a fantasy or science fiction story, you need to base what you do in fact. There are times that the story can actually inspire the real thing. Did you know that Steve Jobs got the idea for digital music and the iPod after watching an episode of Star Trek: The Next Generation? Gene Roddenberry inspired one of the greatest inventions of our time, not to mention cell phones, iPads, etc. That’s the power of the writer.

The moral to the story is to do your research with all the vigor and vitality you put into writing your story. Even with otherworldly elements within most fantasy/sci-fi stories, they are based on our own history. For Forever Avalon, I researched every know mythology known to mankind. Did you know that Dwarves are featured in the mythologies from Norse to Germanic, Anglo-Saxon to Russian. There are more myths on creation than you can shake a stick at. You have to read through all of this information and cut it down to fit what you’re writing about.

The biggest thing you can do is have a plan. I started my own writing “on the fly” based on my the story that was rattling around in my head, but that doesn’t always work. My subsequent novels have been more planned out, outline oriented. I still start writing the ideas down “on the fly” but I found that I needed to write things down more as I go along, outline it, make a list of everything from character names, city and country names, even languages used as a basis for magic spells. All of this makes it easier to build the world I am creating within my story.

I hope I’ve given you some good tools and examples of what to do and what not to do when researching subjects for your novel. I think astronaut Neil Armstrong said it best … “Research is creating new knowledge.” However, I like this quote even beter:

“Research is what I’m doing when I don’t know what I’m doing.” — Wernher von Braun

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Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides is available for purchase as a paperback/ebook at AmazonBarnes and Noble, and iUniverse Publishing. The Outlander War, Book Three of the Forever Avalon series is available from Austin Macauley Publishing.

Do your research when it comes to weaponry, both medieval and modern

Whether you’re writing science fiction or fantasy, the accuracy of the weapons being wielded is as crucial as the characters and the setting. You wouldn’t take a long sword on a dungeon crawl (for a visual, watch the first episode of the anime Goblin Slayer) nor would a U.S. Special Forces carry an AR-15 in combat. This is where your research as a writer is critical.

You can be flexible when you mix in science fiction, like steampunk or dystopian, when you mix and match weapons together. Even in some fantasy aspects, weapons have been creatively produced, like “Stormbringer” from the Elric saga or Xena’s chakram… Functional weapons but not easily wielded.

I can honestly say that my years of playing Dungeons and Dragons gave me an edge in fantasy writing. When you have calculate the length of your weapon to wield it in a dungeon, it makes you think. (Remember, in these instances, size does matter!) Add to that, my military career gave me some much needed knowledge in military weaponry, from automatic weapons to aircraft and missile technology. I know the difference between an F/A-18 Hornet and an E-2C Hawkeye, a Sea Sparrow and a CWIS.

This was my problem while I was writing my latest novel, The Outlander War: Book 3 of the Forever Avalon Series. The story begins in the middle of the Atlantic Ocean, in the heart of a naval exercise, when Avalon suddenly reappears, causing disruptions on both fronts. The U.S. Navy, now circling the mysterious island, wants answers. The tensions build as modern technology faces off against ancient magic, on an island where the laws of magic supersede the laws of science, as military forces continue to surround the mysterious island, bringing both sides to the brink of war.

I have already written two books with people using various medieval weapons, so that wasn’t the issue. Now, I had to incorporate the medieval fantasy world of Avalon with the U.S. and Russian Navy as well as special forces. This took a lot of research on my part. As a retired U.S. Navy Chief Petty Officer, I served on three aircraft carriers so I was quite familiar with the aircraft, weaponry, and terminology. It was a little different in researching Russian ships, weapons, and aircraft, but necessary for my story.

Here’s an excerpt from The Outlander War demonstrating an exchange between modern military forces and medieval weaponry.

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His voice trailed off as his eye caught something different on the horizon. Hunter knew how keen the eyesight of an Elf was and tried to see as well. It was a clear night, the moon waning as a small sliver of a crescent high in the sky.

“What is it?” Hunter asked. “What do you see?”

“There’s a new ship out there, one I’ve never seen before.”

“Are you sure, Feredir?” Eadric asked. “Those metal contraptions look all the same to me.”

“I have observed all the same ships for the past few weeks, that one is new.”

Try as he might, Hunter could barely make out the ship in the darkness. “Can you describe it?” he asked. “Do you see any writing on it?”

“It looks like the other large warship… the aircraft carrier, I believe your father called it, but the front of the ship is curved upward like a ramp,” Feredir said. “There is some writing on the side of the main structure but I’m not familiar with the language.”

“Show me!” Hunter demanded. Feredir took a dagger and wrote a few letters in the dirt next to the fire. Hunter didn’t understand the words, but he recognized the language. “That’s Russian, I think,” he said. “It must be a helicopter carrier of some sort.”

“Are those the machines with the spinning blades on them?” Feredir asked.

“Yes, why?”

“Because there are four of them headed our way!”

Feredir drew his bow. Hunter turned to two of the younger knights standing with them. “Pass the word down along the coast that invaders are coming toward Avalon,” he commanded. The two men took off in opposite directions to warn the other outposts. “Henri, go tell my father what’s going on! We need him here immediately!” Henri dropped the teapot and he took off running toward the main encampment.

Hunter reloaded his Lancer with two new spellshots as he and Sir Eadric crouched low behind the protection of some rocks. Feredir acted as lookout.

“How far out are they?” Hunter asked.

“Three of them are holding their position about six furlongs off shore,” he said, scanning the horizon. “I’ve lost the fourth one.”

“What?” Hunter exclaimed and jumped up to look. Eadric followed suit.

“Where did it go?” Eadric asked. Before Feredir could answer, the three men heard a whirring sound from just off the cliff. From below the edge, a helicopter rose up in the air in front of them, threatening them with a rotary mini-gun.

The three took cover as the helicopter opened fire, pelleting the ground around them with rapid-fire spray. Feredir notched an arrow and readied himself. The firing stopped for a moment and the Elven warrior stood up and fired off an arrow. The aim was true, a perfect shot at the helicopter pilot, but it ricocheted off the front windshield. Feredir got a second arrow off, but it had the same result. He dove behind the rock just as the pilot began firing again.

Feredir cursed. “My arrows won’t penetrate that infernal machine!” Hunter weighed all the options and he came up with an idea.

“I think I can help you there,” he said. He pulled up his Lancer, ready to fire. “After I shoot, hit him again. Your arrows should penetrate this time.”

Hunter took a deep breath before he popped up and fired his Lancer at the helicopter. His spellshot—a combination of magic and alchemy loaded into a cartridge the size of a shotgun shell—fired a freezing spray at the helicopter, coating the front of the aircraft in a layer of frost. The windshield froze instantaneously, and the pilot stopped firing.

Feredir quickly popped up and fired another arrow at the windshield. This time, his arrow shattered the glass and pierced the pilot through the chest. The aircraft pitched to the side and the co-pilot tried to regain control. Feredir didn’t give him a chance and he fired another arrow, killing the co-pilot instantly with an arrow through the throat.

The helicopter spun out of control as it flew over the three warriors and careened toward the ground. The engines shut down just before impact, then it crashed, exploding in a giant ball of fire. Sir Eadric and Hunter roared loudly at their victory. Feredir just stood there silently, there was a hint of a grin on his face.

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Mark Piggott is the author of the Forever Avalon book series. Forever Avalon is available for purchase as a paperback/ebook at Amazon. The Dark Tides is available for purchase as a paperback/ebook at AmazonBarnes and Noble, and iUniversepublishing. The Outlander War, Book Three of the Forever Avalon series is coming soon from Austin Macauley Publishing.